just-kinda-here567

Latest Posts by just-kinda-here567

Absolute Wonder Woman going "the core of Diana is LOVE. Even when she grows up in hell instead of paradise. Even when her mother is one who should be her enemy. Even when she is kept isolated from the teachings of her people. Even when her native tongue is trickery instead of truth...Diana is at her core someone who loves the world and humanity so much she would give anything to protect them and see justice done" is truly the best distillation of 84 years of comics I've ever seen. 100000/10, absolutely zero notes.

Plants actually move around a lot in 24 hours, they just do it very slowly | source

What.?

"I write for my own enjoyment"

And

"I'm happy when people interact with my writing"

Are two sentences that can coexist!

Oh ok so it turns out ive been borrowing grief from the future ! it turns out ive been preparing to lose the things i love rather than basking in the light of them while they last. Maybe i should nt do that

Some dance studies with PV and his "good friends"

As someone who's been a lover of traditional folk music from the British Isles for several decades, one thing I've learned is that "True Love" didn't always mean what you think it means. In the older songs, "true love" is not some mystical quality, some type of connection that is magically better than other Loves. No. A love that is "true" merely means that your Love is "true TO YOU." "True" as in faithful and loyal and trustworthy. A lover who will stand by you and with you no matter what comes. True the way a good sword is True. True the way a good knight is loyal. The contrast is "False Love," which is a lover who betrays you, who cannot be trusted.

"True Love" isn't something you find, it's a vow and a choice that you make, every day, to BE TRUE.

Putting the term "male gaze" on top of the fridge until everyone remembers that it refers to a cinematographic trend and not the act of looking at things while being a man

petition for a sherlock holmes muppets movie. sherlock holmes and watson are the only humans. kermit is lestrade. uncle deadly is moriarty. statler and waldorf are members of the diogenes club. ms piggy is irene adler.

holmes thinks he's on a cocaine-induced fever dream but alas! the case persists. watson is barely holding it together.

No sleep. Thoughts are consumed by how when Pomme was first given to the french she was the youngest, the littlest egg, and while she was babied as the youngest she was also the one in the most danger as she was the last egg with all her lives. Not only did she have to grow up so fast, she actually used her lives as protection for her siblings since as long as she had all of them the code would target her and her alone. And she got better, and stronger, and tougher, and the entire island knew her strength. But she was still q!frenchs daughter, youngest in their heart. And while Pomme slowly noticed that most stopped looking over her shoulder, none of the french ever let her face anything alone. She would always be their baby <3

i used to have no hope for the future but now i'm thinking. i want rich people food. i want rare sirloin steak. i've never had sirloin steak in my life. i think i want to try it before i die.

forgive and forget?? haha no resent and remember

writing mood™️

I can’t believe this has to be said but… you know Sam is upset at the thunderbolts* because he doesn’t want the avengers to be controlled by the government, right? That’s why he was on team cap in civil war. Do you know that? It’s important to me that you know that.

do you realise how fucked up this group has to be when bucky barnes is the most stable out of all of them

ⓘ You can Bite your Friends.

Do you know how fucked up your team has to be for Bucky Barnes to be the most stable member

why would you ever outsource fun to chatgpt? are you stupid? you can make mediocre shit by yourself too.

"I wish we met sooner" is such a gentle sentiment. I love you so much I not only want you in my future, but in my past too. I want to have known you when we were small stupid kids, have held hands together as we played outside. I want to have stressed out over exams together, nudging a mug of still steaming hot chocolate against your elbow to get you to focus. I want to have told you I love you before I did anyone else. I want to have held you in my arms when all those sad memories you describe to me were still fresh wounds. I want my past to have been full of you, and full of meaningful memories with you. I want my past lives to have been spent with you, whether as two lovers, or two housecats cuddling by the fireplace on a snowy day, or two flowers that just happened to bloom on the same day, next to each other. I want to have consumed your existence and intertwined it with my own since my birth, never to be separated from you for a moment. I want to have loved you throughout it all, for all time.

GO NUGGET GO!!!

Itty bitty nugget 'bout to wreck a bitch

Glass of water (oil on canvas) Artist / Emma May Riley

my one skill is expertly manipulating the shape of the eggs I’m cooking so that they fit perfectly onto my toast every time

kittens conversation:

hey we are all really small do you want to sleep in a pile

other kittens: yeah

posting my animations again. wanted to use this song since i'm addicted to it

Writing Descriptions

I was just musing recently about this, so thought I’d share some bits about how I try to build compelling descriptions of scenes/environments. Normally I just post fan art but eh, diversifying lol.

Having an agenda

I found both reading and writing descriptions that if I don’t have an objective for them they end up feeling aimless and sometimes forgettable. I am always trying to build a narrative. It can be as simple as “this building is old/unused” or as complex as ‘contrasting a bright atmosphere with an underlying coldness as an allegory to a character’s crushing isolation in the face of their personal grief/pain’. What does every line and descriptive word contribute to what you’re trying to do? What emotions or vibes are you trying to evoke? How does every part of it tie together into a cohesive picture instead of a bunch of disparate parts?

2. Utilizing descriptions as a tool

descriptions inherently tend to center a story in a specific setting, or serve as our senses to experience the story alongside the characters — but I try to use it as more than that when possible. How you can use it may vary with what person you’re using, but even third person (what I typically use) descriptions can give you a glimpse into the headspace of your character. This can be really helpful when writing a character who isn’t very emotionally self aware, or a character who is stoic. I typically use this one of two ways.

First one is seeing through the eyes of the character. How do they see this other character? How does their emotions, history, etc affect their impressions about different settings? For example, a characters with religious trauma might have a more negative/emotionally loaded perspective when walking into a church which can manifest at different levels of subtlety within the description of the environment.

second one way is just to get the reader on the same page emotionally as a character. If the character is desperate, incorporate that emotions/vibe into your description of the setting or even of them. If they’re lonely invoke that, etc. Note that this can also be used for plot beats and not just character moments.

Also total side note, but I’d reccomend not taking any writing advice too seriously. Explore how people write their stuff, take little tidbits here and there when it speaks to you and your style, and toss aside anything that doesn’t work for you.

becoming an adult cheat sheet!

learn to coupon

what to do when you can’t afford therapy

cleaning your bathroom

what to do when you can’t pay your bills

stress management

quick fix meals

find out if you’re paying too much for your cell phone bill

resume workshop

organize your closet

how to take care of yourself when you’re sick

what you should bring to a doctor’s appointment

what’s a mortgage?

how to pick a health insurance plan

hotlines list

your first gynecology appointment

what to do if the cops pull you over

things to have in your car in case of emergency

my moving out masterpost

how to make friends as an adult (video)

how to do taxes (video)

recommended reads for surviving adulthood (video)

change a flat tire (video)

how to do laundry (video)

opening a bank account (video)

laundry cheat sheet

recipes masterpost

tricks to help you sleep more

what the fuck should you make for dinner?

where should you go for drinks?

alcohol: know your limits

easy makeup tips

find seat maps for your flight

self-defense tips

prevent hangovers

workout masterpost

how to write a check

career builder

browse careers

birth control information

financial management software & app (free)

my mental health masterpost

my college applications masterpost

how to jumpstart a car

sex ed masterpost

What To Do About Filler

I am deeply frustrated at the increasing usage of the concept of "filler" in writing, partly because how people are using it is completely separated from what it usually means, and partly because few people explain what they actually mean when a story lacks "filler."

So, in short, when this comes up, what people usually are talking about is:

A lack of subplots. Subplots are essential background to developing your story beyond the main action points. Subplots include romantic storylines, internal journeys (learning to deal with a trauma, for example), plots that are critical for secondary characters, etc.

No room to breathe (aka pacing). Keeping up the tension is a common piece of advice, but if every single scene is filled with tension, you're going to exhaust the reader (and yourself). Quieter moments allow characters to reflect, realize things (like feelings for each other), and give you space to establish worldbuilding and mood.

Rushed or missing character development. Giving your characters space to learn things about themselves, confess or realize feelings, and moments to make decisions and change are essential to a story. Defeating the big bad is important, but usually the inner strength to do so comes from the character changing over the course of the story.

I am losing the battle against using the word filler when you mean a story lacks other things. Other than shaking my fist at the youths, I suggest that if you get feedback about "filler," see if you can get specifics. Is it an issue with pacing? Character developments? Not enough description or worldbuilding? If a romance seemed rushed, at what points does the reader think there should be more interaction? Etc.

A note for fanfic writers: Your goals are often different from someone writing to publish, but hammering down what filler means can still help you as well. Narrowing down the point of your story ("in this drabble, these characters flirt without using words" or "sexy coffeeshop AU") and making sure to ask your beta readers if what you're writing fulfills that goal can help you figure out if your story is making the impact you want.

(Wow I must really have the memory/attention span of a hamster, otherwise I would've posted this sooner..!)

ANYWAY~

I want to personally thank @voiceboss for this wonderful piece!

Genuinely worth every cent!

You have zero clue how much I imaged a Parks and Rogues type of scenario, and you ate with this one!

Laid-back but I’m filled w passion