Link

LOOK AT HER 😍

I wrote this at 2am in my notes app lol

she bent her legs and arched her back as he continued at the sweetest part of her. Her eyes rolled back as the heel of her foot dug into his back and curled her toes. she moaned sweet praises to the boy between her legs as her orgasm came quickly, her stomach tightened and body shaking, trying desperately to keep them from closing against his head in desperation. his tongue worked in a figure-eight against her clit as she gasped and pulled at his hair. the soft sound of her heart could be heard in her ears as she closed her eyes and gasped for a final time and a wave of glowing light erupted from inside her, spilling herself over the boy’s face.

So next week I’ll either popping my ass to Slut! (Taylor’s version) (from the vault) or crying my eyes out to Slut! (Taylor’s version) (from the vault). I’m very excited to find out.

happy "hey buddy you in london" to anyone who celebrates <3

everyone wish her a happy 9-year anniversary ♥️

what a terrible terrible night to be a man named joe

I was reminded today that The Emerald City wasn't green, The Wizard forced all citizens to wear green tinted glasses under the guise of "for their own protection" so that they wouldn't see things as they really were.

...yeah

I am so gay for them 😭😭😭😭

Interested to hear your interpretation on Suburban Legends

first off the song and beat sounds so similar to mastermind and gold rush. particularly mastermind. listen to the opening seconds back to back! she sings through a lot of it similarly in my opinion

and it has some of the similar mechanics of mastermind in that it leads you to believe the song is going one way but then pulls a switcheroo on you at the end and the swell in the music aids that at the end which makes it a really sweet and emotional listening experience. i’ll get to that in a second.

i think at the beginning of taylor knowing or being aware of karlie (so like, your kitchen or mine times), this was very much the situation. karlie is in her peripheral vision (on her radar) but just as taylor described in gold rush, karlie seemed like something utterly unattainable. in lover as well we get the line “i’m highly suspicious that everyone who sees you wants you” and i think this fits with this description of karlie.

i didn’t come here to make friends echoes their entire conceit of mastermind, and a lot of the kaylor discography that uses the word ‘friend’ — another way to say “i don’t want you like a best friend” etc

also this is a sort of throwaway point but “i didn’t come here to make friends” was a 2000’s reality tv phrase that came into popularity via the show America’s Next Top Model. it was iconic and soon every competitive reality tv show under the sun had contestants saying it.. but it’s origins are from a show about models! of which karlie is one.

more importantly, the “you kiss me in a way that’s gonna screw me up forever” is like the follow up to the gold rush “eyes like sinking ships on waters so inviting i almost jump in” language. it’s cruel summer’s “snuck in through the garden gate every night that summer just to seal my fate” because falling in love with karlie lead to taylor wanting her complications too

mismatched star signs works because fire signs traditionally match best with air signs. also visually, stars mismatched fits in with mastermind’s “the planets and the fates and all the stars aligned” — things that weren’t in alignment coming into alignment.

there’s a bunch of story page chapter stuff throughout taylor’s discography, some of which makes its way into kaylor but i’d probably write for way too long so i’m just gonna skip over that for now

this part might be a bit tricky but i sort of blame it on many kaylors not talking that much about really early kaylor possibilities out of (a sort of unearned) respect and the one way street principle of staying in our lane but the idea of taylor saying “i know that when you told me we’d get back together and kissed me that you remember[ed] we were born to be national treasures” isn’t that too wild of a statement if you imagine them as maybe briefly connecting or talking at some point before taylor made her plans to make karlie hers. indeed, we know their paths crossed several times before they were first connected at the 2013 vs fashion show.

*for posterity, i included the apple music lyrics as the genius lyrics appear to be worded partially incorrectly

this is the part of the song which i just think is so beautifully done. in particular i love the “you don’t knock anymore” of it all

at first it sounds like she’s saying karlie doesn’t knock anymore because she come around anymore, or this idea of there having been a breakup or a period of not being together or something sad, which is matched by the tone of how she sings it for the first time. the waves crashing to the shore feels like a storm.

but at the end of the repetition her voice becomes more upbeat and it dawns on you, you’re like, oh wait karlie doesn’t knock anymore because she doesn’t need to knock anymore, she has a key! (“is that your key in the door?” anyone?)

and suddenly the waves meeting the shore is a pleasant image of unification and happiness. she closes with the thought “you don’t knock anymore and i always knew it” which makes it feel a bit more like mastermind’s “you knew the entire time, and now you’re mine” — always knowing they would get together, taylor always knowing karlie was the one. “and my life had been ruined” is sung in a sort of sweet resignation, one that i find throughout a lot of kaylor music, the idea that she knows its complicated but that its what she chose.

so yeah! that’s why suburban legends is a kaylor song to me 😌

Just know that when I hit play on "Slut!" in an hour I will be hyperventilating, ascending, dissociating, sobbing, and euphoric all at once

hiiii

I had to write an assignment for my english class about a song that explores any aspect of a romantic relationship that you've experienced. It was only a paragraph but i'm still really proud of it and decided to post it. The song I chose was the prophecy by taylor swift. a song very dear to me.

Anyways. Here it is;

I sat with myself about what song best described my experience. I started going down a list of songs from all the different artists I listen to. From The 1975 to Lorde to Lana Del Rey but ultimately settled on the queen of love songs herself. Taylor Swift. As a fan of her it was a hard choice but as a lover of her newest album, The Tortured Poets Department: The Anthology, The prophecy was the right choice. Being a melodramatic Twenty-One-year-old hopeless romantic I often feel as though I’m going to be alone forever, a truly fearful fate. So, when I listened to the song for the first time I related to Swift’s feelings of hopelessness portrayed through her lyricism. The feeling of hopelessness one only feels when the presumed love of their life slips through their fingers. I am not the only one, The prophecy having 183,309,275 plays on Spotify alone the fans also resonated with the sad ballad. Even outside of her regular listeners people are seeing how much weight her words have. Swift is getting young girls through their girlhood since her debut in 2006 through her lyrics and haven’t stopped since. Her lyrics are truly more than just lyrics; It’s poetry and All’s fair in love and poetry.

I ended up removing a quote I used from an article I used around the seventh sentence just because it's from a local college to me.