Writing From Scratch #7: The Event Plot

Writing from Scratch #9: Complex Plots, Part 2

Writing from Scratch #9: Complex Plots, Part 2. Writing from Scratch is a weekly blog series that takes writing back to the basics. #writing #writingadvice

Writing from Scratch is a weekly blog series that takes writing back to the basics. Each week we’ll build on what we’ve learned before to craft our stories.

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Complex Plots, Part 2: Modifying Plots

The second way we’ll try complicating a plot is through plot modifiers. This happens when a try-fail cycle not only furthers the solution of…

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Writing from Scratch #8

Now that we have gone over the four simple plot-problems (1, 2, 3, 4) and how they are solved through try-fail cycles, we’ll take a look at how to make complex, compound, and compound-complex plots through the same devices as sentence creation.

The first way we’ll try complicating a plot is by making the solution of the first noted plot-problem dependent on the solution of a second plot-problem, which stands in for easy solution prevention. We’re typically going to use dependent plots to strengthen audience satisfaction when the character is finally able to succeed. Or, like in the case-study we’ll look at today, they can be used to draw what appeared to be disparate plots together in longer works.

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I love the image of the princess and the pea, though I don’t love the idea of being tall making you smart, but I see the concept of what’s happening here and the stack of books is mesmerizing.

Making a Plan

So, editing is eating my soul.  And by that I mean I’m so deep in the revisions process that getting my brain back to writing for this blog is proving quite difficult. But I’m making a plan.  Two posts a week!  (This totes counts as a whole post.) Even if it’s just to say, “Hey I’m alive! Also, still editing.” (It’ll be longer than that, promise.) Regular updates are back, baby! PS. Puck and I…

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How fucking annoying is it when you feel so restless with creative energy but you can’t decide what to do with it and when you finally try to create something it comes out shit so you just give up and sit there being all creatively annoyed and jittery.

i hope this doesn’t need to be said but just in case

you might have seen people talking about sudowrite and/or their tool storyengine recently

and just like… don’t. don’t do it. don’t try it out just to see what it’s about.

for two main reasons:

1) never feed anything proprietary into a large language model (LLM, eg ChatGPT, google bard, etc.).

this means don’t give it private company information when you’re at work, but also don’t give it your original writing. that’s your work.

because of the way these language models work, anything you feed into it is part of it now. and yeah, the FAQ says they “don’t claim ownership” over anything and yeah, they give you that reassuring bullshit about how unlikely it is that the exact same sentence will be reconstructed—

but that’s not the point.

do you have an unusual way of constructing sentences? a metaphor you like to use? a writing tic that sets you apart from the rest? anything that gives you a unique writing voice?

feed your writing into an LLM, and the model has your voice now. the model can generate text that sounds like it was written by you and someone else can claim it’s theirs because they gave the model a prompt.

don’t feed the model.

2) the other reason is that sudowrite scraped a bunch of omegaverse fic without consent to build their model and that’s a really shitty thing to do, because it means people weren’t given the chance to choose whether or not to feed the model.

don’t feed the model.

Structuring a Series: Part I

Structuring a Series: Part I

Last Tuesday, my writing group did a mini-workshop of Dan Wells’s 7 Point Plot Structure, which is awesome and everyone not familiar with it should go check it out (if you don’t have time to watch the whole thing just now, I’ll go over the basics in this post, but I still suggest seeing his presentation for more details). Anyway, Two is trying to plot a trilogy, which got me thinking about how…

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The worst part about working on original fiction is u gotta wait like 5 years to get a book draft done in order to SHOW YOUR FRIENDS chapters. Ain't like fanfic where you can just....send em. Tis horrid.

Writing from Scratch #4: The Milieu Plot

The Milieu Plot

The problem of the milieu plot involves a problem of location or setting. The character is often either in a place they need/want to escape from or not in the specific place they need/want to be in. The try-fail cycles will involve traveling away from or to the location. Gulliver’s Travels, The Great Escape, and The Hobbit contain milieu plots.

The Lord of the Rings contains one very large milieu – the problem of getting the One Ring from the Shire where its been hidden for a number of years to Mordor where it can finally be destroyed. We can further break this down into smaller milieu plots. Let’s look at one: the problem of crossing the Misty Mountains. (And we’ll use the events as they occur in the movie, since more people have watched that than read the book)

A few solutions they could try are not considered because they already know they are too dangerous, such as the northern route, which is swarming with orcs and goblins, and the Gap of Rohan, which gets too close to Isengard for comfort.

First try: take the Pass of Caradhras. Fail: No, they can’t cross this way, and Saruman is actively attacking them.

Second try: enter the Mines of Moria. Fail: Yes, they are able to enter, but the Dwarven reception committee they were expecting to lead them through is not there.

Third try: search Moria for the Dwarves and a guide through. Fail: No, there are no Dwarves to guide them, and goblins have now been alerted to their presence and are attacking.

Fourth try: run like hell away from the goblins. Fail: Yes, they are able to run across a chasm to escape the goblins, but a Balrog takes out Gandalf.

Final try: follow Gandalf’s instructions to flee (or “fly”). Solution: they get out of the Mines of Moria, and are on the other side of the Misty Mountains, ready to continue with another micro-milieu.

Prompt: write a flash fiction with a Milieu in which your character’s plot-problem is that they need to go to their grandmother’s house for Sunday dinner. The character, setting, genre, and stakes, as well as what is preventing them from simply going to Grandma’s is up to you. This simple plot can create a story that is anything from family drama to international spy thriller.

If you want to read more of my 80+ posts, you can check them out on my website theferalcollection.com