David Mentioning ‘Labyrinth’ Backstage During An Interview At ‘Live Aid’ - 1985

David Mentioning ‘Labyrinth’ Backstage During An Interview At ‘Live Aid’ - 1985
David Mentioning ‘Labyrinth’ Backstage During An Interview At ‘Live Aid’ - 1985
David Mentioning ‘Labyrinth’ Backstage During An Interview At ‘Live Aid’ - 1985
David Mentioning ‘Labyrinth’ Backstage During An Interview At ‘Live Aid’ - 1985

David mentioning ‘Labyrinth’ backstage during an interview at ‘Live Aid’ - 1985

More Posts from Astheworlldfalllsdown-blog and Others

Jareth: And now, back to this bitch that had a lot to say about me the other day to the citizens of my Labyrinth... Sarah, what's good?


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Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus
Orpheus But He's Sisyphus

orpheus but he's sisyphus

Ovid’s The Story of Orpheus and Eurydice (tr. Rolfe Humphries) / Spirited Away dir. Hayao Miyazaki / @mag200 / Jenny Diski, “Housewife” / Franz Wright, God's Silence / Adrianne Kalfopoulou, “Poem in Pieces, a Log” / Jon Ware, I am in Eskew / Kazimierz Wierzyński, “A Word of Orphists” (tr. Czeslaw Milosz) / @prisonhannibal / Aeschylus, The Oresteia / Ocean Vuong, Eurydice

image ids under cut:

image 1: a quote from Ovid that reads: "And Orpheus received her, but one term was set: he must not, till he passed Avernus, turn back his gaze, or the gift would be in vain."

image 2: excerpt from the script of the film Spirited Away that reads: "Haku: But I can't go any farther. Just go back the way you came, you'll be fine. [highlighted] But you have to promise not to look back, not until you've passed through the tunnel."

image 3: a drawing, labeled in all-caps handwriting "a venn diagram of love vs. grief:". the drawing is a single circle.

image 4: an excerpt, highlighted and italicized, from Jenny Diski that reads: "People don't understand about repetition, do they? How it is at the heart (thump, thump, thump) of obsession; at the erotic centre (drip, drip, drip) of desire. You do, of course. Repetition is insatiability spelt sideways."

image 5: a quote from Franz Wright reading, "And let me ask you this: the dead, where aren't they?"

image 6: a quote from Adrianne Kalfopoulou in red text, reading, "Grief will keep you reaching back / for what is not there"

image 7: an excerpt from Jon Ware that reads, "Here's my question. If the ghost wants nothing more than to be witnessed, why would it appear behind you, not in front of you? The only answer I can think of is this: [underlined] it appears behind you because it already knows, to an absolute certainty, that you will have no choice but to look back."

image 8: a quote from Kazimierz Wierzyński that reads: "I understood the true fate of Orpheus, that [highlighted] love is a constant terror of loss."

image 9: a screenshot of a tumblr ask from an anonymous user who says, "What's the point?" user prisonhannibal responds, "of what? it's love though".

image 10: two lines from aeschylus reading, "Orestes: This was always going to happen. She's been dead since the beginning."

image 11: an excerpt from Ocean Vuong that reads, "Your absence has gone through me // Like thread through a needle. / Everything I do is stitched with its color."

end ids.

Everything I’ve Done, I’ve Done For You.

Everything I’ve done, I’ve done for you.

     She Bit Into The Peach.
     She Bit Into The Peach.

     She bit into the peach.

     “This tastes … so strange.” She looked at the peach, and found that her eyes would not focus on it. She began to sway. Feeling that she might be going to faint, she took a step toward Hoggle, for support. She stumbled. With one hand she wiped her brow while, with the other, she held the peach out at arm’s length, trying to look at it properly. Then she understood. Slowly, she looked at Hoggle. He was a blurred, shimmering shape. “Hoggle,” she said quietly. “What have you done?”

     In a strangled voice, Hoggle cried out, “Damn you, Jareth! And damn me, too!” Turning his face away from Sarah, he ran headlong into the forest.

     Now Sarah was tottering. She managed to stagger to a tree, and leaned against it. She had already forgotten Hoggle and Ludo and Sir Didymus and Toby, and where she was and why.

     All her thoughts were for Jareth, and her eyes were looking up at the sky. “Everything’s dancing,” she whispered.

DON’T 👏 SAY👏YOU👏LIKE👏LABRYNTH👏UNLESS👏YOU’RE 👏A👏GOBLIN👏OR👏THE👏BABE👏WITH👏THE👏POWER👏


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Jareth: love me, do as I say, and I WILL be your SLAVE...

Sarah: you have no power over me!

Jareth:

Sarah:

Jareth:

Jareth:.... you... come into mY LABYRINTH-


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This Puppet Is Actually In My State. It Was Found By The Lost Luggage Store, Partially Restored, And

This puppet is actually in my state. It was found by the lost luggage store, partially restored, and is featured in their lost luggage museum


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Jareth: Just fear me, love me, do as I say, and I'll be your slave.

Sarah: ✅ seen 12:58 pm


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astheworlldfalllsdown-blog - As The World Falls Down
As The World Falls Down

Been a Labyrinth fan for 15 years, it's about time I made a blog. My name's Noah, he/him, I'm from the UK and I'm 17 years old.

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