Latest Posts by clash-of-moonbeams - Page 3

jason antis who hate his fans bc they treat him like a sad boy are so funny... wdym you're mad i think a character who was tortured, murdered, victim blamed for his own death by people who were supposed to be his family, repeatedly beaten by his adoptive father, and canonically suicidal.... is sad?!

you're mad that he's one of the characters who are actually canonically depressed and so fans treat him as such?????

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Last Thursday the FDA started raiding queer businesses and bars to crack down on the sales of Amyl Nitrate (Poppers/Video Head Cleaner) . Haven't seen many people talking about that. Also RFK is claiming that the "first thousand people who died of aids were adsitected to poppers" which is impossible since VHS cleaner isn't addictive and it's impossible to prove anything about the "first thousand people who died of aids" since nobody knows who those people were.

Counterintuitively, Jason trafficking drugs himself, and the way he treats drug dealers in general is actually one of the core reasons I do believe he has a real moral backbone.

In Lost Days we see him mention that he killed his small arms teacher because the smack he was dealing was poisoned. In Nightwing (2016) Annual #2 Jason is particularly violent towards their enemy because he cut his heroin with other substances, leading to his mother's first overdose. In Under the Red Hood, his most important rule is 'no selling to kids', and he is specifically employing people who do sell drugs to adults.

Playing a bit of Headcanon Jazz here - listening to the notes Jason doesn't play as much as the ones he does - It feels really notable to me that dealing drugs is not enough to get on Jason's shit list. On some level Jason thinks it's okay to deal drugs. Even more importantly: Jason doesn't at all imply that drug users are at fault - nor that they need to have the choice to use taken from them 'for their own good'. Heck, I can't remember any instance of him saying that doing drugs is a bad thing.

He has lived with and cared for someone struggling with an addiction that she died to, which would have made it really easy to take him in a 'no leniency, no tolerance, kill all drug dealers and burn all the crack so no one can smoke it' road. Yet that's the opposite of how he's operating.

And I'm putting all that together to get a Jason who firmly believes in harm reduction and that when it comes to drugs, people have a right to risk; they have a right to choose to use. I don't think it's too much further of a stretch to say that he thinks that those who do use should be supported by infrastructure ensuring that their drugs are uncut and properly dosed and that they should have safe places to use and well funded rehab options if they want to quit.

This whole thing is so important to me because it lies completely outside of his emotional conflict of 'I wasn't avenged'; it's proof that there was more to Jason's talk about running Gotham differently than simply killing people.

Factually, there are a huge number of criminal activities that could be used to improve the lives of vulnerable people.

I firmly believe that no government has the right to detain, imprison, deport, et.c. people fleeing violence and persecution in their country of origin. A criminal organization that genuinely had their best interest in mind who could provide access to new identities, jobs, housing, and paperwork for cheap could save and change hundreds of lives. Sex workers, especially survival sex workers who want to quit and move on to a new job, could benefit enormously from protection from the cops, and from landlords kicking them out, and the ability to get criminal charges purged from their records, and lots of other stuff. People who use street drugs need a lot of the same things, as do people who need access to medication but for whatever reason can't get prescriptions the legal way.

This is all stuff that is already a staple of organized crime - they just do it in ways that are insanely abusive and exploitative.

It makes sense that Jason would look at that and think he could make it work! Honestly I'd love to read a comic about him trying! He could be the pinnacle of Be Gay Do Crime! Sadly though, it's very unlikely we ever will, especially because his term as a drug lord was so incredibly short to begin with. Under the Red Hood, a tiny snippet of Robin (1993) and Green Arrow (2001) #69 - #72 is really all we get, and none of those really got into the politics of his organization either.

Tho, there is a tiny snippet we possibly see in Seeing Red, my favorite Jason run ever, and I will take any excuse to talk about it so here we go lol!

This is a comic in which Batman gets some things wrong about Jason, and might be straight up lying to Green Arrow in places too, so I don't think we can take his word for it when he says Jason is driving up the trade. Especially not when Jason hasn't given a single flying fuck about collecting wealth for himself in basically any other appearance ever.

Is he using drugs as a trading good to some capacity? Yes, that's a minor plot point here, however, I think justice is very present in his reasoning. I think Jason is being selective with which shipments he's keeping - testing each and destroying the stuff that's extra dangerous, making sure that what's getting used is as safe as it can be. Plus, he might be reducing the supply so that drug trade can't expand, while considering complete elimination to be flatly undesirable, since it could force users to go cold turkey, something that can be dangerous, or at least very painful.

Now, obviously this is still headcanon territory, we never really see into Jason's head about this specific topic, but I do feel like it's a reasonable way to fill in that gap!

Anyways, this is why I've never felt like Jason's disagreements with Bruce's methods were purely about his own emotional desires. There's too much else surrounding that which he clearly also cares about.

Perfuma fanart I made last year

I love reporter Billy, but consider this: Billy becoming an architect to fix the Rock of Eternity (ROE)

Here’s the thing about the Rock. They used to have a council, people filling their halls and people who would maintain their infrastructure.

Now there is only a ghost of a (singular) council member and the new champion.

It’s also been who knows how many centuries or millennia Roe was renovated, and no one fixed them after the battle that led to the end of the council. So they are not in good shape. The wizard was holding on by a thread, that’s how damaged they were.

Billy, having grew up with Roe as their most stable place to stay, of course noticed. He’s read the books in the Library of Eternity, has seen the scriptures of the ancient civilisations and saw the carvings on the walls of the people who used to walk here.

Having grown up homeless, Billy knew the foundations of what makes a building safe to stay in. He’s even renovated a few abandoned apartments to make it livable once he’s learned how to use magic. Which in turn, may have inspired him to study architecture.

Roe is in shambles when they meet their new champion. Roe expects to remain in that state of disrepair for the foreseeable future. What Roe didn’t see coming is the sheer dedication of the child they helped raise.

A thing about Fawcette is that there’s a mix of serval centuries style through out the city, mostly because of time distortion and well as magic and runes instilled in the buildings. Meaning they have one hell of an architect program.

Not only does Billy preserve and off the natural foundations, but he also adds new designs, carved stone to incorporate beautiful pieces to adorn the halls. Adds new runes to help Roe sustain themself better, for the magic to run smoothly. Roe is no longer in shambles. No longer unpolished and full of grime a reminder of an ancient past, and starts to resemble more on how they unused to be. Cared for, strong and carved of stone.

Just, adult Billy as an architect. And using that knowledge + magic to fix up Roe. And Roe being an ancient sentient being that feels like they finally get to have multiple spa days after centuries of abandonment.

Also an architect has a way more flexible schedule than most jobs, allowing Billy to do his Champion and Hero duties at his pace.

TW: Pedophilia

Teenagers are rarely taught the reason why they can't consent to sex with adults.

And that's because teaching them that would completely unravel our coercion-based society.

It can be difficult to explain in detail the exact reason and all the specifics in a way that they will understand. But the simplest way to phrase it is that in some cases, even when someone agrees to something and even when they appear enthusiastic about it, there's too much of a power imbalance that it's no different than forcing them. Also, having power and being abusive doesn't require a conscious expectation to be obeyed.

Imagine a world in which every teenager understood that and was easily able to call out anyone who tried to convince them otherwise.

They'd know that there's no such thing as an employee consenting to working for a poverty wage, working in unsafe conditions, working long hours, or working without taking breaks. They'd know that there's no such thing as consenting to paying a bank overdraft fee. They'd know that there's no such thing as consenting to student loan debt. They'd know that there's no such thing as consenting to medical bills. They'd know that there's no such thing as consenting to generating profit for banks or landlords in order to have a place to live and being evicted or foreclosed when you lose your source of income. They'd know that there's no such thing as consenting to a police search. They'd know that there's no such thing as a child who's okay with their parents spanking them. They'd know that being dependent on someone does not mean that you can never criticize them. They'd know that if it's considered abusive to simply play along when someone obeys, then it has to be much more abusive to actively expect to be obeyed, which many adults do to them.

And people who benefit from a society based on coercion masquerading as freedom wouldn't like that.

So instead, teenagers are taught something dismissive. They're taught that what they want doesn't matter. They're taught that they're too young to know what love is. They're taught "it's the law". They're taught things that are insulting to their intelligence, which they'll naturally rebel against.

“Red Hood is a pimp-“ yeah, I sure hope he is!! If Mr ‘Controlling Crime’ isn’t also keeping things cool for sex workers then that’d be pretty scummy of him wouldn’t it?

this is my version of a ‘things to keep in mind when writing abusive/bad parent bruce’ but this is focused on bruce’s perspective rather than that of his children. i am not debating whether or not bruce is written as abusive (he is) or the exact parameters of the harm he has done.

1. bruce has mistreated all his kids at times. bruce’s kids all overlook or put up with his bad parenting to some extent

2. bruce (like all abusers) will not change unless he is made to* his behaviors serve a purpose and benefit him. if he didn’t get something he wanted from it there would be no need to subjugate and punish or lash out at** his family. this stuff is not some kind of self sabotage that hurts him worse than it hurts anyone else. i don’t think he takes pleasure in hurting his kids but it is a means to an end for him. the behavior may be borne of or influenced by trauma but that does not excuse it or make him any more worthy of understanding or forgiveness from the people he has wronged.

3. bruce is well meaning and cares a great deal about the family he mistreats. he knows them well and wants them to be safe and happy but he is clearly very good at ignoring all that and prioritizing his preferences and imposing them on others if he chooses. abusers often have good qualities and not just as some kind of camouflage or shell they show the world but because all people have some good qualities. there is no amount of goodness or benefit to the world as a whole that excuses or erases the harm a person does. abusers are incredible at feeling bad about things they do and the ways victims are impacted but not letting it influence their opinion of themself. abusers are commonly able to denounce the violence and cruelty of abuse while holding themselves as different and justified. they don’t necessarily think of themselves as bad people. all of this is important to keep in mind when going for a nuanced take on bad parent bruce

*he is made to understand that the only way to be in his family’s lives is to actually change and progress and quit hurting them

**i am talking about both physical abuse, emotional/verbal abuse, and control and coercion using his wealth and his role as their father and batman

Okay you know what fuck this shit I'm tired, screw nuance actually. I think murder is okay now.

Some Chaggie (not my favorite ship name) art I made a while back. Might just redraw this at some point, the background especially leaves something to be desired. Plus, not 100% satisfied with how Charlie turned out…

Who Needs Heaven? : Safe & Sound

jason todd x fem!reader

aka your daughters learn what happened to jason

warnings: nonspecific discussions on how jason died

(1) the drop-in

The sound of water splashing under toy boats and fish fills the small room.

You ring the washcloth out over the suds, Rory’s idle hands scooping up the excess. She entertains herself with the slowly dissolving bubbles between her fingers as you fill up your cup.

“Put your head back,” you tell her, nudging her forehead.

She does, squeezing her eyes shut.

You pour the cup of water over her head, combing through her hair. You refill the cup again as she pipes up. 

“Mommy,” she says with a casual lull in her voice. 

You pour it out again, making sure to rinse the shampoo at her roots, “Hm?”

Her hand comes up to wipe the stream from off her forehead, “How did daddy get that scar?” 

“Well, daddy has lots of scars,” you say carefully. “You know that.”

She shakes her head, “Littler scars. He has a big one though, right here.” 

She points up and down her torso. 

“What happened?”

You take a breath, eyes focused on the dissolving suds. “What happened…”

She continues on, “He said scars come from when you get hurt and the bigger ones are bigger hurts. How did he get such a big hurt?”

“Um...” She’s quite young to hear that story, especially coming from you. Your older daughters have an awareness of what happened, though it’s never been formally discussed. You think Mia knows what the autopsy scar is and the twins definitely know he died at the very least. You’ve been made aware that there’s been…discussions at school about who their dad is and how he one day died and then years later magically reappeared. You and Jason had decided that you would talk to them about it eventually, but only when they were old enough to not be completely traumatized hearing it.

You just hadn’t assumed that day would creep up on you like this.

You sit back, tense. “Did you ask him that?”

“No…” she says gravely. “I don’t wanna make him sad.”

You nod, trying to collect your thoughts. How can you steer away from this without attracting more questions? 

“Do you know what happened?” she asks, scanning your face.

You do your best to reset your expression to neutral.

You start without really knowing where the sentence is going, “We…we can talk about it later…”

Rory tilts her head, “Not now?”

You shake yours, “Not right now.”

That’s enough to appease her curiosity for the rest of the bath, but you know with that one, it won’t last long.

You’d gotten her dressed and sent her on her way, but your mind stayed heavy the whole time.

You walk downstairs slowly, hands still damp from the bath. As you turn the corner from the stairs you find Jason, reading contentedly by himself in the living room.

You cross the room without hesitation, climbing into the spot next to him on the couch. He doesn’t need to look up, only adjusts the position of his arm so its draped over you, pulling you into his side.

“So…” you start, “Rory was asking about your scar..”

He turns away from the book, looking at you with serious eyes. “What did she say?”

“She wants to know how you got it,” you tell him. “I didn’t tell her, but she didn’t want to ask you either.”

“Why not?” He asks quickly, face brimming with anxiety.

You shake your head, calming his worries. “She said she didn’t want to make you sad.”

He relaxes a bit at that, taking in the information.

You break the silence after a minute, quietly telling him, “I think it might be time to talk about it.”

He looks dejected, eyes on the floor. “They’re still little..”

“I’m not saying tell them everything right now, just…acknowledge it.”

“I don’t—” He sighs, “I don’t know how I’m supposed to tell them that.”

You think for a moment, nodding. 

“Tell them how you told me. Just…more kid words.”

He still looks resigned at the idea so you continue, “You know how to talk to them. Just tell them what you want them to hear. They’ll listen.”

He nods, eyes low. “Okay…”

You stand up, and he grabs your hand as you rise, pulling himself up too.

You give each other one more confirming look before calling up the stairs, “Girls? Come here.”

There’s a ten second delay before a scuttle of footsteps starts down the staircase, arriving with a low-liveliness, nearly bedtime energy amongst them.

The second you’re within sight of them, they’re keen that something’s not right.

“What’s going on?” 

“Is—”

“Everything’s alright. Nothing’s wrong,” you tell them. “We just want to talk to you for a minute.”

Your words don’t do much to ease their minds, but after a moment they slowly gather onto a single couch. They’re all squished in together and Rory’s half on top of Anna and Laine, the latter of which can barely move. Still, there’s no complaints to be heard, only an air of seriousness throughout the room. 

Jason clears his throat, though he has trouble looking at them, the easier option seeming to be the carpeted floor. 

“Alright,” he starts with a deep breath. “So my, uh, my Y scar…”

The air in the room drops the second the words are out, the girls all quiet and listening closely. You can tell this is something they’d been wondering about for a long time.

“When I was younger and I’d just started doing the, uh, special job my brothers and Bruce do…” He takes another breath, “Some things happened that shouldn’t have and I got hurt..”

“What things?” Ryan asks.

“I…I got tricked by a bad guy and…I just got hurt.”

It’s uncharacteristic for the girls to all look so dejected and serious like this. Goes to show that you were right—they do have an understanding of what happened.

Anna is the first to pipe up. 

“Did you die?”

“Anna—”

“It’s alright,” Jason interrupts. He collects himself before eking out, “Um…yeah, I-I did.”

He’s still stuck on those words and you have to silently push for him to keep talking, so as to not give their imaginations time to run wild.

He takes the hint, stuttering, “But, um, it’s complicated, but I came back and—”

Laine interrupts this time, almost teary-eyed.

“Are you going to die again?”

Jason shakes his head quickly, “No. No, honey, not for a long time.”

It’s quiet for a moment as they process, sorting through the details into something their minds can understand.

Rory looks on edge, wide-eyed, as she asks, “Are you a ghost?”

“No, sweetheart,” Jason answers calmly with a shake of his head. 

That seems to calm her anxiety more than anything else.

“Are you better now?” Laine asks. 

Jason nods, “Yeah, I’m a lot better now.”

Ryan looks skeptical at the choice of words. “How did you…get better?”

He takes a shaky breath, “Well…your mommy helped me a lot. And then you helped me some more. And now…now I’m all healed.”

None of them seem to really understand, but they accept the answer anyways.

The next question is from Anna. 

“Is the bad guy in jail now?” 

Jason only momentarily stutters in his response, but pulls it together nicely. 

“It’s not something you need to be worried about. I promise. Nothing like that’s going to happen again to me or you or anyone.” 

This appears to appease most of the concerns flying around in their heads. 

He continues, “We can talk about it more when you get older, but…

You take the queue, nodding Rory and Lainey your way. 

“Let’s go get ready for bed, okay?”

You nudge the younger two upstairs, who, to your surprise, go without resistance.

You give Jason one last glance before heading up the stairs, happy to see him much more relaxed than he was at the start of this conversation.

He’s left downstairs with his eldest three girls, each nearly bursting at the seams full of their thoughts and questions. 

Jason thumps down on the couch between them, a heavy breath following.

The trio watch him quietly for a moment before Anna speaks.   

“I know what it is,” she tells him somberly. He looks at her with more melancholia than he would’ve hoped for.

She continues, “There’s autopsies on my show sometimes.”

Right, her show. The X-Files.

Jason nods, a bit remiss at the idea that she knows.

From his other side, Ryan pipes up. 

“Did it hurt?”

He shakes his head, “No, I-I wasn’t…” 

Wasn’t alive. He doesn’t want to say that, though. 

Ryan nods, understanding anyways. “Did it hurt when you died?”

He hesitates before answering, wavering between lying to protect their minds and telling them the truth. In the end, he decides that you’re right, they can handle it in small measures. 

“Yeah. It did, a little,” he confesses. ”But like I said, that’s not going to happen again.”

From behind Ryan, Mia speaks so softly Jason almost misses her words. 

“I’m sorry.”

He looks at her, brow furrowed. “For what?” 

“That that happened to you,” she says. Her eyes are filled with an equal sadness to his and it breaks his heart. Even more so that her words are so clearly meant sincerely.

“Oh.”

It’s all he can manage to say.

He was only a little older than Mia when his life had been taken away from him and he’d been forced to reset everything he ever knew. And now, all these years later, he sits here surrounded by his children, his world that he was given a second chance to create. His children that don’t see a monster when they look at him, don’t see the scarred giant that he sees. They just see their dad. 

When they were still young they’d started getting almost excited whenever they got a scar from playing too hard because it made them more like him. It took Jason years to just bear the thought of his scars, but his girls look at them like art. Even when they know he got them in bad ways, they pour out nothing but affection. No disgust, no fear, no hate. Just love.

His eyes close and his face falls in his hands, overwhelmed by the idea of his children being such angels, despite being products of him.

“Dad? Are you okay?” 

He nods, face still covered. His voice is muffled as he says, “Yeah. Yeah, sweetheart, I just, um…” 

His words die off with little fight, and when his hands drop his eyes are red. 

Anna, who’s usually compulsed to only touch emotion with a ten-foot pole, is the first to wrap her arms around him, holding him tight. The gesture takes him by surprise, especially from her, and he tenses briefly before deflating like a balloon. Mia and Ryan are quick to follow suit, basically dog-piling over his opposite shoulder.

“It’s okay, dad. We love you. And your scars,” Ryan tells him. 

Oh, they think he’s sad.

Hell, thirteen years ago he would’ve thought he was sad. He only started to understand his feelings after his first daughter was born. He doesn’t tell them he’s not sad, doesn’t tell them that he’s crying because life slapped him around and then gave him everything he could ever want five times over. 

Instead, he just nods, pulling them impossibly closer.

who’s your fav daughter

The Alchemy vol. II

jason todd x fem!reader

aka the progression of your relationship with the red hood

part one

warnings: depictions of blood and injury, standard gotham violence, jason doesn't know how to have feelings, reader is angry, threats against readers life, implied concern of sexual assault

It might be a matter of deficiency in self-preservation skills, how the sound of your window sliding open does nothing to phase you. You don’t know if that’s your fault or his.

“How’s it goin’ down there?” You mumble, not sitting up from your position on the couch.

He pushes the window shut in his wake, huffing. “I am up here for a reason,” he says factually.

You crane your head back just in time to see him tug the red helmet off his head, setting it down on your side table. He has on his under-mask that covers the lower half of his face. You don’t like that one.

He glances around your apartment as he approaches with slow steps. “Why are all the lights off?”

“Forgot to turn ‘em on,” you tell him simply.

He frowns at you, confusion evident.

You pay him no mind though, taking an exaggerated breath and pushing yourself up off the couch before trotting over to the kitchen. You open the fridge and scrummage for a water bottle. Jason thinks it’s odd how long it takes you to find one in your own fridge. 

Once it's (eventually) in your hands, you chug down several gulps and toss the half empty bottle towards the counter where it lands with a sloppy thump and rolls.

When you return, he’s leant against the armrest of your chair, watching you. You stop in the middle of the room, a contemplating stare on the floor. He tilts his head at you, wondering what you could possibly be thinking so hard about.

You take a deep breath before plopping down to lay on the carpet all in one go. 

He peers down at you, barely trying to hide his amusement. “You’re drunk.”

You shake your head, “I’m not sober.”

“That’s—yeah.” He stands all the way, coming to lay down on the floor next to you, using significantly more coordination than you had.

He lays in between you and the couch, though it doesn’t seem you’d left him much room. If he minds, it doesn’t show. “What’d you do?”

“I jus’ went out with my friend,” you tell him, closing your eyes. “She moves pretty fast..”

It occurs to him that you might be laying on the ground because you got nauseous. He turns to look at you, scanning you over. “You good?”

“I feel great,” you keen. “I feel…swooshy.”

He gives you a bemused look. “Dizzy?”

You shake your head with a great deal of consideration on your face, “No, not even dizzy, just…swoosh.” You throw out a hand with a theatrical flick.

“Mhm.”

You pucker your lips to the side. “You come here a lot,” you comment, clearly working up to some greater observation.

“You’re in my neighborhood,” he shrugs. 

Your head tilts, “You live here?”

He pauses before correcting himself, “My territory.”

You hum, “Still. There has to be other people around here you know. ‘Specially if you’re passing out on balconies on the reg.”

He frowns, “I try not to make a habit out of it.”

You continue on, “Why do you always go to my apartment? There’s—”

“I don’t always come to your apartment—”

You deadpan, “You’re here like three nights a week. And I don’t even help you that much anymore, you’ve used up my whole first aid kit.”

You can literally feel the eyeroll like you have a sixth sense for it. “That thing wasn’t exactly impressive to start with..”

“Did enough for you, didn’t it? Anyways, my point is: I think you like me,” you say with a nod.

That has him going absolutely rigid, “What?”

“I’ve heard you’re an asshole.”

“What?”

You nod, “Like, people that run into you. They say you’re kind of a dick. You help ‘em ‘n everything, but also while being a dick. Sometimes.”

“Okay...”

“But you’re nice to me. Sort of,” you squint. “I think you like me.”

He hasn’t felt this straggled in a conversation in a while. “I—well I’m not here because you’re a world-class medic.”

You scoff, “There’s no world-class medics..” But then your tone switches up, into something lighter. “We’re friends aren’t we? I think we’re friends.” 

He shakes his head, staring up blankly. “Sure, we’re friends.”

“We’re friends and you like me,” you reiterate.

He really wishes you’d stop saying that. “Okay.”

“I like you too. Even though you’re kinda sketchy.”

He doesn’t know what to say to that.

You hum into the silence, looking up at the ceiling. “J…James, Jack, John…”

He smiles, gaze dancing across the egg-whitened popcorn texture of the ceiling. “I’m not going to tell you.”

You ignore him, “Jake, Jaden, Jason, Josh, Joe, Jesse…”

You’re about three shots too drunk to notice the way he briefly stiffens. 

“Juuhhh…” you lull your head to the side, the letter fading out slowly as you look into his eyes. If you focus, you think you can make out a few of those little specks of green again.

He seems to already be running his own study on your irises, his eyes now softer than you can remember seeing them before. 

His next words are whispered, the sounds barely escaping. “You’re pretty.”

What?

“What?”

“What?” He seems taken aback by his own words, like he also wasn’t expecting them to climb out of his mouth.

You can literally feel sobriety seeping back into your blood. “I’m…pretty?”

He blinks a few times, apparently trying hard to decide on what position he’s going to take here. “I—well…yeah.”

You blink once, relaxing. “I think…I think you’re pretty too.”

“What?”

“We can’t do this again.”

He breaks eye contact, looking almost dejected.

You turn your head down to where his hand thrums against the carpet. “I mean, I know I haven’t seen your whole face in one go, but I see the top half now and the bottom before, so I…maybe I shouldn’t be saying this.” You reset with a shallow breath, “I don’t know what your whole face looks like.”

“That was,” he blinks, eyebrows raised. “Fascinating.”

“Thanks,” you say flatly. You close your eyes again, though this time you remain facing him.

He feels a slight pang of guilt for the way he continues to ogle at you, eyes tracing over every detail of your face. But that ounce of guilt does nothing to outweigh the reward of gazing upon you. He didn’t mean to say it but he definitely meant it: you’re really fucking pretty.

Your eyelashes flutter for a moment before stilling, a display of peace washing over your features. It’s when your breathing steadies over and your face relaxes completely is when he starts to feel like a creep. It takes a lot of strength for him to force his eyes shut, depriving himself of the view.

And he doesn’t do it on purpose, but after a few moments his inhales and exhales take to the same rhythm of yours. The thin layer of the rug isn’t doing much to protect his back from the hardwood below and he’s pretty confident later he’ll curse himself for lying like this for so long. 

But as he lays, he doesn’t find himself focused on the dark red-gray of his eyelids like usual, so much as the warmth from the proximity of your bodies. He’s usually so concentrated on whatever the hell is going on in his head and it prevents him from really truly resting, but now, the only thing taking up his attention is physical sensations.

He feels this warmth in his heart that if he didn’t know any better, he’d call burning. His hands feel numb and he can distinctly feel the beat of his own heart in his chest, thrumming away.

He presses his lips to your forehead with a feather light touch, slow to pull away. He doesn’t make it all the way back to his original position before his movement lulls and his body relaxes again, joining you gladly in unconsciousness.

Gotham City has a particular gift for inconveniencing you at the worst possible moment and doing it multiple times a week.

Tonight's round of problems resulted in an entire city district getting shut down, the district which is regrettably right between your job and your apartment.

So on top of having to hole up into your work for two hours longer than you were supposed to, it took you an extra 45 minutes getting home while trying to maneuver around every other person in the same situation. And just to cement the quality of this night, the door to your apartment building slams nice and hard against your side and the light in the hallway is out.

You groan when you fail to get your key the lock the right way for the third time, lodging it in a final time and shoving the door open. You flick on the kitchen light and dump your bag onto the counter, kicking the door shut behind you.

You take a deep breath, eyes closed, as you lean your head back against the wall. The second you crack your eyes open again, a pile of red mass on the floor behind your couch catches your attention and startles some energy right back into your chest.

“Oh, shit,” you scurry over towards the window, crumbling down onto your knees in front of him. Your eyes dart across the red helmet, trying to makeout any signs of consciousness. “Hood?” 

There’s no response from him, no movement. You tug his helmet off, finding him eyes-closed with blood running down the side of his head. You push a hand down on his chest armor, shaking him. “J? J!”

His eyes flutter open slowly under his domino mask, adjusting to the light. With the disorientation on his face he looks younger, more his age. His hair is tousled up and you can make out some distinct curls in it when it's undone like this. 

He grimaces, gloved hand coming up to his head. He looks wearily at the blood on his fingers, before plopping his hand back down and blinking up at you. “Hey..”

You sit back on your heels with a sigh, “What the fuck?”

He makes a strained effort to sit up on his own so you try to heave him up by his forearm. As he comes up all the way you glance behind his back at a bag crumpled discarded on the floor. You can barely see some sort of fabric poking out the top. “What is that?”

“Huh?” He throws back a tired glance, “Oh. They're..curtains.”

“Explain.”

He looks at you blankly, “You don’t have any curtains.”

You blink. “Explain.”

“It’s dangerous for people to just be able to look in and see you. So. Curtains.” For a guy who reads Dostoevsky, he’s not much of a wordsmith. Though that could be the concussion. 

You reach around him and pull some of the fabric out of the bag, inspecting the linen. They match the theme of your living room.

You set it back down, blinking. “Thanks.”

He only gives a half-hearted shrug.

You look back at him, “How bad is the…?” You gesture to the side of your head.

He feels at the blood again, “It’s mostly just a cut. Shoulda stopped bleeding by now.”

You nod, “I’ll, uh—I’ll clean it up.”

He looks at you, shaking his head. “You don’t need to. Your kit’s almost empty anyways.”

“I restocked it,” you tell him, rising to stand. He lets you go retrieve your aid box without protest, listening blankly to the faucet run in the bathroom while you’re gone.

You return momentarily, damp rag in one hand, kit in the other. “Here, sit on the couch,” you tell him, nodding him up. 

He lugs himself up off the hardwood and onto the cushion with a groan. You position yourself on the cushion next to him, leaning over to inspect the cut. You brush through his hair as gently as you can, though you have to suspect he wouldn’t have minded either way—if only based on the pain threshold you know him to have.

As much as you are completely in his space, you’re having trouble getting all the access you need to fix him up right. You turn and adjust your angle this way and that but none of it works. 

You huff, sitting back. “I can’t..”

He nods his permission at you without delay, and you shift yourself over to sit fully on his lap, straddling him on the sofa. You put your focus into cleaning his wound, but you have to notice how deep he’s breathing and how he’s seemingly trying very hard to avoid eye contact. You’re sure your own breath is uneven and telling, and frankly you’re kind of hoping he has a concussion just so he might not notice it.

An unexpected sting has him flinching and grabbing your hips on instinct, a certain heaviness lingering in the air after contact. His hand tenses and he’s about to remove them from you completely when you manage to catch his gaze, and the few moments of silent eye contact are enough to convince him to stay. He forces his hands to relax against your waist, his fix on your face wavering before fizzling away completely.

You go back to dabbing at the blood and it’s clear that his thoughts get the better of him quickly. “You should move.”

“But then where would you go?”

He makes a rumbling noise from the back of his throat at that, saying nothing more.

You continue to wipe away at the blood until you can’t see it anymore, beyond the slice of the cut. You misjudge your own spatial awareness as you pull back from him, and the tips of your noses graze. Though the contact surprises you, you don’t move away from it. You become very acutely aware of his touch on your waist, how warm it feels atop your shirt. 

His head leans forward just barely before stopping. He retreats slightly and his body ultimately decides to come closer. He doesn’t stop until his lips, slightly parted, skim across yours.

Your breath catches as he looms nearer, lips touching against yours softly. He tests that pressure out for a moment, before moving to kissing you with more intent. You kiss him back, and though there’s an increasing resolve on both of your parts, the connection itself remains gentle, reposeful.

The last slight movement of his lips gradually slips away as he rests his forehead against yours.

A long beat passes before he’s tightening his grip on your waist and pulling you up to stand. You aren’t given the time to process the shift as he’s moving straight past you, head down. He pauses only when he gets to the window, back turned to you.

“Sorry—I’m…” his shoulders drop, “Sorry.” 

He climbs out and scales the fire escape in total silence until he’s gone completely.

You stand frozen in position, staring at the window with incredulity burning across your face.

What the fuck?

Two weeks pass of voided midnight visits. 

You’re not sure what to make of that. He kissed you, not the other way around. You couldn’t possibly have done something to upset him or throw him off since he’s the only one who did anything. All in all, it’s a little disappointing.

There had been tension there and it wasn’t shocking for you to learn that he wanted to kiss you. It was a bit of a surprise for him to actually do it, though not a bad one. But you were thrown for a grand fucking loop when he immediately bailed out.

Maybe you can’t read him as well as you think because you’d expected him to at least say something about it. It was a borderline given that he would come back and there would be a bonus surplus of tension but then there would be a resolution. Because he wouldn’t kiss you and then never come back. Nobody would do that, it doesn’t make sense.

It’s a little more than embarrassing to admit that you’ve been purposefully staying home in the hope that he’ll drop in. After fifteen nights of disappointment, you decided to put your focus elsewhere.

You’d asked a friend of yours to go out with you tonight, and never one to decline a night out, she agreed happily. 

The bell above the door jingles as you crack it open, peaking your head in. You find Chloe quickly, stood behind the bar with bottles in hand.

“Hey gorgeous,” she smiles at you, waving you in.

You step in, air conditioning hitting you hard. The sparkles on her cocktail dress catch your eye as she turns this way and that, trying to find the right spot for the whiskey. 

Chloe hums to herself as she searches, honestly taking a bit longer than she should. “You been cool?”

You nod, “Yeah, just—you know…” She doesn’t. Your affiliation with the Red Hood is something you’ve kept to yourself, though you don’t know why. It would be safer, more responsible to let someone else know about these drop-ins, but something about it feels personal. A strange feeling to tack onto it, you think. A regrettable one, at least. 

You take a deep breath, “You’ve been busy. Jessie call out again?”

She laughs dryly, “Oh yeah, of course. But it's fine, I love staying over an hour after close.” She sighs, “I’m almost done anyway.”

You circle around the bar, looking over the several yet-to-be-sorted bottles. “You need help?”

“No, there’s—” she cuts herself off as she looks over at the front door, face dropping. “Oh, shit. Duck.”

“Wha—” she yanks you down to the floor to crouch awkwardly behind the counter.

You hear the bell ring as the door swings open, followed by several pairs of footsteps and low voices.

“—Christ, if she forgets to lock the door one more fucking time I’m gonna kill her.”

You look at Chloe through furrowed eyebrows, her grip on you still tight. She shakes her head and puts a finger to her lips.

A second man mutters something you can’t make out.

The first voice continues, “Go around back and lug the crates in, we gotta start packing that shit.” 

Another voice, “The crates? They’re not here..”

There’s a heavy beat before the first voice speaks, “What the fuck do you mean they’re not here? She needs them now.”

“Well…the first shipments will be in later this week. The next batch’ll take until the end of the month, probably.”

A sigh, “Dumbass…”

The first voice huffs, “The end of the month? Are you fucking kidding me? I told you to get that shit ready weeks ago and you’ve got it coming in at the end of the month?” 

“I’ll…I’ll see what I can do to get it sooner.”

“Yeah, you do that,” he grumbles. “Motherfucker. I need a drink. Get a bottle of something.”

One of the men rounds the counter, tracks falling short at the sight of you and Chloe huddled against the counter.

“What the fuck?”

You and Chloe are wide-eyed and frozen as he sneers down at you. Still, he looks like he’s trying to be tougher than he is, compensating for size that he does not have, with an attitude that doesn’t match up with the way he sped around the counter to get the other man a drink.

Another guy comes around and you quickly recognize him as the man in charge. He frowns at Chloe, sighing, “You’re not supposed to be here still, Chloe.”

She shifts her weight, “I was just…finishing inventory…”

The bossman’s eyes move to you, laced with nothing but inconvenience. “Oh and you brought a friend. Great.” 

“Mr. Murray, we were just ab—”

He’s quick to cut her off with a hand, “Chloe. Stop talking.”

Her face falls flat and her words die off without hesitation.

“Get up.”

She’s pushing herself off the ground instantly while you’re still on the floor catching up with what the hell’s going on. As she moves out from behind the bar, you scurry to follow her. Your arm bumps against hers as you fiddle with the seams at the bottom of your outfit.

You dressed to go out with your friend on a Friday night, not to meet three mobsters in a closed bar with no witnesses. That’s to say, you’re feeling a little exposed.

You stand in the center of the bar, the three men looking various degrees of annoyed looks across their faces. Though the oldest looking of the bunch has something else in his eyes as he looks you up and down, in no rush to hide his engrossment in your bare legs.

“How old are you, honey?” Even without the blatant ogling, that’s never a good question to hear from a fifty year old man.

Your eyes avert to the floor, lips pursing. 

“Hey, don’t be rude. I asked you a question.” He nudges your chin up a bit rougher than necessary, forcing you to look him in the eyes. 

Somehow, you feel like there’s no answer here that would help you. 

The man at the bar serves as an unexpected saving grace of sorts, muttering, “We don’t have time for this.”

Your pursuer shakes his head, looking you over in a way that makes you feel very small. “I think we got plenty of time.”

“I disagree.”

All heads whip to the doorway where the Red Hood leans against the frame, checking his phone. A never invited but always welcome addition to the party. At least for you.

The man in front of you instantly steps back, putting some distance between the two of you. Hands across the room instinctively fly to holsters only to begrudgingly relax at their sides, probably figuring drawing on Red Hood isn’t in their best interest. Though your focus lies on the bell above his head that didn’t make a peep whenever he came in.

Hood shuts his phone off and puts it away with a quiet sigh before glancing up at the tension-filled room. He literally double takes when his helmet scans past you. You somehow feel more in trouble now than you did two minutes ago. 

“Hood..” the bossman says measuredly. “What are you doing here?”

He stares at you for a second longer before tearing his gaze away. “Just thought I’d check up on you, Murray. Make sure you’re not causing trouble in light of our agreement.” He makes a point of looking back at you and Chloe at that last part before looking to Murray expectantly.

He waves that off easily, “This is nothing. Just two late-shift employees.”

Hood takes a piqued breath. “You picked a bad time to lie to me,” he says flatly.

Murray shakes his head, “Look, we’re just cleaning up a mess. No harm.”

“Really?”

“This clean up benefits you too, they heard too much. The one girl—Chloe, get out. She’s fine, she’s not talking.”

Chloe wastes no time exiting hastily. Bye Chloe.

He continues, “We only need to kill one of them.” He says it like this is an ideal compromise. You’re feeling differently.

Hood huffs, pulling out a gun from his holster. “I’m thinking it’s implied that killing innocent people is a form of causing trouble. Which is in direct violation of our agreement.” He cocks the gun, pointing it at Murray’s head.

Murray steps back dramatically, throwing his hands up. “Hey, an alliance is an alliance!”

Hood wavers his head to the side, “Alliance is a strong word. Temporary tolerance maybe…”

The short man pipes up, “Okay, calm down, calm down. Nobody needs to get killed. We can cooperate.”

“That’s the spirit,” Hood quips, lowering his gun.

The older one shakes his head, “We don’t have anything on her, she’ll talk.”

The short man demurs, “We don’t know that—”

“She saw too much, we can’t have her walking around with that information,” Murray says, moving towards you. 

Hood puts his hands up like some kind of mediator, “Nobody’s killing anybody.”

Murray scoffs, “You were gonna kill me!”

Hood's hands drop as he stands in full, “And I still might!”

Boldly, Murray steps up to him.

But Hood looks down at him, easily a full head taller than him and at least twice his muscle mass. “Let's weigh out your odds here, Murray. Is that a fight you’re winning?”

The look on Murray’s face tells you it’s not and he struggles to maintain this chest to chest confrontation.

It only takes him a moment of wavering to decide to back off, though he sure as hell doesn’t look happy about it. 

Hood pushes past him, grabbing you by the arm and pulling you towards him. 

Murray splutters, watching you go. “You can’t—I-I know people.”

“I am people,” Hood grumbles, steering you towards the door.

Though you can be sure they have them, no one voices any objections aa he pulls you outside.

His stride doesn’t even falter as he marches you down the sidewalk in the direction of your apartment. Aside from the sound of the breeze wisping past your ears, it’s silent between you.

After two blocks you get the strong impression that this muted exchange of energy is just going to keep on, so you force yourself to find something to rattle off about. “That uh, that seems like something he’s gonna be mad about.”

He huffs, “Yeah, well he can get over it or die so I guess it’s a personal choice.”

You frown at his tone, “What’s your problem?”

That was, apparently, the wrong thing to say as his head snaps in your direction. “Why the hell are you out here?”

His sharp attitude has you stumbling a bit. “Why are you out here? You have a concussion.”

“I don’t have a concussion,” he grumbles. “And I just saved your life so maybe complaining about it isn’t your best move right now.”

You try to stop and face him but he doesn’t let you, keeping you moving along with him. “That’s what we’re doing? Really?” 

Are these about the social skills that you had expected from him based on your first meeting? Yeah. But that first meeting was months ago. He’s proven again and again that he has half a brain and the ability to read a room so you’re really not fucking sure what the hell his problem is. He won’t acknowledge that he kissed you and all but jumped out your living room window, but he will snap at you for asking about his concussion that there’s no way he doesn’t have. Especially if he’s acting like this. 

He ignores your comment, blatantly at that. “Did they say anything about a drug shipment?”

This is what we’re talking about? Sure. Fine. At least you’re talking. 

You open your mouth briefly before closing it again, eyes narrowed. “I don’t know.”

He tries again, “What about Nocturna? Did you hear that name?”

“I…I don’t know.” You weren’t exactly taking notes behind the bar counter. 

His head drops down heavily, “Okay, I think I’m seeing a trend for how this conversation’s gonna go...”

You gawk at him, astonished that he thinks it’s you who’s handling this discussion poorly. “You cannot be serious right now.”

He sighs, slowing as you approach the steps to your building, “Just—why’d they let Chloe go?”

You blink a few times, “I mean, she has a drug problem…” You guess that might be where she’s getting them from…

He nods solemnly, “Okay.”

You huff, turning to walk up the steps, shoulders heavy. You hope he’ll come up with you and maybe, just maybe, address the elephant in the room. 

“Are you—” you turn around to face him again, met with nothing but vacant air. 

A deep, tense, breath from you before calling out, “Really?”

One month. One month. And he decides to show up tonight like it’s no time lost. But there was some fucking time lost.

Count ‘em up, that’s one period, two paychecks, three grocery trips, four laundry days, and thirteen showers. And that stupid fucking vigilante ransacked your head during every single one.

You went through the five stages of grief for this bizarre, undefinable relationship and then discovered about six more while you were at it. 

So when you walk out from the bathroom, you’re a little pissed to see him sitting there on your living room floor, helping himself to a glass of water. 

Maybe it’s his domino mask that gives his expression the illusion of neutrality. Or maybe he really has no idea how insane it is that he would occupy your apartment like this after skipping out on you for an entire lunar cycle.

He leans against your armchair, inspecting a scratch on his lower arm. You enter silently, watching him the whole time as you make your way over to the far end of the couch.

He doesn’t look up at you though, not until after a minute or two of silence. 

“You got any bandages left?” he asks, throwing a glance over his shoulder. 

You stare at him incredulously. 

After ten seconds with no response from you, he turns around fully, frowning. “What?”

“Are you kidding me?”

“I—” he squints, eyes flickering across your face. “No?”

You continue to gawk at him, not trying for any words.

He stares back, eyes wide. “I don’t know what you want me to say...”

You tear your gaze from him, preferring to stare at the wall. “You know what, I think I know what your problem is.”

He gives a laugh with little life to it. “I only have one?”

You bite down on your lip, “You only have one I’m ready to kill you over.”

He sits with that for a minute. A long minute, before asking softly, “What is it?”

You shake your head, glaring at an unoccupied nail in the wall. “That you’re an idiot,” you mutter. You start to walk away before turning around again after a few steps. “Where the hell have you been?”

He blinks, “Uh, there’s just been a lot of—”

“Bullshit.”

He’s about to argue his point, but quickly decides to concede, “Yeah.” He takes a deep breath, sitting back. “I…wasn’t prepared for this conversation,” he says carefully.

You scoff with a nod, “Yeah, neither was I, but it’s happening. I m—what did you think was going to happen here? I—you kissed me, you kissed me!”

“No I—” he huffs, “I shouldn’t have done that, okay?”

“What the fuck does that mean?”

He sighs, throwing his hands up at his sides. “What do you want me to say?”

You shrug without genuinity, “Anything that could possibly rationalize that sequence of decisions. You kiss me, run away, ghost me for a fucking month, and then show up again like nothing happened.”

He shuts his eyes, shaking his head. “I know, I know, I’m sorry!”

“I’m not asking you to be sorry, I’m asking you to pick a fucking lane and stick to it!”

He falls silent at that, eyes on the floor. It’s quiet for long enough that you start to think he’ll accept the silence as his cue to leave. You’re not sure if you want him to or not.

You take a deep breath, eyes closed. “I need you to start being straight with me. Now.”

He doesn’t look up, taking his time to find his words. “I am sorry,” he tells you. “I…I’m not good at this. I’m not good with words so I shouldn’t have fucking done it.”

Honestly you weren’t expecting him to actually come up with a reason, so you’re not prepared to weigh out whether or not it’s a good one.

“I like you...a lot. And I didn’t know—I don’t know—what to do about it so I kissed you and I didn’t think it through, and…I guess I panicked.”

That’s more than enough for you to warrant looking back over at him. It doesn’t take long for your gaze to start shifting around awkwardly while you scratch at your neck. “I would’ve taken you for more of a fight over flight kinda guy.”

He nods to himself. “Jus’ depends..” he says quietly.

And then it seems neither of you have anything else to say. You’ve run out of angry words to spit and he’s run out of apologies and excuses. But neither of you feel like you’re done.

The quiet lingers on for a painful amount of time. Your annoyance dissipates into something else, something more uncomfortable, but you couldn’t find a name for it. It’s got your thoughts going faster though and your chest feeling more hollow. Maybe not hollow…maybe just softer. 

He cuts through your thoughts before you can, “Are you mad that I kissed you?”

You shake your head, “No. I’m mad about what happened after.” You’re just mad about what happened after. Should’ve said just.

He thinks about that for a moment. 

“I can be honest with you,” he tells you. The way he says it, it’s somewhere between a peace offering and an assurance to himself.

You look at him again. He reads oddly vulnerable for a man his size with his reputation. You believe him. 

He goes on, “I trust you, you know? I want you to trust me too, if you can.”

You blink a few times, processing. “I…I don’t know anything about you.”

He nods, an anxious aura radiating around him. He leaves you hanging for longer than a few moments, getting you convinced that the conversation is just going to end there.

It doesn’t though, and after a few minutes, he sits up and reaches up to his mask.

It has you sitting up too, like he just pulled out a gun. Your hands fly up instinctually, as though this is completely uncalled for, as if he’s crazy for doing it.

He pauses his movements for a moment, making eye contact with you. His eyes reaffirm his words. He trusts you and he wants you to trust him.

You allow your hands to relax onto your lap and he continues on, taking his mask off.

You’re not revealed to much more of his face than you’d already seen before, but entirely in view like this, he’s a sight. You try not to stare but there’s little reward to removing him from your sight whereas the alternative…

All together like this you can see how his features balance his face out so nicely and make for a warm countenance, if not rough.

He takes a deep breath, setting his mask to the side. “My name is J…” he says with assurance. “Todd,” he tacks on.

You don’t mean to, really, but you’re sure the frown on your face is evident as puzzle pieces start forming and connecting in your mind. 

J…Todd…J…Jay…Todd…Jason…Todd…

Your mouth hangs open, “You’re Jason Todd. You’re de—” Well a couple things are starting to add up. “How are you…how are you not—”

He waves that away, tiredly. “It's a long story. Not particularly happy, either.”

Autopsy scar. Fuck. 

“I mean, I’ll…” he hesitates, “I’ll tell you if you want me to.”

He says it, but discomfort is painted across his face. You’re quick to shake your head, “It’s okay.”

He nods, likely relieved.

You stand up from your seat, crossing the room to sit down next to him. You’d half-expected him to tense up, but his body relaxes when you lean back against the chair.

You close your eyes before asking, “Who’s Nocturna?”

“She’s just this woman that’s been causing trouble for us.”

You don’t say anything and he continues on, shaking his head. “She’s more annoying than anything.”

You open your eyes, looking over. “Yeah?”

He shrugs, “Just trying to take over the underworld, the usual stuff. Nothing you need to worry about.”

You give a laugh that’s barely more than an exhale, relaxing your body completely..

There’s the slightest lull in activity before he sets his hand down on the floor, right on top of yours. The sounds of your breathing are the only thing that fill the room for a few minutes, save for the occasional car horn.

He glances at the clock on the wall, nearing midnight. “I have to go...” He says reluctantly.

You try not to let the disappointment show through your body language. “Go where?”

He pauses before telling you,  “A cemetery.”

You nod vacantly, “Oh. Just for fun, or…?”

He gives a dry laugh, “Just meeting an associate. They’re a bit dramatic, so.”

“Yeah, I’d say.”

“I’ll come back—I’m going to come back,” he mutters against your hairline.

You don’t respond, but you both know he’s good for his promise.

He looks around your apartment for a second before seemingly getting an idea. He pushes himself up off the ground and heads for your kitchen. You watch as he rips a sticky note off the deck on your fridge and scribbles something down on it. 

He returns to you, kneeling down and pushing the square of paper into your hand. “Here,” he says, looking you in the eye. “If you need anything. Anything.”

You engulf the note in your palm, nodding sincerely. His eyes flicker across your face, like he’s thinking about something. He hesitates for a moment, turning towards you, away from you, then towards you again. He holds the back of your head tenderly before pressing a sweet kiss to your forehead.

You look at each other up close for a second with nothing short of starry eyes before he turns away and ducks out the window.

You open up your palm and look down at the paper, at the ten digits scrawled across it.

Huh.

Must be official. 

🧨 reblog or die (this is a threat) 🧨

Banished

jason todd x fem!reader

aka jason misses his girlfriend

warnings: extremely mild angst, he’s just mopey (he’s fine)

Jason sits slumped over the kitchen island, head lying in his crossed arms. His now soggy cereal disregarded after barely a few bites.

Dick’s been rummaging through the cabinets for the better part of twenty minutes while Tim has sat atop of the nook table shoving donuts in his mouth for the better part of thirty.

Damian trudges into the room, past them and onto the nook bench, taking out a knife and beginning to whittle away at a block of wood.

He glances at Jason with a scowl. “If you’re going to be so miserable, can’t you do it in your own home?”

Jason just grunts.

He wishes. You and Bruce had conspired to trap him at the mansion for the week so he could heal from injuries sustained during the last mission without risk of him suiting up and sneaking away from you in the middle of the night.

But it’s not even the fact that he’s basically being babysat that’s got him so disgruntled. He secretly wouldn’t really mind it at all if you were here too. But you were dead set that the manor was too far out of your way for work, so you’d stayed behind. A lose-lose for Jason.

“He’s just mad his girlfriend kicked him out,” Dick teases, swiping through the fridge.

Tim snorts from the doorway, “Me too. He’s a lot more depressing on his own.”

Jason keeps his head down as he blindly reaches for the spoon in his cereal and chucks it at Tim’s head.

Tim catches it without thought, continuing, “A lot more irritable, at least. Why isn’t she here?”

“She’s gotta work,” Dick says, scanning through the pantry.

Damian peeps his head up from his project. “But Todd has a rather large supply of less than legally obtained money, does he not?”

“Yeah, but she said she wants to pay her own rent, I think,” Dicks hums, finally giving up on his quest for a snack.

Damian pauses.

“So she wants to live in a tiny apartment?” He asks, a mixture of confused and horrified.

“Watch your mouth,” Jason mumbles.

“It was a genuine question!” Damian protests, face screwed up.

Jason finally lifts his head up, turning to his little brother with a raised brows. “And I’m genuinely going to break your nose.”

It’s an empty threat, maybe. But it was enough to shut Damian up anyways. Jason turns back to his cereal and swishes the bowl around.

Dick rests his arms on the counter across from Jason and speaks lowly. “You know, it is just a few days. She’s coming back.”

“Yeah, whatever.”

Jason was never one for showing his feelings—let alone talking about them.

He misses you, plain and simple. Dick could see that much clearly, though the longing looked unfamiliar on Jason.

Bruce lingers in the hallway, just past the island, listening.

He’ll admit (to himself) that he’s worried about Jason. It’s been three days and Jason has yet to show a crack in this demeanor. And while it’s not uncommon for him to stow himself away, there is something quite wrong with the way he hasn’t countered his brother’s jabs at him or teased them.

And while he could do without the blatant threats, he’s proud to hear his son defending his girlfriend, even over trivial things. It’s one of the few moments where he feels like he did right by him as a father.

And now here’s his son, caring about someone else more than he cares about himself. Someone who’s a good person, no less. It had been your idea to trick Jason into staying at the manor, you were scared that he would push his body past its limit when you couldn’t do anything to help.

Bruce knew you didn’t feel great about basically banishing him for the week but he could see that you just wanted what was best for Jason. He could see it so clearly. Maybe Bruce could never have been a perfect father, could never have given his son everything he needed despite having more money than he could ever use. Maybe he couldn’t help him, even now.

But you could.

Bruce peers around the corner, leaning up against the doorframe.

He watches Damian give up on carving at his block and start into the leg of the table.

He watches the bickering that broke out after Tim grab the last glazed donut, which was apparently the only thing Dick could possibly fathom eating.

And he watches Jason.

As Jason’s phone lights up on the counter next to him. He glances down at it with a frown before his face absolutely lights up.

He scrambles to pick the phone up and starts typing away. A quiet action that catches the attention of all of his brothers.

He types and types, waits for ten seconds for a response and types and types again—smile on his face.

The Waynes didn’t need to be the greatest detectives in the world to know who he was texting.

✨ reblog fics or face the block button ✨

Jin-May (and her alternate forms)

Female characters who deserve better

A drawing I did of Adora back in January

Incredible how dc pushes the "Jason died because he was reckless" narrative to try and absolve Bruce of blame because, victim-blaming aside, that's worse, right? You understand how that's worse?

No matter how you interpret it, in Jason's post-crisis run, Bruce is gonna be partially responsible for Jason's death, because he was the one to offer him Robin in the first place in exchange for a good foster home (Batman 1940 #408), and because he had fucked up with Jason to the point he felt the need to run to a whole other continent in search for family (Batman 1940, a death in the family). Like, that part of responsibility, that remains no matter how you spin it, because regardless of why specifically Jason went in the warehouse, that's why he was in Ethiopia with the Robin suit in the first place.

But this aside, in canon? Jason goes in the warehouse because Sheila betrays him and he does what any hero, and many children, would do in his place: he wants to help Sheila, he listens to her, he trusts his mother. The people directly responsible for Jason's death, in canon, are Joker, Sheila, and crowd of goons that helped Joker and Sheila take Jason down in the warehouse. It's clear as day who the villains are in there and it doesn't add any stain on Bruce's ledger.

But according to that victim-blaming narrative that Alfred and Bruce (and others later on) spin in-story, and that dc spins in meta? Jason died because he was reckless. So it's Jason's fault right? Yes and no. I need to write a more detailed meta about the two types of recklessness and how confusing the two accidentally led to Starling writing a compelling narrative with Jason, but basically the important question here is why was Jason reckless. And Starlin answers us, in text, in a death in the family: Jason has been behaving abnormally recklessly recently, because he's suffering. Bruce tells us, straight up, that he suspects Jason to be suicidal. This isn't the first time Starlin's Batman says Jason is suicidal: even in Batman (1940) #416, Batman explains Jason's "reckless" behaviour to Dick as a symptom of being mentally unwell, and very clearly implies Jason already struggles with suicidal thoughts (which I maintain is the reason why Dick changed his mind on Jason so quickly and gave him his number with a "you can reach out to me, don't let a lack of communication become your achille heel" talk at the end of #416.)

And Bruce's POV mind be often biased, but we see, ourselves, Jason jump in front of bullets in aditf and it's like... As much as I'm not convinced with Bruce's random explanation for Jason's struggles in aditf, I do agree that he is being suicidal (and considering the stories that come right before this one, I completely understand why he would be.) So that's why Jason is reckless in aditf. It's not why he died, but if we listen to that victim-blaming narrative that claims his recklessness is indeed what killed him, doesn't that make Bruce more guilty? Because that means Bruce knew Jason was suicidal (literally jumping in front of bullets with apparently no consideration for his life) and left a fifteen years old active suicide risk alone in a completely foreign environment after having messed up very severely with him during the whole issue, and then he told him "do not go into that warehouse alone, there's a very dangerous guy who wants to kill you." In terms of responsibility, Bruce is actually very damn lucky Jason, like some impulsive suicidal teenagers his age would have, didn't think "oh well, I'll try my luck against the guy who wants to kill me alone and that way either I win and get reassured in my heroism and right to be alive, or I die and that saves me the trouble of buying rope and a step ladder!" Bruce took the Robin costume from Jason to protect him from this exact type of situation but didn't seem to realize the danger he was putting Jason in at that moment. And it's not just me saying that! I don't have the exact reference (I think it was in Gotham Knights?...to verify) Barbara, after finding out about Jason's death, literally tells Bruce that this is his fault and that she warned him Jason had issues.

Of course, all of this is moot point, because it's not why Jason went in the warehouse in the first place, but I can't help but feel baffled at the audacity of DC, who are so deep into their psychophobia, classism, general victim-blaming bullshit and ingrained stereotypical conception of the "troubled teen" that they don't realize that the revisionist interpretation of Jason's death they are defending is literally worse for Bruce. And I have to say, it certainly doesn't paint people trash-talking Jason and blaming him for his death to prop Tim up as "better" and "different" in a very good light either (especially since, if i'm not wrong, there's an arc in which Tim struggles with suicidal thoughts himself... especially since Tim's trauma happened after he became Robin and is, for the most part, a direct consequence of his heroism. Doesn't exactly paint the adults in Jason and Tim's life in a favourable light...)

Anyway, stop blaming Jason's death on his recklessness to absolve Bruce: you're only making it worse.

Please help my family

My name is Aisha

I never imagined I would find myself in a situation that would require me to write these words, but life has taken an unexpected and devastating turn. My family, consisting of my beloved husband and our eight children, is facing a crisis that we cannot overcome alone. Our home, once filled with love and laughter, has been shattered. The roof over our heads, the walls that protected us, and the place where our children grew up are lost. We lost not only our home, but the foundations of our lives. Now, we struggle every day to survive, with nowhere to go or a way to rebuild without help.

Our children, who should be focused on school and their dreams, worry instead about where they will sleep or when their next meal will be. The weight of their fear and confusion breaks my heart. As parents, we feel helpless and unable to provide basic necessities for our loved ones.

We are urgently asking for help because we cannot do this alone. We need to rebuild not only our home, but our lives. Every donation, no matter the size, will go directly to providing our children with a safe place to sleep, food to eat, and a chance to dream again. Please, if you can find it in your heart to help us during this desperate time, we will be forever grateful to you. May your kindness and generosity be the light that guides us through this darkness.

Chuffed

Help Aisha and her children

I am Elizabeth, and I am fundraising on behalf of Aisha and her family from Gaza. Here is her message:"My name is Aisha Rabah, I am 42 years

Original comic by Rasenth

post Lazarus transfem Jay, where no one knows shit about her coming back until completely accidentally, partly bc she's not even the (sole) center of attention

Damian is sent to Gotham and is one day like btw I have some sisters and Bruce is like..... "Are They Mine" (Wait I Might Have Girls 🥺) (secret girldad Bruce for the win) and Damian is like.... Jane will be displeased if I say anything.... but I think Athanasia biologically is Father's..... but I don't want to lie..... hmmm...... "idk anyway look at the time doot di doot...."

Talia doesn't pick up when Bruce calls she's just like "girls go check if it's anything important or if he's just having a meltdown"

So now 2 sisters start popping up around more often to keep and eye out and check on Damian and one is super tall and buff and the other is much shorter and slighter but they call themselves twins even if short one says she's older and tall one is like "barely!! it doesn't count!!" which honestly yea they're sisters alright

That's how Black Swan and White Dove come to be known, Black Swan is quiet and seemingly ambivalent about the bats but White Dove sounds like she's about to beat the shit out of Batman and to a lesser degree Nightwing and seems vaguely displeased being around Tim's Robin but is cool with Spoiler/Batgirl (esp since she's gotten close to Black Swan and treats her well) and distantly polite to young Duke the very few times they meet

Tim's Robin: hey what's up with that

Damian:

Robin:

Damian: she has Issues With Men don't you know anything Drake smh leave her alone

Robin:

Robin: Oh. Yea ok that makes sense ig sorry man

Damian: don't tell her I said anything tho

(Damian to himself later: it's not Untrue but that's not exactly what's- wait ok that's kinda exactly what's going on here isn't it)

Btw Damian calls her Jane but her full name is Catherine Jane Columba (Mom's name + Jane Austen + Mom's hc maiden name) and she uses Jane with league sibs but CJ in general for everyone else

Anyway I imagine that Cass and Jane start hanging around more and are eventually considered neutral to friendly extension of batfam via Damian (and Athanasia and Mara when they're sent over) (Athanasia is sweet if a lil awkward and much younger than everyone else, Mara is very "You're Not My Dad just a sort of step uncle at best" but Bruce is like "omg,,, daughters,,,,")

Cass might even eventually come over for dinner or smth maybe as Steph's plus one and Dick would be like "omg I am going to big brother you so hard" and Bruce is like "are you sure you don't want to be my daughter" and Tim is trying to figure out if he can do his stalking out of affection and respect thing without getting his butt kicked and the Al Ghul kids are being absolute demons fighting for Cass' attention and trying to find out what Jane is upto

The Jane identity reveal can be totally anticlimactic (Damian says Jane wants to meet them and then at a scheduled dinnerthey meet a buff tall older female lookalike of the dead second Robin and they think "omg 😱 surprise older Todd sister no one knew about??" and Jane doesn't let anyone say anything bc she wants to see how long this lasts)

Or maybe there's some big fight or whatever or fear toxin is involved and a league sib is hurt and Jane unmasks to comfort and tend to them and Bruce or Dick (or even Alfred!) see her face and have a bit of an aneurysm and Jane's too distracted with big sister-ing to be too explicitly angry with the bats at the moment but makes a snappy remark or smth that gives her away ("miss me old man" /sarcastic and /derogatory if it's Bruce)

And uh yea anyway don't take this too seriously I'm half delirious and keep dissociating in turns and I just wanted an excuse for transfem Jason and ended up really loving CJ/Jane

the way that some people talk about jason and batman and the joker is so jarring to me because it relies on some unspoken assumptions that i will never buy into

1. the assumption that taking a life inevitably always makes the person who did it worse. killing someone isn’t always this earth shattering thing that harms the person who does it and fundamentally changes their outlook on things. i guess if you have never met a veteran or someone who survived an armed robbery or any number of other things you might make that mistake, but like some of the people who fought in wwii came home and were normal members of the community and the times that their bullets hit the mark were not necessarily the parts of the war that kept them up at night. these assumptions that once you kill you are wicked and have to feel bad and do this whole show of repentance are insidious. if you are gonna look at all this through the lens of christian morality you should at least be aware that that is what you are doing but you cant have just one character be wicked and unclean because of his actions when the bible says that everyone is wicked and unclean by our nature and all sins are equal. a lot of people object to that view but if thats how you see it batman and jason and the joker are all sinners and are all as bad as each other so at least be consistant about how you apply that moral framework.

2. the assumption that being robin or being taken in and trained by bruce means full agreement with and acceptance of every part of bruce’s personal philosophy on justice and morality. jason was a homeless child and even if all this was explicitly laid out for him he could not have agreed since he needed bruce as a matter of survival. bruce’s ideology is extremely important to him and he can teach it to his children all he wants but they are not beholden to it above all else the way he thinks they should be. jason has to live according to his own beliefs regardless of how unacceptable bruce finds it and it is unfair and hypocritical of bruce to get bent out of shape about it.

3. the assumption that killing is always bad. maybe i have listened to too many episodes of behind the bastards but some people will do significant and appalling damage to others no matter what unless they are dead. those people can’t be allowed to keep causing harm. it isn’t glorious and there is no honor about it but it is right and just that they be stopped. there is no reason to strive for purity or ideological high ground when you can provide a measure of safety and justice to victims and prevent future harm instead.

4. the assumption that bruce didn’t have to answer to jason. parents have a duty to their children and it is my opinion that that duty does not end when the child dies. bruce adopted jason and made himself responsible and accountable for everything that happened to jason under his care. that responsibility was ignored over many instances. i am not going to detail the things that led to jason’s death here but it was not good or effective parenting. after jason’s death the disrespect starts pretty immediately with bruce compromising evidence of his murder in order to preserve his ability to continue as batman and continues with bruce getting rid of pretty much all traces of jason’s presence in his life. he is only spoken of as a mistake, a lost cause, or a cautionary tale and is assigned blame for his own death, a death that batman never bothered to fully investigate since he was buried next to the woman who led him into the trap. a new kid is endangered and the joker and batman both continue doing whatever they want as if jason’s life only matters for the way it affects them. bruce needs to answer for all of this, as his son jason has a right to expect more from his father. now the extent to which that extends can be debated but it is clear to me that jason deserved better from bruce.

conclusion: killing is accepted in society in certain circumstances, you may or may not agree with this but self defense laws and even things like jury nullification exist because people knew there should be some wiggle room since no one could have the full context of every situation that would ever arise. ending a life is not normal or ideal but it is not an unfathomably rare experience and it does not always weigh on the person who does it. bruce has never to my knowledge killed someone so he has no idea how he would actually respond but that still isn’t even what jason was asking him to do. all he had to do was be present and not move and he would have been the only parental figure who didn’t let jason down.

Wether people want to admit it or not(they never do,out of a moral superiority complex),they view unpalpability in female characters as reasons they're bad and unpalpability in male characters as reasons they're attractive.If a girl in media is angry and snarky and selfish and volatile,she is dubbed an irredemable monster who must be punished or the writers are 'abuse apologists' and she's 'the bitch','the cheating whore','the faker' and so forth.If a boy in media is angry and snarky and selfish and volatile,he is good deep down all along and never meant all the things he did and he was raised in a way it was inevatable and he's the protagonist true soulmate they just misunderstood and something something if villain bad why sexy

Prince Zuko was a teenage terrorist because he wanted his dad to love him and ignored his sister psychosis enabled by their father's grooming to beat her ass and said so much misogynistic shit someone was able to do a whole fancam and called the tibetan buddhist genocide survivor his direct ancestors cleansed 'Guru Goody Goody' and did the quivalent of breaking up with his girlfriend through a text message and if you act like he's not just an awkward turtleduck you get people screeching until their mouths start bleeding over how you hate abuse survivors and men who're perfect for every feminist woman and Katara was a teenage anarchist brown native girl who kicked off the series by bringing back the protagonist to save the world by going off at her older brother for sexism and spent the rest of the series an activist too and literally has the same sense of humor and attitude and even powers 2000s darling Percy Jackson does and she gets called a concervative basic white girl who talks about her mom she saw murdered by colonizers in her toddler years too much and should never speak out of turn lest she hurt men's feelings and a mary sue and her antis demand you never speak positively of her without reminding us she's not a perfect precious sharkangel who did nothing wrong ever(she is one and didn't)

Y'all be like the Rodrick meme but instead it's 'say sorry women'

USA people! Buy NOTHING Feb 28 2025. Not anything. 24 hours. No spending. Buy the day before or after but nothing. NOTHING. February 28 2025. Not gas. Not milk. Not something on a gaming app. Not a penny spent. (Only option in a crisis is local small mom and pop. Nothing. Else.) Promise me. Commit. 1 day. 1 day to scare the shit out of them that they don't get to follow the bullshit executive orders. They don't get to be cowards. If they do, it costs. It costs.

Then, if you can join me for Phase 2. March 7 2025 thtough March 14 2025? No Amazon. None. 1 week. No orders. Not a single item. Not one ebook. Nothing. 1 week. Just 1.

If you live outside the USA boycott US products on February 28 2025 and stand in solidarity with us and also join us for the week of no Amazon.

Are you with me?

Spread the word.

absolutely fascinated by jim starlins hatred of robin like… hes not real, jim. and even if he was, hes a 12 yr old boy. he cant hurt you. stop trying to kill him

it isnt that bruce failed jason one time its that he fails jason over and over and over he failed him when he hid willis todd’s murder, when he refused to trust his word about felipe garzonas, when he benched him without telling him why, when he left him on his own in ethiopia, when he used his death as a way to scare and guilt other robins into compliance, when he let his memorial say soldier instead of son, when he threw the batarang, when he beat his face in after rhato #25, when he took him back to where he died with no warning or prior conversation when jason would have done his best to help if he had just asked, when he used failsafe on jason to undermine his autonomy in such a traumatic way rather than oh i dont know USE IT ON THE JOKER

why jason’s morality and ethics is so personally interesting is because it’s established in-universe that the system and police are corrupt. jason is a victim of the system and really, has no reason to trust it.

but that’s not the interesting part but rather, it’s the fact that he was adopted by bruce wayne. because if a system is corrupt then it must serve a certain demographic: the privileged class. and you really cannot get more privileged than bruce wayne.

and yet, it is during jason’s time as the only son of the richest man in the whole of gotham where he sees the extent of which the system is stacked against its victims. by working alongside the system, he is privy to their procedures and more importantly, he is privy to talk shop. he has now witnessed how callous they are to the people they are allegedly supposed to protect from both sides of the system.

and ultimately, jason’s death is an unreported crime and analogous of all the victims who will never be granted justice because the privileged class conceals any evidence of criminal activity to suit their own needs.

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.