Latest Posts by nazusuki - Page 6

'Why do you love rika. I love rika myself as well. Tbh for me its like, the more I stay in mysme fandom the more my love and appreciation for rika grows. It initially started as me being angry at the double standards of the most asian media fandoms in general cuz i realised that rika would have been more well loved if she was a man, people would use the male!rika's trauma to justify his actions and this thought has made me angry and made me "appreciate" rika out of spite. But it eventually has grown into a genuine appreciation for her. Idk how to explain but something inside me makes me want to protect her and save her from everything happened to her leading upto the current situation. And more hate she gets more i feel the desire to defend her.

Actually my no 1 is another character and he has a place of his own which no one could take (its yoosung btw) but rika...i think she might be a close second fave i guess - anon'

I accidentally messed up your ask, so I'll be replying in this way instead!

Thank you for the question, dear anon! I'm always giddy to chitchat about these things. I do want to prelude this by saying that this is not really a proper analysis, but more of me just writing out my personal feelings. I might try my hand at actual analysis one day, but, for now, I'm just sharing my own interpretations!

Mystic Messenger is probably the only fandom I have been in since... well, since it has formed, basically. It's wild to think about sometimes. Things are very different in our little space now, compared to how it was before. Public perception of Rika is one of those things. I can totally resonate with your frustrations on that front, unfortunately. I know many folks miss the time when the fandom was bigger, but... personally, I don't. Especially as a Rika fan. It was borderline exhausting trying to curate your fandom space as a Rika fan at the time. Hell, we had full blogs dedicated to solely hating on her, a fictional character, and people who expressed their love for her. And that's just here on Tumblr. People used to full on write hate comments under every single seasonal CG with Rika in it. It was terrible, and very, very disheartening to see. Especially since most Rika fans I've met over the years are the sweetest people. Granted, there is a case to be made for practically every mm character, and how the fandom may have misinterpreted them in one way or another, so it's not just a Rika problem. Just that she was majorly disliked.

If anything, I'm very happy Cheritz still continued to include Rika in the seasonal events despite it all. Props to them on that front.

Right now, thankfully, things are much more peaceful and respectful. Rika is definitely not the more popular character, but now you can openly express your love for her in the fandom space, without fear of being harassed. I'd say that's a great win for us!

That being said, as to why I love Rika... Hm, it's interesting to put it into words. I didn't have a strong opinion on her until V's route came out. I never really shared the collective hatred of her, but I didn't love her either, you know? V's route came out during a pretty rough patch in my life, and I think that helped me get personally invested in what it had to tell. Rika actually feels like a fleshed out character with many nuances, and that instantly made me interested in paying close attention to what they wanted to do with her.

Rika is complicated, to say the least. She always was, but, with all the added content to her story that Cheritz have put out over the years, her complexity only evolved further. I love that about her. I love morally dubious characters who's mind you have to carefully study and pick apart piece by piece in order to understand them. I love how she is not really a villain in a traditional sense. She is not actively pursuing harm on anybody, not in her eyes. It is fascinating to me how different her view point is, compared to those around her. How skewed her perception of the world around her grows over the years. It's both scary and captivating.

So, it started with fascination. Appreciation for her character and a desire to delve deeper into what makes her who she is today. I think... my appreciation has grown into love when her Behind Story came out. I know many folks have very complicated feelings towards it, especially since it came out alongside V's After End and its unfortunate push for forgiveness, but I never really viewed Cheritz establishing Rika's past as an attempt to wash her of her sins. It just came out at a very bad timing is all. If her Behind Story came out a bit later, I think public opinion of it would have been different. It's a shame that their huge mess up with the message in V's After Ending sabotaged it like that.

Thing is, Rika wouldn't be as compelling and interesting as she is, if she was truly innocent. That being said, I... relate to her struggles on a deeply personal level. Not as deeply as I do with Saeran, but her story and her struggles do make me choke up to this day. Because, in a way, I see my past self in her. Being able to read through her story, her thoughts, and her feelings have really made me form a genuine fondness to her. Her religious trauma, her painful path of learning to survive in an environment that actively tries to harm you at every possibility, her fears of being the devil everyone says she is, her inability to accept and love herself, because all she has ever known is pain, danger and hatred... It hurts. I think, everyone has that little voice inside their head. Telling them that they are bad and undeserving of the love people close to them are expressing. That everyone actually hates them. That there is something inherently wrong with them. It's heartbreaking that, in Rika's case, this voice has eventually consumed her to the point of no return.

When you are an abused child, who knows nothing but the hostile world they have at home, it will follow you into every crook and cranny of your life. Even when you're not home, even when you're 'safe', your mind and body will still be on high alert, as it's natural to try and keep yourself safe from harm. Rika's fear of the world around her, her deep inner self-hatred is something I have experienced as an abused child/young teen. It's debilitating, and it's heartwrenching to think that so many people have to suffer like this.

I think the beauty of her story to me is the sheer tragedy of it. It's a tough pill to swallow, but people are not born evil. She has done horrible, immoral and unforgivable things, and yet, in some twisted sense, her heart was not filled with malice as she did so. She believed she was saving Saeran, she believed she was providing her believers the safety and love they couldn't get elsewhere, she believed she was trying to show her old friends the truth by taking them to her side. Of course, none of those things are actually true. Her real intentions were selfish, albeit not evil. A desperation to be loved and not abandoned. That dichotomy is both beautiful and tragic to me. (Some of these are very bad quality bc I can't screenshot stuff right now)

Of course, there's also the whole V/Rika debacle. Personally, I never put all of the responsibility onto either one of them. That takes away the beautiful tragedy of their shared bond. V - or, Jihyun - genuinely cares deeply for her. He is heartbroken at all the suffering he sees her go through during his route. Of course, it's not just his care for Rika at play, but we're not talking about him right now. While, for Rika, he was her only anchor, her light, the one person who saw the real her and accepted her instead of forsaking her. At least that's what she thought. Rika and V are two very hurt and troubled individuals who have met each other at the worst possible time. And that makes it so sad to me. Neither him nor Rika truly wanted to harm one another. Whether there was any romantic love between them or not, they did care for one another deeply. Too deeply, even. Clinging to one another in order to satiate the emptiness they had inside, each in their own toxic way. It was not healthy. But it was genuine.

And I love tragic bonds, be it romantic or not. There is something compelling about two people who do want the best for one another just causing more harm than good. It's also painfully truthful. Not to such an extreme, but the struggle of doing what's best with no direction is one many can relate to.

I guess, to conclude this all, I'd say I love Rika for her complexity most of all. There are so many layers to her, and her story is truly a heartbreaking one to behold. But, God, is it beautiful, too.

Also, may I just add, her voice actress is absolutely amazing? She puts her all into playing Rika, and her story wouldn't be as moving if it wasn't for her breathtaking work. Her voice acting made me cry a whole lot of times.

hello a thought for you. mysme but ib au. that is all. i say this cuz mary kinda looks like rika.

I've thought that for years. Mary is Rika, Garry is V, and Ib is MC. I just strongly gesture at the game and its art. Mary and Rika share a lot of traits in how they desire to be loved. Garry is an artist who struggles. He struggles with his sense of self. Is that not V? Ib is the one who is fortunate enough to stumble into the art gallery and encounter them alongside all these other mysterious paintings. Tragic. I love this darn game and its flower motifs.

Hey! I'd love to hear your opinion on two things of the Halloween Mystic Messenger screen

First of all what do you think of Rika in the Dirndl (germans traditional women clothing) I think she looks quite snazzy, the colors are unusual on her but she looks gorgeous either way

Second of all, do you think Rika is Hänsel, Gretel, or the witch cause I am not sure. Like for the role she plays in the game, the witch would make a lot of sense, but she only gets out of her house after the children started eating her house, so I doubt it. And I forgot who was the one wanting to eat the house first of the siblings so I don't know 😭 I tried gaining understanding by looking at MC's clothes. But I have no idea what she is wearing, so I am at a loss and would love to hear your take on it!

Sending lots of love, dear <33

Hi! Thank you so much for such a in-depth ask, it was a ton of fun to sit and muse with my thoughts and ideas on Rika's birthday CG we got.

So, first of all, I gotta agree with you there: that's definitely a form of dirndl she's wearing! The designs look awfully similar for it to be a mere coincidence to me. These dresses can come in so different designs so it's a very versatile type of clothing to work with. Here are some examples of what I mean:

And here's Rika's dress up close for comparison:

Personally, I adore dirndls and their rustic yet elegant look. Never knew the specific term for such a dress, but now I do! It's not a sophisticated dress per se, but the simple beauty it brings out makes me super happy. If you think about it, it does fit Rika quite well. While she certainly loves to dress up every once in a while, her day-to-day style is quite modest in its nature. She's not wearing any dark colors in this cg, but it's not the pure white dress we saw on her two years ago either. To be honest, this color palette of green and blue on her makes me smile. It's not black or white, there's no darkness or light. At least, not in a way that would get your attention right away. She's not trying to embody the darkness or the light here. Instead, it's such a peaceful and soothing combination of colors, and I think it fits her very well. I also really like the yellow apron she's wearing! Is it, possibly, a callback to the dress we see on her in the game and the past she's trying to forget, only for it to remain by her side in one shape or another? Who knows, but it's a fun theory. Though, it should be noted that her outfit is still done in a cold color palette. It's certainly a way more colourful look on her than we're used to seeing, but in spite of all that, there's a certain type of deep melancholy surrounding her, even with a gentle smile brightening up her features.

Okay, now that we're done with her dress, let's talk symbolism! I'm gonna put up the whole CG now:

I'll be completely honest and say that it's been a while since I've read Hänsel and Gretel, so I had to quickly reread it to get a good feel of the story. It's very easy to assume that Rika's the witch leading MC away with the alluring promise of endless sweetness, only to trap them the moment they let their guard down. After all, the castle of Magenta sure does fit the sweet and inviting exterior of the witch's candy house pretty well. At first, it seems like a dream come true to the hungry and tired children, up until the very moment they finally get inside and see the ugliness hidden within these candy walls. That's what I thought of at first too! But, after rereading this story for your ask, I actually got another idea all together.

See, in the story, Gretel was wearing an apron. Not sure if she was wearing it from the very beginning, or after they finally freed themselves from the witch's clutches, but it's definitely there! And what do we see Rika wearing? That's right! An apron. Furthermore, I decided to look into the way Gretel is portrayed visually. To my surprise, she's often seen dressed in a classic dirndl. Which is actually not that surprising, since this story was published in 19th century in Germany, but hey, I didn't know that before :D Gretel was also the one leading Hänsel to the candy house, if I'm remembering it correctly.

So yes! Everything actually points to Rika being Gretel instead of a witch. Which means that MC is definitely Hänsel. This opens up a whole other possibility from a narrative standpoint. I wonder who the witch is then, though... But, I must admit, I REALLY like the idea of Rika initially helping the witch, albeit reluctantly and through her own tears, only to eventually find enough courage inside herself to break free and trick her, saving MC with her own hands. It's a nice parallel, considering that Hänsel (MC) was initially the one leaving pebbles and breadcrumbs to make sure that they'll return back home safe and sound. MC was also the one caring for Rika and promising her that everything will turn out okay.

Though, Rika still very much could be the witch, and I'm just looking way too deeply into this '^^ But, I must admit, I like the idea of her being Gretel much better. I want her to be happy!

Perhaps, Mika is the witch here. She's the one that first planted the idea for Mint Eye in Rika's head and she's the one telling her what to do for a short while. Mika playing the role of a witch that lured Rika and MC into her candy house only to force Rika to do her bidding does kinda fit the story. Maybe she locked MC up, because they were trying to warn Rika not to listen to her. I always loved the idea of MC knowing Rika before the start of the game, and how that would change up the narrative all together. I'd say that the father they return to in the end of the story is V, since he was the one genuinely caring for the kids, however his kind heart still did not stop him from unknowingly leading them to their doom. It does fit him quite well, I think. He's a good man doing his best and failing in the process, like we all do sometimes. Though, I have no idea who should be the evil mother... She's the one that quite literally abandoned Hänsel and Gretel in the middle of a forest, so... I don't know. I could go for a literal route and choose Rika's mother, but it's still feels kinda iffy and on the nose for it to make sense.

this was so fucking funny

I think not nearly enough people comprehend just how messed up Rika's and V's relationships truly was, actually. It is so easy to get hyperfocused on the big climax of their toxic obsession: the cult, the physical violence, and the secrets. But, like... You ever actually sit down and think about the sheer fact that V looked at Rika: a hurt, traumatized girl, terrified of being her true self, desperate for love she didn't even have a clear idea of in her own mind, safe for some very vague feeling she deemed to be 'love', and... He saw beauty in it. He was never malicious about it, nor did he even realize it fully, not until MC came into his life and pushed him into reevaluating his own worth as well as his views on what love truly is. But, at the time, he saw all that hidden pain and trauma in her, and he saw beauty in it. He was intrigued by it. It fascinated him. He desired to transform it into something even more stunning with his own two hands, analogous to an artist fixing his next big masterpiece. And she was his masterpiece. One he would paint and bend and mold into something he knew he wanted to achieve. It wasn't even a want, it was a craving. Not really knowing that he was just so racked with guilt and self-hatred after his mother's death, that he was merely trying to prove himself to no one but his own troubled and scared mind. To prove to himself that he could be an artist, and that he really could love like the sun. That he could save someone this time around, instead of losing them. Because, truth is, he could never be an artist, not in the way his soul truly longed for.

Rika was both his muse and his creation at the same time.

That's why he never encouraged her to get the help she desperately needed if she didn't want to do it herself. That's why he never got involved in any extreme ways until it became far too difficult for him to handle. That's why he told her time and time again that she was beautiful and perfect just the way she is, even when she herself would doubt and be deeply disturbed by his eager willingness to sink into the deepest of lows for her.

In a way, neither of them truly knew each other. It's a fact that they cared for each other at one point in time. But they didn't see each other as equal individuals to grow and change alongside. For Rika, V was her sun she adored and loathed all the same. He was not a person, he was just an anchor that kept her steady and a cruel reminder of all she could never be. For V, Rika was his canvas to pour his locked away feelings onto. She was not a person, she was a living proof of his ability to create and love in a way he desperately craved.

And in the end, that destroyed and scarred both of them. Not only them, but also many completely innocent individuals who were caught in the crossfire.

What a big, complicated, and horrible mess these two are.

Normal Basil conversation

(No dialogue ver. and og meme below)

wangxian yuri 🫶🐺

wangxian yuri 🫶🐺

Seven and 8 (lol) for the headcannons 😂😘

you damn weeaboos-

It feels WEIRD to write NSFW, I always censore it as much as possible and it’s just WEIRD to do this it comes out as if it was some random shit and not NSFW T_T … Or like some goddamn poetry when no one knows what’s it about.

Sex headcanon - for Seven

Intimacy is something that comforts him.

There still are times when his depression strikes, and at some point he won’t just, push you away, he will try to run away instead as if being around other people was a sin to him.

And yet your touch makes him stay every time, he cannot ignore it, he’s unable to take a step away from you the very moment he feels your skin on his.

It’s sometimes scary how much he needs you, how much the fear of you being sad or feeling abandoned makes him want to run into your arms and never leave your side.

But at these moments, the only thing he can think about is to be with you, to let you caress his wounds.

He trusts you more than he trusts himsef. He trusts that you won’t hurt him as many people in his life did, that he can completely relax and let you take a lead, for once in his life.

The way your lips whisper comforting words is as if you were casting a spell upon him. Every inch of his body anticipates the moment when you two become one.

He can’t help but feel addicted to it. 

Because even if only a while, you help him forget about cruelty of the world.

Headcanon meme

2wink are like if the planes that hit the twin towers reincarnated as anime boys or something

Oh a fellow Rika lover! Any thoughts on her as a whole? Everyone views her differently and she's certainly a very complex character with lots of layers to her (another reason why she's one of my faves!). Maybe how would you interpret her own happy ending?

Hello, fellow Rika lover!!

I'll put my thoughts under a "read more", partially because I fear this will get lengthy and partially because I know Rika is a sensitive subject for many people!

Also putting a TW for SA and general abuse!

Honestly, I find Rika to be an extremely relatable character, at least from my perspective. She's a good (albeit exaggerated) example of what can happen if people who need help are abandoned.

A rough background is never justification for crime, but it can help explain it. This is a girl whose earliest memories are in an orphanage, who only had one person she could rely on. When she was stripped away from Mika, she at least thought she would have a happy, loving family.

Instead she lived a life where abuse came at her from all angles. Emotional and psychological abuse by her mother, physical and sexual abuse from the priest. She was treated like she was worthless--no, worse. She was treated like she was evil, a scourge upon the earth, devilspawn that would plague everything she touched.

She didn't want to be evil. She genuinely wanted to be a good girl and just have someone love her and be proud of her. But she turned to that "devil" that everyone made her out to be as a defense mechanism. If it kept her safe... how could it be a devil?

She genuinely strove to be a good person. She took in Sally, a stray, because she saw her own loneliness and neglect in that dog. She did originally want to use charity to help others. She went to a different church from the one she grew up attending, so that she could have a fresh life where nobody would judge her from the second she arrived, and she could actually help out.

The problem is that she still was missing that love. By the time she met V, she was... 18, if I recall correctly? 18 years of being unloved. By then she figured she had to be someone else, put on a mask in order to be liked, let alone loved.

And V was her sun. V, who could capture beauty and warmth in photos that Rika could have only dreamed of. She saw light and love and passion in his work. Truly, Rika at her core is a romantic, because V was genuinely surprised to hear her explanations and theories of his photos. He was the one who said, "Huh. It wasn't that deep for me, but part of the charm of art is that it means something different to everyone who sees it. I'd love to hear more about your beautiful, romantic visions of my pieces."

She saw his sunlight and wanted it for herself. But just having the sun in her arms wasn't enough. When V started calling Rika his sun, too... she wanted to become the sun. Because she saw the sun as a mother who gave a warm embrace to all of her children on earth. Rika had never known that warmth, and she needed it. Physically, mentally, emotionally.

Of course, we all saw how everything spiraled when Mika was dying, when Sally died, when Rika turned into a black hole that began to suck up the sun. V didn't--and couldn't--give her what she needed, and she snapped.

Candidly, I don't think that's too unrealistic. Growing up in an environment of abuse, and reaching out desperately to be loved but everything keeps falling apart around you. She went into survival mode, and that meant relying on her "devil." The darkness inside her protected her, and she couldn't give up on it entirely when it had saved her time and again. She didn't want to give into dark desires, but she felt that she had to. She genuinely wanted to be the sun.

And I think that's something people miss in Another Story. In casual & deep, she's too far gone. But Another Story, she still has a tiny fragment of hope of being able to love and be loved. That's why she's so desperate to form her "happy family", and why she goes off the wall when Ray disobeys her. She doesn't know how a mother is supposed to love. She never had that love. It's not good, it's not excusable, and it's not pretty.

But it's all she knew.

Rika is someone who had more masks than she had names (and she had three of those). She never was able to just exist as herself, always trying to fit a mold someone made for her (i.e. her mother), or to become someone else who lived a life she wanted (i.e. V). She lost herself along the way.

I think she genuinely loved the RFA, and to a certain extent did believe she could "save" them. She advertised Mint Eye as a haven for other outcasts, as a place where those who'd been scorned by the rest of the world could find solace and love. She had to become their sun, their Savior.

But Rika never had anybody to save her.

Now, common critiques are that she should've gone to therapy longer. And let me tell you, if you have a bad therapist? You don't want to go back. There is nothing more emotionally taxing than pouring out your heart and fears and insecurities and troubles to a stranger. Sometimes you get lucky, and you get someone who's patient and understanding and willing to work with you.

Sometimes you get a horrible person who invalidates your feelings, talks over you, and flat-out tells you, "You're too unstable for me to handle. Go get on medication then come back to me." (Speaking from experience, here.)

And that hurts! Having someone spit on the very essence of your soul! Picking yourself back up to find another therapist and pray things go better is... it's one of the toughest things a person can do. I can't blame Rika if she had a terrible therapist.

Plenty of people like to blame V, and let's be honest, he has his faults too. He couldn't give Rika the love she needed because he was so focused on fixing her. No, seriously, he went, "I can fix her. I can help her." But he's someone else whose intentions were pure. He saw how his father abandoned his mother, and he never wanted to do that. He saw a woman in need, and he thought of his mother. He had to help her. His conscience told him to, and he didn't want another ghost on his hands. He's self-sacrificing to a fault, and he's also insanely stubborn. He decided he'd follow her to hell and back to save her. It wasn't love, it was obsession, and he didn't realize that until it was too late. It was a moral fixation.

They both needed help. They weren't right for each other. But they clung to each other and fed off each other, and that's why V has a tragic end in every route but his own. Rika doesn't even get that.

So, I don't condone Rika's actions. But I can say that it's easy to see how someone with pure intentions and a will to do good... can lose themselves in a world that is so vile and full of malice, hate, despair, and suffering. I see Rika, and I see my own struggles to stay afloat in a world that wants me dead, as a queer Jewish AFAB person living in Florida. I see my own struggles with narcissistic parents and how I'm constantly second-guessing my thoughts and feelings. But I digress.

Anyway, a happy ending for Rika? Cottagecore lesbian. I'm not even kidding. Gosh, she's so lesbian-coded. Don't get me started. Nope, I'm starting, but I'll keep it brief.

Basically, oppressive Catholic upbringing telling her she's a devil who's going to hell no matter what and she has to take the abuse if she wants to be saved. She clings to the first person who shows remotely any interest in her well-being and thinks it's love. Rika is a lesbian who had to suppress her feelings or else damn herself further, and she clung to a man in a serious case of compulsory heterosexuality because he was kind to her and she was not accustomed to that. Look at the V bad ending where she seduces MC. She has way more chemistry with MC than she ever did with V. That's a comphet lesbian with gender envy of her ex, your honor.

Let her live in a cottage in the woods, far from the hustle & bustle of the city. Let her live alone with a woman where they bake pies and cross-stitch and read and just exist peacefully. Get her another puppy. She needs peace, fresh air, and grass.

Screenshots to show that I'm not just pulling my Rika analysis out of thin air, lol.

She's extremely insecure and has horrible fear of abandonment. But she was failed at so many levels: the orphanage, the church, V, therapy.

I want nothing more than to see Rika be happy.

i love this :)

devil

(tw for self-harm. this is extremely self-indulgent. read at your own risk.)

Devil.

Her core, her soul, the very depth of her being, was a creature that had no right to see the light.

Usually, she could fight it. Usually, she could resist it. Usually, she could deny it.

But nighttime was when her demons were strongest, and she couldn’t always resist their allure. It was so easy to give into those voices, those whispers at the back of her mind that assured her that these actions were necessary for her survival. The devil inside of her had kept her alive for this long, so why would it ever try to deceive her now?

Nevertheless, as Rika looked down at the blood welling on her soft, thin, porcelain skin, she slowly came to realize that for once, her devil might have grown a little too strong.

A sharp wail escaped her lips, and the offender dropped from her hand to the floor with a clatter. She immediately clamped her free hand over her mouth, trying to muffle her cries. She couldn’t, shouldn’t, wouldn’t accept this. She could brush it off. She could pretend it never happened.

She hadn’t ever imagined that her devil would take a tangible form, but it had left a kiss on her wrist that she couldn’t ignore.

“Rika?”

A voice sounded from outside the bathroom door, followed by a sharp knock. The sound managed to strike Rika’s core, piercing even through her foggy mind and her shaky body. Hastily, the blonde ran her hands underneath the sink, eager to wash away the evidence. Rinse, rinse… Maybe a splash of soap, to ensure she was effectively clean. She needed to scrub away the darkness that she tried so desperately to keep hidden.

But as she pumped the soap onto her tender skin, the stinging that resulted made her whimper despite herself.

“Rika?” the voice called again, a little more frantically this time. “It’s me, V. Are you okay?”

Rika began to scramble through the drawers and cabinets, knowing that somewhere, somehow, the couple must have had a first aid kit in here. V was cautious—almost overly so—and every time that Rika complained she felt ill, whether it was a physical or emotional pain, her lover always seemed to be able to withdraw some sort of medicine to soothe her, some sort of bandage to patch her up.

She usually refused, not wanting to mess with her mind or body in the slightest, but for once, she was willing to accept the fact that she needed assistance. Normally, she wanted to keep that devil alive and well, strong enough to defend her from whatever the world may throw at her.

This time, though, that savior inside her had betrayed her, and she needed to bring it back within her power.

“Rika!”

“I-I-I… I need…” She tried to sputter out some words, some sort of answer to V to let him know that she was alive and well.

Was she really well, though?

“… a m-m-moment,” she stammered at last. She thought the sentence came from her, anyway; that voice sounded like it belonged to her, but in her dazed mind and through her ringing ears, pounding with the vibrations of her intense heartbeat, it felt so far away, as though it were coming from somewhere else.

V didn’t respond to that; he fell silent, finally, and all that Rika could hear was a soft exhale. He must have been relieved that she had answered, as distorted and shaky as it was, and so he was willing to give her the space she needed until she was ready once again. He was always so considerate of her, always trying to appease her darkness and bathe her in a glowing light.

Normally, her devil resented that light, that glow, that searing heat… but Rika, for once, was grateful to know the sun was right outside her door, ready to banish away the demons that had overpowered her.

A little bit of pressure was all it took to stop the bleeding, and finally Rika allowed herself to crack the door open. She waved at him with her dominant hand, keeping the other one tucked behind her back. “I… I saw a bug.” Some woman’s voice was trying to excuse the shrieking that had taken place, and deep down, Rika knew that this feeble fib would never convince him. She wanted to be hopeful, though. She didn’t want anyone—not even V—to know the extent of her struggles.

But as V’s minty gaze flickered to her hidden hand, to the razor on the floor, and finally to the swelling around the young woman’s eyes, he looked as though he’d managed to piece together exactly what had taken place in here.

“It’s okay.”

How could two simple words break her down?

Rika at once leaned forward and buried her face in his chest, sniffling and sobbing. Her tears were soaking into his shirt, but he didn’t seem to mind. The young man just ran a hand through her soft curls and pulled her in at the waist, massaging little circles into the small of her back. “You don’t have to be strong for me, Rika.”

With a whimper, she lifted her head and gazed up at him with tearful emerald eyes. “I… She… I…” Who should she blame? Was this the doing of Rika, or of… something else entirely?

No, this was Rika. This was a part of her that she tried so desperately to keep hidden. The part of her that V had tried to kill, time and time again, by trying to force her to expose it and unravel it.

But right now, Rika was willing to throw herself into his arms, if only to hear the words she so desperately needed to hear.

“I love you, Rika. Nothing you do will ever change that.”

Could she trust his words?

At this moment, did she have a choice?

“Let me see.”

Immediately Rika leaped back, cowering away from him, clutching her wound in her good hand and turning away so that he couldn’t get even a glimpse. “It’s fine…” she murmured, but as she removed her hand from her wrist and saw the little specks of blood that splattered her fingertips, she couldn’t fight back the sob that followed.

“Antibacterial cream and bandages,” V suggested softly, his voice barely above a whisper. “We have some in here.”

The blue-haired young man withdrew a small tube of ointment and a box of bandages from one of the drawers, and Rika cursed herself silently for not being able to find them sooner. Begrudgingly, she held her arm out to him, and upon seeing the subtle raise of his eyebrows and the softening of his gaze, she felt tears begin to brim along the corners of her eyes again.

“V, you need to promise me something,” she whispered as he began to rub the ointment into her skin. The pressure against her wound made her flinch, but she bit her lip and tried to keep herself steady. “You won’t tell anyone, especially not the RFA. Not even Jumin.”

Concern and doubt flickered across his eyes, but V nodded slowly. “You don’t want them to see you like this,” he guessed.

“I’m their sun, V.”

“Sometimes there’s a solar eclipse, Rika.”

Their silence coated the air for a moment as V gently stuck the bandage onto her wrist, careful to ensure he could cover the entirety of her injury. It was small, but significant. It was dainty, but deep.

Rika couldn’t fight back the gasp that slowly seeped out of her lungs as her lover gently applied his lips to the surface of the bandage. “You are my sun,” he whispered as he pulled back, and he gently took her hand in both of his. “Nothing you do will make me stop seeking your light.”

Light… even like this? Was there any light in her at all?

“I don’t understand you,” she grumbled. “I don’t understand how you could love a devil like me.”

“I’m not asking you to understand,” he told her simply. “I’m asking you to trust me.”

With a nod of her head and a dull ache in her chest,

Rika leaned into V’s warm, comforting embrace.

With the power of love, and after a quick rest,

Maybe, her demons she would be able to face.

I'm the queen of can't read social cues (thanks, autism), but during Seven's route, especially the first time, I sensed he needed space. I was worried about him, and hurt by his actions, but I knew I couldn't just force him to acknowledge me, and that this wasn't truly him- I don't know how, but something told me he was scared and needed time to decompress, similar to how I do. In his case, he needed space to decompress not from people, but from the sudden knowledge of what really happened to Saeran and that the few people he let himself trust had in fact lied to him. They encouraged him, a literal child, to essentially leave his only brother in their hands so he could stain his own soul black with the agency. Why not just threaten to call the cops on his mother and take both twins into their care, and deal with Saejoong once the boys were out of that house?

He just received a gut punch that he failed his brother, and was basically in survival mode. When he finally lets you back in, it's after he's had a chance to process some of his trauma.

100%. All of this.

Now, I will also note that Saeyoung is extremely autism-coded. Deep Story truly is "pick your flavor of autism." So I think some neurodivergent folks will have a better understanding of what's going on with his behavior, because they may relate to processing & experiencing their emotions in a similar way or other nontraditional way that makes them go "Ah. That's what's happening here."

Obviously, neurodiversity is broad and covers many types of conditions, but those who are on the ASD spectrum or ADHD in particular will probably have an easier time dissecting these tough and seemingly contradictory days of Seven's route.

Floriography or Flower Language ❤

Sooo basically, after i played Ray’s route, im getting interested with the flowers. I mean yeah, im interested with all the flowers meanings. Sincee our BAERAN love the flowerss soo much, i decided to search every flower that reminds me of Ray’s route and its meaning.

Thanks to Saeran, i realised how beautiful all the flowers are right now💕

My Mystic Messenger: Master List

★☆★☆★☆★☆★☆★☆★☆★☆★☆★

Theories

⚠️ Please be warned: Several of these post contain HUGE SPOILERS so, don't say I didn't warn you. ⚠️

Part 1- It's a Game

Part 2 - MC Mystery *I'm not on acid, but maybe my brain is lolol*

Part 3 - The Characters are Error Numbers

Part 4 - 404 as F.E.

Part 5 - Dandelion

Part 6 - Mystical Chess

Part 7 - Vanderwood

Part 8 - Choi Twins (Saeran's AE)

Part 9 - The Agency

Part 10 - Cheritz Matrix (The Ssum)

Part 11 - Rika killed Sally

Part 12 - Memories

Part 13 - Mystic Messenger Timeline

Part 14:

♥️ 🩷 💚🖤

Analysing RFA & M.E. personalities

💜💛🩶💙

💛 Jaehee 💛

♥️ Saeyoung ♥️

💚 Yoosung 💚

🩶 Zen 🩶

💜 Jumin 💜

🩷 Saeran 🩷

*This includes Unknown, Saeran, and Ray*

💙 V 💙

🖤 Rika 🖤

* Currently working on these analysis.

Part 15 - The Muse

Part 16 - The Real Wizard

Part 17 - Analysing Mystic Messenger Iceberg

Part 18 - The Ssum & Mystic Messenger connection

(More soon)

★☆★☆★☆★☆★☆★☆★☆★☆★☆★

Mystic Messenger but it's things I created, (not theories):

♡ Mysme but it's all Taylor Swift songs

♡ My favorite colors are tied to some MysMe characters

★☆★☆★☆★☆★☆★☆★☆★☆★☆★

The following ones are not mine but are interesting and add a lot to my theories. Plus, some of these blogs have been deleted so I just reposted them to not miss this info:

♡ MC Soul

♡ Wizard Theory

♡ Not mine but is so cute~~~

🖤 ✨ 🖤 ✨ Rika ✨ 🖤 ✨ 🖤

Let's start with Rika...

⚠️possible spoilers ahead, be warned⚠️

I can't believe I actually didn't realize that. I mean, I did it. Like 7 years ago, but I had no clue on how to explain it.

Besides it needs from Mystic Messenger Timeline *which I'm still working on, and trying to finish* to actually make sense.

Disclaimer: Please take into account that whatever I say here, it's only my opinion after playing the game so many years. I'm not a psychiatrist or a psychologist, or therapist of any kind. I'm just a writer, who loves to spend time analysing characters and stories.

I did asked to my mom to help me with this and the other characters because of how difficult the task ahead of me was. My mom, who is an actual therapist, did her best to help me, but I did most of the analysis here, since I'm the one who knows the in's and outs of this game. Besides, I did my research and I'll make sure to quote it! So give it a chance and keep reading even if you disagree with me. And then, I'd love to read your thoughts on the topic 💕

Narcissus. Also known as daffodil.

Should I talk to you about the dark side of the flowers and tie it to MM characters?? Anyways, Rika is a narcissistic. But also has a profound trauma. One doesn't exclude the other. Here's a quote from Mayo Clinic:

«Narcissistic personality disorder is a mental health condition in which people have an unreasonably high sense of their own importance. They need and seek too much attention and want people to admire them. People with this disorder may lack the ability to understand or care about the feelings of others. But behind this mask of extreme confidence, they are not sure of their self-worth and are easily upset by the slightest criticism.»

Causes: The cause is likely complex. Narcissistic personality disorder may be linked to:

Environment — parent-child relationships with either too much adoration or too much criticism that don't match the child's actual experiences and achievements.

There are other two, that are genetic, and neurobiology causes, but I'll be focusing more on the environment, which let's be honest, it's what is displayed on the game. If you're interested on reading more about it, there's a link before the quote and, on References, I'll also be leaving every single link.

So let's go back to Rika and please read the next three images while remembering how's her relationship with V, and Saeran. Sometimes even with MC, and Mika.

As you can see...

Attention:

* Creates the RFA. Receives attention.

* Creates Mint Eye. Receives attention.

* Says V is her Sun.

* As soon as she gets tired, says V's killing her and wants to leave

* Wants to mix RFA and Mint Eye. I assume is because despite everything, she feels like she's losing attention on everything she created. And MC is the reason of that too.

They don't choose losers:

V is a millionaire

Jumin is a millionaire

Zen is super sexy and hot

Jaehee and the twins are really smart

Do I need to keep going? Even Elizabeth the 3rd is one of the most beautiful cats ever seen.

Grooming:

Here's the part that keeps bothering me because I realized about it before I could actually explain what it was going on. Seven years ago I decided to play the game, and I finished feeling a bit too weird on how everyone was so infatuated with Rika... it wasn't any other person that just dies and then the group dies too. It was still active two years after losing her (?) Even though they have only know each other for... 4 to 6 years?

Some even less. Like Jaehee. Which randomly brings me to: She's an ENFJ so she does focus on details like Jaehee (Jaehee might be ISFJ, ISTJ or even ESFJ considering how well she manages around people too. But that's another story.) Her enneagram is probably 1.

I can understand Yoosung, but... you know what I mean. It was weird. And once I reached the first VN novel about V and Rika I felt even more weirded out by these two.

I don't think I can pinpoint it but I felt like Rika was manipulating V so I was surprised when I realized some members were tying these two as lovers and a beautiful couple. Do you guys remember V being surprised by Rika quoting "The Sun is the mother of all"?? Yeah... Even back then, for me it was a highlight of how messed up their relationship was. But again, I couldn't exactly pinpoint it. Until, now.

After Cheritz released Another Story, and Rika DLC, many of my theories came true. But still in a disorganized way. Which is why I created The Mystic Messenger Timeline.

I did confirmed one thing:

Rika is a narcissist and V is a people pleaser (that doesn't make him any less villainous of what he is, but I'll explain once we'll reach his profile. I promise.) at least at the very beginning of this story.

She probably has psychopatic tendencies

She definitely has sadistic and abusive tendencies: I have a hard time putting through her whole behavior during Saeran's Route and especially during his AE. But she takes pleasure in hurting others. V, Saeran, MC, Mint Eye associates, etc.

A bit of One on the Enneagram:

It is called The Reformer.

Because Ones have a “sense of mission” that leads them to want to improve the world in various ways, using whatever degree of influence they have. They strive to overcome adversity—particularly moral adversity—so that the human spirit can shine through and make a difference. They strive after “higher values,” even at the cost of great personal sacrifice.

If you think I'm too far off, then please check the levels of healthy and unhealthy Ones can have. They sure ring a bit too much for me on Rika's behavior. From Level 1 to 9, we can see her evolution during the game. But here you have a couple of her worse traits.

Unhealthy Levels

Level 7: Can be highly dogmatic, self-righteous, intolerant, and inflexible. Begin dealing in absolutes: they alone know "The Truth." Everyone else is wrong: very severe in judgments, while rationalizing own actions.

Level 8: Become obsessive about imperfection and the wrongdoing of others, although they may fall into contradictory actions, hypocritically doing the opposite of what they preach.

Level 9: Become condemnatory toward others, punitive and cruel to rid themselves of wrongdoers. Severe depressions, nervous breakdowns, and suicide attempts are likely. Generally corresponds to the Obsessive-Compulsive and Depressive personality disorders

If you want to know more about this, check this.

So, why do you (player) like Rika as character?

Because it's okay, I know people who actually like Rika. I don't, but I definitely don't hate her either...

You don't need to be worried about it as long as you know what she did was wrong. That's it. Now, why do you like her/identify with her?

Things that might, or not, ring a bell:

* Trauma: Rika has a traumatic past. And you might feel like it's a mirror of your past. Hence identifying with it might not be something difficult. Of course this doesn't mean you are leader of some religious cult.

* Her willingness to fight despite having everything at odds. Let's not forget that before she goes nuts and starts brainwashing people, she did a lot of great deeds. Tried to stay positive and all that.

* Her kindness (we can discuss over certain things, but as much as she did terrible things, she also did amazing things, like creating the RFA to help people. Wether she did it with a certain master plan in mind or not, she did helped as much as she hurt and that's the important part.)

* She's just a great villain! It might be hard to understand for some people but you actually just look at her character as what it is, a character, and you're impressed by how many discussions and hot debates she brings onto the table. Understandable!

* Her flower means forgiveness♡

Do you have any other ideas for why you might like Rika? I'd be happy to read them. 💕

Also, this might be one of my last post about her. Might not be the last but I do need to finish with the Mystic Messenger Timeline, and I will but I don't think I have a lot more material to write about. So thank you for sticking with me all this time! I'm linking the main post on MysMe theories I have, I still need to finish tying up all nicely. But we're coming to the end. I'm definitely talking about trauma, coping mechanisms, parenthood, childhood and societal pressures but it'll be in other posts, possibly not even linking them to this one. Who knows? Stay tuned~!

References:

Mayo Clinic - Narcissistic Disorder Personality

Between Narcissistic & People pleaser

Medium - Beware a narcissist with a hero complex

Paired Life - Hero & Narcissist

Enneagram Institute - One

it’s time for requests!!

Jaehee deserves all the love I agree anon!! I hope Jaehee’s beauty is saccompanied with the outift I’ve chosen for her - I imagine them strolling through the city like this… maybe they’re looking for new tableware (I now decided they own a collection of aesthetic cups lolol)

More requests will follow~ Thank you for requesting 🧡

Hi Kait! So about Saeyoung being parentified, can you share more about that?

Saeyoung Choi was parentified at a young age by his mother and this action left a deep impact on him that plagues him to this day. It does not matter what Route you're playing, Saeyoung reacts to his brother in the way a parent should. His dynamic with Saeran is founded by a bond of brothership, it's more like Saeyoung is the parent and Saeran is a child. It's that way by design, and you can thank Mother Choi for starting this unfortunate cycle.

So, to start off, I should explain what it means to be parentified, huh? Parentification is a form of physical and psychological abuse where a child is forced to take on the role of a parent for their fellow siblings in the house, or even their parents.

There are many kinds of this type of abuse, but two key types are notable in Saeyoung's arc.

Emotional Parentification is when you, the child, take on the role of a confidante or mediator. The child feels responsible for the emotional state of the people around them.

You're handed adult emotions and subject matter well before your pain can process what you're going through, and your mind reacts to this by trying to mend the distress. This can look like comforting your parent after they reveal something deeply distressing, like the details of a divorce, or financial issues to you. This can also look like trying to take care of younger family members when they're upset, leading the older child in this situation to comfort and control the situation in the way the adult should.

Instrumental Parentification is the act of giving a child tasks that are too large for them. That looks like a parent telling you to do grocery shopping, pay bills, cook meals for the family, or take care of a sick sibling, for example.

This is the act of giving a child responsibility in the household that they are not ready for. The adults in the situation expect the child to be capable of understanding adult concepts without failure, and the weight of that stress is more than a child's brain can comprehend. It shouldn't be on a child's shoulders to find food for the family or pay the bills, but that's what happens in this type of abuse.

So, now that I've given a definition of this abuse, let's go ahead and talk about Saeyoung's parentification. I don't think a lot of people in this world want to talk about the effects of parentification because a lot of people have suffered this abuse and don't even know it.

Most people see it as a child "stepping up" in a time of need, but that's not something we should condone as a society.

Saeyoung's first foray into the grown-up world was handed to him when his Mother decided she didn't want to leave the house to get her alcohol. She told him to go and fetch her for her, among other a number of other tasks, like grocery shopping and picking up some medication if needed. He has no choice but to obey her whims if he wants to eat and take care of Saeran, too.

This is how Mother Choi talks about him when he's not there. He was useful because she got double the money for the twins, and because he was strong enough to leave the house, run to escape the threat of anyone looking to kill him, and get the alcohol and food she wanted for herself.

Saeyoung knew everything was going to go to his mother first before he or Saeran got to eat or drink.

Because I don't know if you guys are aware of this or not, but Ray reveals to the player in V's Route that their mother used to only give them white bread and rice to eat. The boys were given scraps and if they got lucky... something hardier because Saeyoung managed to smuggle it.

To the point where he has a strong aversion to the taste of bread now. He doesn't want to eat it. It reminds him of being trapped in that house. He'd eat it if he had to, in the same way, Saeyoung and Saeran can eat anything because if you're hungry enough, trust me, you'll try to do anything to not starve.

I know a lot of people haven't played Rika's Behind DLC, but years into running errands and taking care of tasks for his mother, Rika sees mistrust and fear on his face. She doesn't get it at first, but considering the fact that she also suffers from abuse, it starts to make sense to her the longer she interacts with him. She saw her trauma in Saeyoung... similar to how she starts to see her pain in Saeran, too.

Rika's intentions were compassionate at first as a person who saw her tortured self in these boys.

Do you know what it would feel like for a child like Saeyoung to spend years running errands for his family on a minimal budget that mostly gets spent on alcohol, not only fearing that the money he had wasn't going to be enough but knowing his biological father was around the corner waiting to kill him?

Saeyoung lived in fear every day of his life but he wasn't allowed to be afraid. He had to be a big boy for Saeran and survive the scary places he was sent to otherwise his brother would be alone. Saeyoung knew he had to survive so Saeran wouldn't be alone. That place was bad as it was when it was the two of them, but if they were alone...?

If it was just Saeran alone or Saeyoung alone?

Well, we know how Saeran later describes it in the secret ending. It took V and Rika a few weeks to get everything together for Saeran, but in that time, Mother Choi spent hours denying Saeran food and water because she couldn't find Saeyoung. Saeyoung was right to be afraid of those things, but the problem is that he shouldn't have had to have lived that way.

He was a child just like Saeran.

Saeyoung would never acknowledge that fact, though. But, he was a child forced into the role of an adult. There hasn't been a moment in his life where he wasn't playing the grown-up... unless we counted a couple of years where he couldn't walk or talk.

There's a reason why he wouldn't admit he suffered this, though. He doesn't want to ever admit he was hurt because he thinks Saeran's trauma is valid in comparison to his. Sure, he got hurt, but he's the "responsible twin". He is the "grown-up". He is the "big brother". I'm sure Saeyoung's MCs are aware of that because that's why he's so damn resistant to being vulnerable with you!

It's because of this trauma!

I'm not going to dump every example into this post, but I will point out these screenshots in particular to make my point. This is how a child who is aware of financial instability acts.

The next thing Saeyoung became aware of was how important money was. He spent all his time trying to run these errands for Mother Choi, and even if he didn't know how to count on his fingers and toes, he had to learn fast.

If he's only given so much money, he has to debate what to pay for and what he can and can't get. "Mother told me to get the "x kind of alcohol and that costs y, but we need more of this food for us to be able to eat, but the food costs z. What do I do?" He learns faster than anyone that if he wants to get out of that house, they need to get a lot of money, fast. They can't touch whatever Saejoong sends them.

She'd notice Saeyoung taking that money. Mother Choi might not be all there in her later years as alcoholism rots her brain, but if there is one thing she knows, it's that her brand costs XYZ and she better be able to afford that since Saejoong sends the "ZYX" amount.

Money is a serious problem for many families. I can tell you from firsthand experience that being exposed to the money insecurity around me at a young age made me paranoid about the concept of money. Why do you guys think Saeyoung buys those cars? He has those cars because they're easy to get rid of for quick cash if you're desperate. He loves being a mechanic, but it's not just about those cars.

It's about the money.

Every dime he makes from the agency isn't something he considers to be safe. That's why he keeps extra items in his bunker to get rid of if he needs to make quick cash. The game itself doesn't go into detail about how many different bank accounts Saeyoung has or where he stores his money, but it's worth noting that Saeyoung has as much in his pocket as Jumin does, if not more. He just doesn't spend it due to the fear he has.

What if Saeran needs that money?

It's not "What if I need that money?"

It's "What if Rika or V asks me for money to help him and I can make that happen?" and it's "What if the agency explodes someday and I'm free to live with Saeran? I want Saeran to have everything... all of it. I need to be able to have a limitless amount of money so he's never without."

So, he's determined to find another way to make money to help his brother escape. Have you guys ever noticed Saeyoung's language in the game when he talks about escaping? It's never about him. There isn't a moment where he considers his wants or needs. That's due to the fact that he's been trying to care for Saeran first and foremost. It is his job, not only because his mother told him to do it, but because he feels like it's his destiny to protect Saeran as the big brother.

That brings me to what Saeyoung understood as his job from the minute he could understand abstract thought and walk.

The fact that Saeyoung believes it's his job to take care of Saeran's emotional regulation. Every choice he's ever made in his life was to protect Saeran from becoming aware of how much danger existed around them. Every time Saeran cried, Saeyoung took it personally, and he jumped into action to help Saeran calm down.

He spent those days trying to distract Saeran, tell him stories, or he would create games to keep his mind off the ropes on his ankles and the storm in the other room. Of course, Saeyoung was a child just as his brother was, and he wasn't the best at "being the parent".

There were moments when Saeyoung couldn't help himself, and he would cry or scream at Saeran without meaning to. Saeyoung would feel a great deal of shame after it and mask his emotions even deeper to survive as Saeran's caretaker. In fact, I had a bitter chuckle when I glanced through the Secret Ending to grab examples of this fact and a nurse outright called Saeyoung "Saeran's caretaker".

I can clip hundreds of examples where Saeyoung focuses on Saeran's emotional state before his own. This is an example I explained. Where Saeran mentions a time when he tried to argue with Saeyoung about how he felt and Saeyoung screamed at him. Saeyoung wants to make a better world for Saeran so Saeran can be a child... and he just can't accept that Saeran is aware of how dire things are.

He's been trying for years to keep Saeran in a state of naivety for his protection. Saeran was never naive, though. He knew better, but he saw how hard Saeyoung was trying... he didn't want to get yelled at for telling Saeyoung what he really felt.

Saeran wanted to be just like Saeyoung because Saeyoung was the "strong one". He saw his twin brother being "grown-up". Why wouldn't Saeran start to view Saeyoung as more of a parent? You don't have to call someone your parent to view them as a parent, and that is very much the case for the younger siblings who count on their siblings for that bond.

Saeyoung has a horrible habit of saying: "If I am strong, then you are strong. You're me and I'm you." It was the only thing he could think of to help Saeran when they were kids. It's poetic and thoughtful, but it isn't helpful for Saeran's emotional regulation. It placed the weight of his strength on Saeyoung and Saeyoung alone. Saeran didn't want to do that, but Saeyoung kept doing that over and over again.

Saeyoung was a child who tried his best with what he was given, but again, he was a child who had to throw glue at the wall until he made himself believe something stuck. A major problem with Saeyoung at his core is that he can't see Saeran as anything but a helpless child... he infantilizes Saeran quite often. The last time he saw Saeran, that situation was different.

He was playing the role of Saeran's parent and Saeran depended on him for everything. He has a very hard time stepping outside of that role. Saeyoung plays the role of a caretaker as best he can, but that's a problem. Saeran isn't a child and neither is Saeyoung anymore. He's got to do what's right for Saeran, but Saeyoung continues to think he knows best no matter what because he's Saeran's caretaker.

He can't shut that mentality off. It's going to take a lot of therapy for Saeyoung to confront this fact, but in the Secret Ending, there isn't any moment of time he can spare for that. He's still busy living in the worst nightmare of his life. He won't let himself focus on recovering from the gunshot wound, nor will he work on physical therapy when he needs to. He neglects his needs because he's afraid for Saeran at every turn.

In some regard, we, the players, understand why that is. We know the truth that others don't. If Saejoong finds out about them, they will be killed for it. There is only so much Jumin can do to protect them, and he's already doing more than any average person would.

Saeyoung is aware that the hospital wants to sedate Saeran for the violence he's displayed to doctors and nurses. But, he knows that his brother doesn't want to be drugged again. He is in a crisis of morality for days. What's the right thing to do? He knows Saeran needs to be in the hospital but he can't let that continue.

He feels that he knows better for his brother at the moment.

He knows Saeran will stay in a hospital room to get the help he needs.

But, how long before someone finds out? Even Jumin points out that the risk of his father finding out about Saeran is high. Saeyoung has to make a painful choice. Remove Saeran from the hospital knowing that it's not good for Saeran's mental health or keep him trapped in a psych ward knowing it might get him killed. He did what he thought was right.

It's a difficult question.

But, Saeyoung didn't think twice. He knew he had to make a hard decision to save Saeran's life. He didn't discuss anything with anyone else. He just acted. He acted with the knowledge that he is the only one who understands what Saeran needs. He is the only one who is capable of protecting Saeran. He can't trust anyone else ever again.

He will be the adult, the grown-up, the parent, and the big brother. I have to point at this exchange as a good example of Saeyoung being the one who feels like he has to regulate Saeran's emotions. Look at how he speaks to Saeran, begs with him, pleads with him, and tries to play the parent who doesn't know how bad it was but wants to do something to make it right.

"I was awed there was something in this world I had to protect. I'm blessed to have someone that I need to protect. Thank you, Saeran... for being there so that I can protect you. You existing beside me gives me one more reason to live."

That is the language of a man who has no life purpose but to be a parent to his twin brother his entire life. He says outright that his job was to make sure that Saeran could stay alive no matter what. He is the last person who should be trying to break through to Saeran in this situation about what it means to want to live or die, but he feels that there is no other choice.

What is Saeyoung's purpose if not to be Saeran's parental figure? His caretaker? Even as he starts to heal and learn how to live with his MC in a world that he wants to live in forever... he is going to be grappling with that question.

This doesn't change at the End of Secret Ending when Saeran and Saeyoung have their "breakthrough."

Saeran still looks to Saeyoung for an answer and Saeyoung wants to give one. In fact, the reason why Saeran decides that it's not worth it to kill himself isn't just due to the fact that he realized that Saeyoung would do anything for his happiness, even die.

It's also because he realized that Saeyoung will not let him die. He doesn't want Saeran to die and he won't Saeran do it. That doesn't stop Saeran's suicidal thoughts. He simply becomes apathetic after this. He knows he can't die no matter what he does, what's the point in trying again? He doesn't have a sudden revelation. He just learns that Saeyoung won't quit trying to save his life.

Saeyoung: "Let's go back to how we were. We've survived so much. Our happiness now can shine brighter because of that."

Saeran: "I hated that about you. I hated how you were positive about the future, and yet, I admired it at the same time too. I'll give him the benefit of the doubt this time if only because that's the only choice I have right now."

Saeyoung, my dearest, you can't go back. This sets up how I view the way Saeyoung will treat Saeran going forward until he gets into some therapy and acknowledges what he went through. This doesn't make Saeyoung a bad person, but it does show the player how Saeyoung's unable to stop seeing himself as a child who had to be a grown-up to survive. He needs to accept that Saeran is a grown-up and that he's a grown-up, too.

Saeran should be allowed to do what he wants, and outside of doing the right thing by removing sharp objects and more things like that outside of that bunker, as well as offering emotional support when it is asked for, Saeyoung should learn who his brother is today instead of thinking of him as the baby who clung to him when they were both stuck in that nightmare home.

Just as Saeran should give Saeyoung a chance to show who he is as an adult, too, when he's ready. He doesn't need to see Saeyoung as a savior or a caretaker, and he doesn't want to, but they need time, the both of them, to get out of that place. I think with time, therapy, and the help of MC will do wonders for this.

I know I didn't get into where this would play out in Another Story, but it's the same sentiment. But, in that situation, Saeyoung has no choice but to be forced into seeing Saeran's autonomy as an adult. It's far different than what we're shown in Saeyoung's Route. I know the game doesn't cover this either, but I have to add something else to this.

You know V's murder is something that Saeyoung is going to take the blame for. Saeran is never going to be blamed in Saeyoung's eyes and I don't see that changing even as they get better. He will say it's a sin he committed since he was the one who put Saeran in that position, to begin with.

It's painful to think about but it's the truth.

Saeyoung will gloss over Saeran's actions because he is his brother. That's going to cause issues later on as Saeran takes ownership of his actions. He won't be able to talk about those things with his brother... because Saeyoung will excuse him. "It's my fault. Blame me. I failed you as a big brother. Your actions were mine. They weren't yours. I'm the filthy sinner. I am Luciel. I am Lucifer. I take your sins and cleanse you of them."

Saeyoung became a monster and he feels like Saeran shouldn't be called one when he already took the burden as Saeran's other half. That's a part of what he can't admit to himself. That he feels like a parent who must take care of everything that happened to Saeran as if it were his sin instead.

I feel like this is a part of Saeyoung Choi that a lot of people can relate to, but it's the pain of knowing that he hasn't realized how deep this trauma runs in him.

That Anon made me go back and glance at Saeyoung’s After Ending since I don’t really go there that much. Most of the time, i just head into the Secret Ending to replay that content, but I had to do a double-take because I forgot about this detail. Apparently, his dream Toy Shop is unbelievable to look at… This isn’t located near his bunker, but it might as well be according to Jumin. What the hell does this Toy Shop look like, Saeyoung?

I don’t even think I could draw a model of this! Hey, Saeyoung MCs, do you have an idea what this man would create this building to look like?

Collected Reading List for Hello Charlotte

I have collected every book either directly referenced (character names or bookshelves) or thematically relevant (that I can find. I am sure there are more.) in hc! Books marked with an * are the most relevant to the game/my personal recommendations. Notes under the cut.

One Flew Over the Cuckoo’s Nest - Ken Kesey

The Kingdom of God Is Within You - Leo Tolstoy

Golden Apples of the Sun - Ray Bradbury

Physics of the Impossible - Michio Kaku

Physics of the Future - Michio Kaku

The God Delusion - Richard Dawkins

The Selfish Gene - Richard Dawkins

Bad Science - Ben Goldacre

Flatland - Edwin Abbott

On Aggression - Konrad Lorenz

Lullaby - Chuck Palahniuk

*Childhood’s End - Arthur Clarke

The Castle - Franz Kafka

Simulacra and Simulation - Jean Baudrillard

*1984 - George Orwell

Civilized Man’s Eight Deadly Sins - Konrad Lorenz

*Brave New World - Aldous Huxley

Cats Cradle - Kurt Vonnegut

1Q84 - Haruki Murakami

Fahrenheit 451 - Ray Bradbury

*Slaughterhouse 5 - Kurt Vonnegut

Hitchhiker’s Guide to the Galaxy - Douglas Adams

Time Machine - H.G. Wells

On the Freedom of the Will - Arthur Schopenhauer

The Man Who Mistook His Wife for a Hat - Oliver Sacks

The Joyful Wisdom - Frederich Nietzsche

Afficher davantage

Gekijô-ban: zero (2014) Dir. Mari Asato

part 7 of 7 - confessions

[« previous] [full story in chronological order]

Thank you all for reading! Especially if you've been following since day 1 lol :) as a side note, this was meant to be only 1 page per day, but the final two parts got a little out of hand... for a total of 16 pages! (9 just for this finale)

この涙 星になれ / ZARD

I-I-uh-um-I got asked to draw this teehee 💅

🌼 poems that set me free in april (even for a short while) 🌼

Stranger, an Armenian folk poem (from “Anthology of Armenian poetry")  

Dawn Does Not Break in the West, Eghishe Charenc (from “Anthology of Armenian poetry")  

Your Unripe Love, Paruyr Sevak (from “Anthology of Armenian poetry")

The Rope Looped Itself, Hamo Sahyan (from “Anthology of Armenian poetry”)

The Analysis of Yearning (Garod), Paruyr Sevak (from “Anthology of Armenian poetry")  

I Can Give Myself To Her by Yosano Akiko

“I was thinking…” by Elena Shvarts (tr. by Stephanie Sandler)

Love by Bob Hicok

Note for My Wall by Charles Bukowski

Here and Now by Peter Balakian

The Sound of Trees by Robert Frost

A Kind Of Loss by Ingeborg Bachmann

Excuses For Why We Failed At Love by Warsan Shire

‘One Heart’ by Franz Wright

Mayakovsky by Frank O'Hara

I Have a Terrible Cold by Fernando Pessoa

I felt a Funeral, in my Brain, (340) by Emily Dickinson

Wet Evening in April by Patrick Kavanagh

You Who Never Arrived by Rainer Maria Rilke

For M by Mikko Harvey

“Little Crazy Love Song” by Mary Oliver

Good night, my love.