Writer: I don’t know if anybody will like my story. I’ve never done it before. What if it’s too hard? I’m not sure of anything, I’m second-guessing it, I’m scared that it’ll turn out bad. What if I try my best and still fail? What if my idea is overdone or cliche? Would anybody even be interested in what I have to say? Me, sobbing on my knees: please… write the fuckigngbgng book… stop doubting yourself into a corner… you’ll never know how good you are until you have work to reflect upon… time is limited, and it only runs forward, so please do the same!
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
it makes me laugh when I go on twitter or tiktok and see people complaining that alicent and rhaenyra were the only two posters to be released first because it’s just like….people still don’t want to acknowledge that this is THEIR story at the end of the day. everything in this plot revolves around these two women and their relationship with each other. everyone is simply a side player to their show
perfect angel who is the actual treasure of my heart
rjgames asked:
Hello, I see you already have a post on writing accents, my question though: Is there any other way to write accents without saying from where it comes from (i.e. french)? My story takes place in a fictional setting where Earth does not exist and I’m having a difficult time with this. Also, I would not like to rely on misspelling a lot, or is that the only way? Thank you!
When you can’t say where an accent comes from, your best bet is to give the reader a basic idea of how it sounds. Obviously, there is no way to write a description that everyone will interpret the same way, and that’s true even if you’re describing the sound of a real world accent. A really great formula for describing fictional accents is this: sound or flow descriptor + dialect descriptor + origin location + regional reference + pronunciation description Example: He spoke with the lyrical brogue of the Tonterosi highlands–trilled Rs, clipped consonants, and a lilt at the end of every sentence. - He spoke with the lyrical (sound or flow descriptor) brogue (dialect descriptor) of the Tonerosi (origin location) highlands (regional reference)–trilled Rs, clipped consonants, and a lilt at the end of every sentence (pronunciation description.) You don’t have to do it in that order, and you can do a little mixing and matching. Whatever sounds best. And, even though no two readers will interpret that the same way, you’re still giving them something to imagine when they imagine this character’s accent. At the end of the day, it doesn’t matter if they imagine your character with an accent that sounds English, or French, or Spanish, or none of the above. What matters is that they imagine an accent. Here are some words you can use in your descriptions: Sound Descriptors
Soulful Dulcet Golden Sweet Honeyed Flowery Silvery Syrupy Mellow Broad Flat Deep Sharp Thick Heavy Crisp Round Hard Jagged Throaty Nasal Guttural Husky Breathy Smoky Raspy Chirpy Rich Discordant Sonorous Flow Descriptors
Lyrical Melodic Songlike Musical Mellifluous Rhythmic Staccato Rolling Flowing Rhythmic Dialect Descriptors Burr Lilt Drawl Brogue Slur Twang Lisp Regional References Highlands Midlands Lowlands Country High Country Low Country Back Country North Country South Country East Country West Country Backwoods Coastal Northern Southern Eastern Western Midwestern Badlands Riverlands Grasslands Hinterlands Marshlands Wetlands Boglands Woodlands Moorlands Bushlands Shrublands Mountains Jungle Desert Plains Valley Basin Swamp Prairie Foothills Forest Savanna Tundra Plateau Steppe Inland Pronunciation Description
Clipped Stilted Cut Hissed Trilled Tapped Shortened Drawn out Drawled Elongated Dropped Tense Lax Rounded Raised Shifted Glottal stop Loose Tight
Other Sound Words
Cadence Rhythm Tempo Lilt Timbre Harmony Meter Beat Intonation Inflection ——————————————————————— Have a writing question? I’d love to hear from you! Please be sure to read my ask rules and master list first or your question may go unanswered. :)
S3
hello everyone! my name is madeleine! i’m sixteen, i use she/her pronouns, and i’m just a little nervous posting on here. i’ve been lurking in the writeblr tag for a few weeks but until now i hadn’t mustered up the confidence to put myself out there. but hey! i’m excited now. i don’t have enough real-life writer friends. i love seeing people talk about their wips and hearing different creative ideas.
i’ve been writing for about eight years. i adore reading and writing ya. in terms of genres, i’m not very picky, but i enjoy writing horror (though i haven’t experimented too much with it yet) and all kinds of fantasy. i’m also a bit of a hopeless romantic.
my own projects:
most recently, i’ve worked on this weird idea that popped into my head in the middle of the night because apparently my brain only works when it isn’t supposed to. the tentative title is way down in hellebore but. i’m not sure i like it so. very subject to change. it follows three very different kids, all from different time periods and different places in--and out of--the world who mysteriously all end up lumped together in a bleak nowhere town. the last thing any of them can remember is killing someone, intentionally or not.
i also have an unnamed spooky story set in victorian london. it centers around a strange mother and her daughter who are notorious for seances and a family who comes to them, looking for a way to communicate with their recently deceased mother.
anyways. i would appreciate it if you reblog this if you happen to come across it. i really want to interact with/follow new people and enter the community!! thank you!! :)
alicent criticism often strikes me as having the same vibes as the people watching a horror movie and going "i would have never done that, the characters died because they made stupid choices, i would have easily survived". alicent had her life stolen from her when she was a teenager forced to marry an old man and have his children. it's something so horrible that i feel like a large amount of people (and some characters, like rhaenyra) simply can't fit it into their worldview that something like that can just happen to you and instead go "well if that was me then it wouldn't have fundamentally destroyed me as a person. in her situation i would've turned out fine and my poison wouldn't be dripping through. i would easily be a good mother". i saw some people found it a stupid writing choice that rhaenyra thought alicent could stop the war because it is "obvious" that alicent has no control over what is going on, but i think that failure to see the real horror of alicent's situation is what destroyed their friendship and drove them apart. from the beginning rhaenyra thought alicent was choosing to marry her father. in return alicent failed to see the way rhaenyra was being targeted for grooming by daemon. i think they both engaged in victim blaming because "my friend is acting hurtful towards me, so i'm mad" is actually easier to deal with emotionally than "my friend had her entire life and personhood stolen from her and so have i"
i’m soooo normal about zelda i like her a regular amount