Latest Posts by snowwritings - Page 3

If you're a creator and you needed to hear this today:

You have no idea how many people lurk on your work. No idea how many times people go back to revisit your work. How big they smile when they simply think about your work. How fast their heart beats, how excited they get when they see that you posted something.

People are shy with their feedback. Sometimes it’s because they’re simply shy. Other times it’s because they assume you already know how great and talented you are. Could be both.

My point is, even if you barely have any likes or reblogs, don’t get discouraged. You have a lot of silent fans, but they are still your fans. Keep on creating. Because there is always someone out there who will love what you have made.

Shout out to writers who can’t do plots, who write about feelings and moments in time instead. I love reading those fics, and I love writing those fics. Keep on peering into the depths of characters’ hearts and souls in the little moments. You’re exploring the places where canon often fears to tread. 

The most valuable chart…

How To Fall In Love With Writing

Some of us are new, some of us are in a rough patch, but we all want to write, so here’s how to fall in love with it, for the first time or all over again.

Build a personal relationship with it. Make it a part of your lifestyle and your being. Start a journal or simply start writing something every day. It can be small, like a poem, a short journal entry, a description of what you did that day, a rant, a confession, anything you want. Just get used to depending on writing.

Turn everything you write into something beautiful, even if it’s your grocery list. Write in your nicest handwriting, write deep and interesting descriptions of everything around you, turn the world around you into poetry. It changes your mindset and that is one of the biggest parts of being a writer.

Involve the people you care about. Have your friends, partner, collegues, family, etc. read your work and help to encourage you. If your writing is not only a positive in yours, but your loved ones’ lives, it adds that extra bit of motivation as well.

Turn it into a routine. Make time every day to write and devote your attention to it. It’s important to let go of everything around you for even only a few minutes a day and enjoy yourself while you write. Do it for 10 minutes before you go to sleep, when you wake up, when you’re stuck in a cab, when you’re on the bus ride home, when you’re cooking dinner, etc.

Think of it as a hobby, and not a task on your to-do list. If you forget to write one day because of your busy schedule or because you’re just too tired, don’t be upset. It’s a hobby, and there is nothing really tying you to it except yourself, and you will always come first. Don’t force yourself to write when you don’t have it in you.

Make it a therapeutic experience. Light some candles, make some tea, get some chocolate, lay in bed with your laptop and your favorite record playing. If every time you write is a treat, then you’ll want to do it more. 

Make writing your escape from the stresses of your life. Writing is a task in which you clear your mind and go somewhere else. It’s like reading, but you’re controlling what happens and when.

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MY CURRENT WORK IN PROGRESS (Check it out, it’s pretty cool. At least I think it is.)

how to write a fat character

by: your local fat writer 

media seems to do such a terrible job at representing people like me and same goes for many fic writers who try to base their characters on these characters shown in media. Here are some basic do’s and and don’t’s to writing fat characters! 

DONT:

make your character in love with food- they’re allowed to eat like everyone else, but not every real fat person has an obsession over food. The rule can get iffy if your fat character is a cook.*

make your character the center of jokes- everyone has something “funny” about them, but don’t make your fat character constantly make jokes about their own weight. Fat people get enough bullshit from skinny people about their weight already. 

make your character incredibly unfit- there are real fat people who are incredibly athletic! their weight may be from genetics or from proper muscle building (not the muscle building we’re groomed to think is right in society). The choices your character makes is what affects their athleticism, not their weight 

make your character the Depressed One- yes, fat people do get upset over their body. Many go through horrible diets to try and get slim. It takes years for real fat people to get over it and realize their body is horrible gross. Their weight can simply be because of genetics, not because of how much they eat. 

make your character’s arc about things involving their weight- unless your fat character ABSOLUTELY needs to involve food, don’t make this their entire character arc. There are so many cooler things you can do with your character; sexuality, friends/family, simplifying the heroes journey, etc. make your character exciting! make them relatable! 

make your character the token fat character- the real world has many types of people, the fantasy world should not be too different from this fact. Your characters should always show diversity, and sometimes repetition is good when its the right character type. 

*making your fat character a chef can be a risky move. think about why your fat character is a chef. was it because they’re the fat character? or is there something that influenced them to become a chef? choose your answer carefully

DO:

make your character’s interests diverse- I like food! but i also like many other things! video games, bike riding, painting, singing, give your character varying interests! maybe your character has that one thing they love above all else. the game Fire Emblem: Awakening has always been my go-to favorite thing, what’s your character’s?

make your character an individual- develop their personality! how would your character react to seeing the ASPCA commercials? What’s their reaction when a family member dies? When their favorite artist is performing in town? Are there songs that make them emotional? What do they do to de-stress? Do they stim? There’s PLENTY you can say about your character that isn’t just “I love food.”

make your character as realistic as possible- just as skinny people are diverse, so are fat people. When you’re describing a fat character, don’t default to “pear shaped.” there are proportionate and disproportionate fat people. maybe they have fatter thighs than they do calves, their stomach pops out but they don’t have “bingo wings,” maybe their chin does that weird thing or maybe it doesn’t (this happens to skinny people, too!). and don’t forget stretch marks. they are real and they are not “taboo.”

write your character as if they’re like any other- it all boils down to one thing: the similarities and differences. I’m an XL and my friend is an XS, we both enjoy oversized hoodies! She would wear hoodies in the summer but I would rather walk around shirtless (if society didn’t tell us boobs are bad.) I would never wear short shorts when exercising because they ride up my thighs. Your fat character can act just the same as your skinny one(s).

in animal crossing when it’s raining and u spin ur umbrella and the rain flies off reblog if u agree

My 5yo likes to tell herself stories before she falls asleep and she just came out to me in tears because she accidentally killed off a character.

  “The story got sad all by itself Mum!”  I know baby.  I know.

Pros and Cons of Different Points Of View

Objective Point Of View

“With the objective point of view, the writer tells what happens without stating more than can be inferred from the story’s action and dialogue. The narrator never discloses anything about what the characters think or feel, remaining a detached observer.”

Pros

Adds a potentially useful suspense to the events of the story, as the reader cannot predict as easily what will happen next based on the characters’ internal thoughts.

More direct with the events and description of elements of the story, such as setting and the rate at which time passes in the story, which can be muddled in stories in points of view like third person, where these details can be overshadowed by descriptions of thoughts, feelings, backstory, etc.

Descriptions can come across more fluidly and make the actual images and scenes visualize more easily in the readers head. It is the closest point of view to a movie, as films don’t typically focus on what the audience is explicitly being told, but what they see and what they can deduce from the images in front of them.

Cons

This point of view can be more difficult to relate to as readers, due to the story being told and described in a more detached way, rather than being pulled into the story in a way that makes them feel like a character themselves.

You have to really utilize subtext and context with this perspective. You can’t convey the story’s tone through any of the characters’ thoughts or feelings, so you have to rely completely on the pure course of events to tell the story and grip the reader emotionally.

This makes it really hard to connect to the characters and understand their motivations unless the reader is looking really deep into the context and reading between the lines.

Third Person Point Of View

“Here the narrator does not participate in the action of the story as one of the characters, but lets us know exactly how the characters feel. We learn about the characters through this outside voice.”

Pros

This is pretty much exactly like first person narration, but with different pronouns. Instead of “I walked to the store” it’s “he walked to the store” and eliminates the reader’s potential skepticism of the narrator’s reliability while still telling the story in the same words.

You have the potential to divulge more about what other characters are thinking or doing at any point in time because you’re not technically limited to one character.

It’s a pleasing way of telling a story. It doesn’t take too much analysis for the reader to imagine how the perspective could be tainted by emotion in some way. It doesn’t require too much brain power to read. It flows nicely.

Cons

This isn’t as much a con as it is a warning. Your characters need to be rounded and diverse if you’re going to write a story in third person. If they all share the same characteristics and motivations and emotions, your story will fall flat super fast.

Third person has a viewpoint character, typically. If you want to be able to tell whatever you want about whomever you want, then you need an omniscient point of view. Third person usually focuses on a main character and occasionally shares about other characters when it serves the story.

Second Person Point Of View

“Second person is a point of view (how a story is told) where the narrator tells the story to another character using the word ‘you.’ The author could be talking to the audience, which we could tell by the use of 'you,’ 'you’re,’ and 'your.'”

Pros

Your reader feels what you write so much more intensely, because you’re referring to them specifically. It’s a reader insert point of view. You’re speaking directly to them. 

Action and romance are really good genres for this, I imagine, because those are stories where readers often put themselves in the place of the protagonist anyway, so second person would amplify that to your advantage.

There works so well when it’s done correctly, and if you take the time to practice with it and master the pacing and what really makes a reader tick in second person point of view, it will grab that reader and pull them very, very quickly.

Cons

You usually have to be really really vague about descriptions. If your reader doesn’t have blonde hair and hazel eyes, but your character does, this will really put a damper on their experience because every time you describe how their blonde hair blows in the wind, they’ll detach from the story.

Sometimes your reader may feel confused because second person is a very hard point of view to read about at first. It takes some time to get used to. A lot of fanfiction (mainly reader-insert) is second person point of view and I’ll be the (not) first to say that it took so time to adjust to, at least for me.

First Person Point Of View

“In the first person point of view, the narrator does participate in the action of the story. When reading stories in the first person, we need to realize that what the narrator is recounting might not be the objective truth. We should question the trustworthiness of the accounting.”

Pros

Is not limited to the point of view of the main character, as displayed in books such as The Great Gatsby by F. Scott Fitzgerald.

A certain connection between the reader and the character can create a sense of authenticity and intimacy between the reader and the story as a whole.

The themes and motives behind the story can become easier to decode, as they are disclosed in a more clear and direct manner.

The character can be easier to understand and relate to, as everything is being told by them, with their bias and interpretation included.

It puts the reader inside of the story rather than having them watch from the outside. The intimate details and description can make put them in a position to experience the story from inside and therefore make the story mirror their reality in a way.

Cons

It may become difficult for the reader to differentiate who is speaking to them in the story, as many sentences will begin with “I” or “we” and create a repetitive narration and lose the reader alone the way.

The reader may become bored with hearing the story from only one’s perspective. The style in which the story is told {the adjectives, the themes, the personality} may not vary enough to keep them entertained. 

Imagery can be difficult to pull off in this point of view because the writer may get into the habit of telling the reader what is happening instead of showing them through smooth interjections of descriptive vocabulary. 

The writer may experience a dependence on dialogue to try to compensate for lack of description of events, and the reader may lose track of story details that may become imperative to events later in the scene/story.

This makes it a lot easier to pull an “unreliable narrator”, as first person is only the perspective of a person, rather than the story told from a purely factual position.

Omniscient & Limited Omniscient Points of View

“A narrator who knows everything about all the characters is all knowing, or omniscient. A narrator whose knowledge is limited to one character, either major or minor, has a limited omniscient point of view.”

Pros

This makes it really easy to include details about many characters that you wouldn’t be able to from the perspective of a single person.

You are writing as yourself. You are the author, you have all the information to give the reader, and you get to give it in the least convoluted way you could ever desire, and in your own words. In any other point of view, you are pretending to be somebody else, even in third person, so this allows you to really demonstrate your unique voice as a writer and express your own style.

You can write fast paced scenes without the reader questioning what an individual character is feeling all the time. You can slip in whatever information you want at whatever point you wish and it just sounds natural to the reader.

Cons

Plot twists are ten times more difficult because there’s no reason why anything would be a surprise. Your reader technically has access to all information and foreshadowing required to predict what will happen next, so if you’re planning a big surprise, prepare for a challenge delivering it.

Keeping the focus on one subject is more important when you’re writing for younger, less experienced readers. You have to have a protagonist and a linear story for them to follow, which can be tricky with omniscient point of view. It’s important to keep your audience in mind if you’re going to choose any point of view, but especially this one.

These pros and cons are subjective, depending on what you are intending to convey in your story. Please consider this with a grain of salt and take the detail and unique qualities of your own work into account when using this resource. Not all pros and cons in this piece will apply the same to every story, and that is something to keep in mind. I hope this will be useful to you all. Cheers! 

Ext. Sources ~ x x x x 

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MY CURRENT WORK IN PROGRESS (Check it out, it’s pretty cool. At least I think it is.)

Seconded.

When you’re bored af. :’D @not-so-freshman @hey-its-vy @jbzxls @snowwritings @gaychoices-stories-you-pay

I love them! Thank you for the lovely art! ❤

send me a:“♥” and i’ll draw you a picture send me a:“✉” and i’ll handwrite a little message for you send me a:“✎” and i’ll handwrite your url

Keep reading

Me: -stares into the void-

The Void: write the next fucking chapter of your fanfic.

Everyone! Keep your fingers crossed! The battle is not over yet.

Keep calling, emailing, sending letters! Bug your senators until they do something!

Pokémon! It's you and me! [Tentacruel obliterates an entire fucking building] I KNOW IT'S OUR DESTINYYY

pick-me-ups for writers

for the self-conscious beginner: No one makes great things until the world intimately knows their mediocrity. Don’t think of your writing as terrible; think of it as preparing to contribute something great.

for the self-conscious late bloomer: Look at old writing as how far you’ve come. You can’t get to where you are today without covering all that past ground. For that, be proud.

for the perfectionist: Think about how much you complain about things you love—the mistakes and retcons in all your favorite series—and how you still love them anyway. Give yourself that same space.

for the realist: There will be people who hate your story even if it’s considered a classic. But there will be people who love your story, even if it is strange and unpopular.

for the fanfic writer: Your work isn’t lesser for not following canon. When you write, you’ve created a new work on its own. It can be, but does not have to be, limited by the source material. Canon is not the end-all, be-all. 

for the writer’s blocked: It doesn’t need to be perfect. Sometimes you have to move on and commit a few writing sins if it means you can create better things out of it.

for the lost: You started writing for a reason; remember that reason. It’s ok to move on. You are more than your writing. It will be here if you want to come back.

Okay, now I want to try writing more. 😂

I think it's your turn to post your drunk writing 😆

😂😂 fine, I’ll hop on the bandwagon! Look for it tonight sometime! 😨

say it with me

liking a character ≠ condoning their actions

understanding a character ≠ condoning their actions

relating to a character ≠ condoning their actions

never assume that only because someone likes/understands/relates to a character that they see this character as “perfect” and don’t recognise their flaws

Very sad news to read. Rest in peace Carl Kasell.

Every weekday for more than three decades, his baritone steadied our mornings. Even in moments of chaos and crisis, Carl Kasell brought unflappable authority to the news. But behind that hid a lively sense of humor, revealed to listeners late in his career, when he became the beloved judge and official scorekeeper for Wait Wait… Don’t Tell Me! NPR’s news quiz show.

Kasell died Tuesday from complications from Alzheimer’s disease in Potomac, Md. He was 84.

He started preparing for the role of newscaster as a child. “I sometimes would hide behind the radio and pretend I was on the air,” he said in 2009, remembering his boyhood in Goldsboro, N.C.

He also used to play with his grandmother’s windup Victrola and her collection of records. “I would sit there sometimes and play those records, and I’d put in commercials between them,” he recalled. “And I would do a newscast just like the guy on the radio did.”

Kasell became a real guy on the radio at age 16, DJ-ing a late-night music show on his local station.

NPR Newscaster Carl Kasell Dies At 84, After A Lifelong Career On-Air

Photo: (Left) Courtesy Carl Kasell; (right) Chip Somodevilla/Getty Images

Swallows & Damsons, South Yorkshire, England

Useful Writing Resources II

Like the last one of these I did, this is a long list of resources for writers to use. Use them wisely:)

Find The First One Here

*** = Separate List Of Resources Pertaining To That Specific Subject

Productivity & Writer’s Block

Ways To Unstick A Stuck Story

10 Outlining Methods For Writers

Things To Do When You Can’t Seem To Write

Ambient Sounds For Writers Masterpost

ZenPen

The Most Dangerous Writing App

Evernote

Writer, the Internet Typewriter

Wordcounter

Character Development

Writing Types Of Characters *** Making An OC ***

Character With Social Anxiety

Female Characters To Avoid

Writing Healthy Relationships

List of 300 Possible Secrets To Give Your Character

Fantasy & Miscellaneous

Myths, Creatures, And Folklore

Helpful Things For Action Writers To Remember

Writing The Opening Scene

Fictional Kisses

Master List of Writer’s Questions Answered’s Posts

Writing Advice Masterlist

The Little Details

How bodies decompose

Wilderness survival skills

Mob mentality

Other cultures

What it takes for a human to die in a given situation

Common tropes for your genre

Average weather for your setting

Free Online Sources For Research

Japanese creatures

greek creatures

creatures organised by type

creatures listed by letter

humanoid creatures

filipino creatures

chinese creatures

cryptids

‘fearsome critters’

angels

beings referred to as fairies

creatures that pretend to be human

a page on therianthropic creatures

shapeshifters

hybrid creatures

extraterrestrial creatures

deities

a page of mythology page links

a section of folklore page links

flying creatures

theological demons

fictional species lists

mythology related lists

legendary creature related lists

Writing Emotional Scenes

Creating Story Structure

What You Need To Hear Before You Publish A Book

Description

Words to Describe Someone’s Voice

An Article About Describing Voice

Voice Types

Vocal Qualities

Panix.com Character Chart

Vocal Impressions

Speech Patterns

Gender and Speech Patterns

Speech Accent Archive

Speech Impediment

What Makes A Man’s/Woman’s Voice Sexy

Synonyms-Antonyms.com

TheCaveOnline

550 Alternative Words for Said

Plot

Subplots

7 Ways to Add Great Subplots to your Novels

The 7 Shoulds of Writing a Subplot

Who Needs Subplots?

Subplots

Knowing Your terms: Subplots

Weave Subplots into your Novel

Understanding the Role of Subplots

Plot, Plot Layers, and Subplots

Plot and Subplot

Subplots - Chicken Soup for your Novel

How Many Subplots are Acceptable?

Subplots by Word Count

Too Many Subplots?

Generators

Appearance Generator

Archetypes Generator

Character Generator

Character Traits Generator

Family Generator

Job/Occupation Generator, (II)

Love Interest Generator

Motive Generator

Name Generator

Personality Generator, (II)

Quick Character Generator

Super Powers Generator

First Encounter Generator

First Line Generator, (II)

Plot Generator, (II), (III)

Plot Device Generator

Plot Twist Generator

Quick Plot Generator

Brand Name Generator

Medicine Title Generator

Name Generator

Quick Name Generator

Vehicle Generator

Town Name Generator

City Generator

Fantasy Race Generator

Laws Generator

Pet Generator

Setting Generator

Species Generator

Terrain Generator

Subject Generator

”Take Three Nouns” Generator

Word Prompt Generator

Color Generator

Decision Generator

Dialogue Generator

Journey Generator

Title Generator, (II), (III)

Tips On Screenwriting

– Yay! The first of the beginners’ series on writing! I hope this is useful to those of you who requested advice on screenwriting. I have a few more short articles coming out about screenwriting in the future, but for now, here’s a general list of tips.

Parentheticals (Directions) ~ Don’t overdo it with the acting directions. Let the actors do their jobs and interpret the characters and the script. If it’s absolutely necessary that you specify how you want something said, then do so, but for the most part, allow the actors and director some creative freedom.

Cliches ~ Research movie cliches and avoid them. Here’s a fabulous article that lists a few of them.

Dialogue ~ Avoid doing pages and pages of dialogue in one scene. 

Opening Scene ~ Start your script in a strategic place and with strategic tone. Make an impression.

Archetypes ~ Use them. Mold them. Make them your own. Archetypes, however, should never be confused with stereotypes. 

Description ~ Screenwriting is minimalist. Describe what is necessary, leave room for interpretation, and leave much detail to the imagination.

Subtext ~ Utilise subtext by showing instead of telling. It’s a screenplay after all. Show us that the dog was barking instead of having a character yell “the dog is barking!”

Format ~ Know the format. Get to know the style of scriptwriting and use it correctly.

Length ~ 1 page of a script is usually about 1 minute of screentime. Most film scripts are about 120 pages long and therefore 120 minutes of runtime. Most tv show episodes are from 22 minutes to 42 minutes. be wary of page count, as time is an important factor in filmmaking.

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If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee.

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Instagram // Twitter //Facebook //#wordsnstuff

FAQ //monthly writing challenges // Masterlist

MY CURRENT WORK IN PROGRESS (Check it out, it’s pretty cool. At least I think it is.)

Ask me about my body.

Hair: What hair color looks best on you and what’s your natural color?

Skin: Do you tan easily?

Eyes: What is your favorite show to watch?

Nose: What is your favorite perfume/candle fragrance?

Mouth: Do you want to kiss anyone right now?

Tongue: What was in your last meal?

Windpipe: Do you sing?

Neck: Do you wear necklaces?

Ears: How many piercings do you have (if any)?

Cheeks: Do you blush easily?

Wrists: Have you ever broken a bone?

Hands: Are you an artist/writer?

Fingers: Do you play an instrument?

Heart: Are you in love? If so, does the one you love know?

Lungs: Do you smoke cigarettes?

Chest: Are your maternal/parental instincts strong?

Stomach: Do you feel confident in your body image?

Back: Are you a virgin?

Hips: Do you like to dance?

Thighs: Has anyone ever called you fat or ugly?

Knees: Have you ever cheated on someone?

Ankles: Have you ever been arrested?

Feet: Favorite pair of shoes?

Brain: Anything you want to ask

Ways To Fit Character Development Into Your Story

– Here are some ways you can develop your characters (in little ways as well as big ones) without info dumping on your reader. This includes detailing their backstory, revealing their values and motivations, their strengths, weaknesses, relationships with other characters, and growth throughout your story. I hope this helps those of you who have expressed having trouble with this, as I have as well and creating this guide for myself and you will be very useful for all of us, I hope. Happy writing!

Backstory

First of all, only include events from a character’s past that has shaped them and will enlighten the reader on the current situation. Once you decide that this particular event is important enough to include, show it instead of tell it. Elude to backstory instead of literally plucking it out of the past and placing it in the reader’s lap. 

Instead of telling the reader that your character was in an abusive relationship, show them the aftermath where your character now has their abuser’s rules engraved into their routines and the scars, physical and metaphorical, that the character has from that experience. Yes, there will be instances where you will have to come out and say it, but do it once and lightly, then let the subtext do the rest.

Core Values & Motivation

Character development is meant to be shown, not told, and therefore, your character’s values, beliefs, and motivations should reveal themselves though the character’s actions. If your character thinks that harming any living creature is the worst crime anyone can commit, then show their struggle when they’re put in a situation where they must ignore their own conscience. These moments are not only pivotal in the reader’s experience with your character, but humanize your character more than any other story element. It is the moments in which we must fight our own nature that show what our nature truly is, and it’s the same with the fictional characters you’re writing about.

Strengths & Weaknesses

In a story, the conflict will do a lot to show where your character thrives and struggles, but you cannot rely solely on the main conflict. Maybe your character is incredibly smart, but not physically strong, and is put in a situation where they must rely on an area they’re weak in and must struggle in front of the reader. It’s the same with strengths. Your character should have moments of glorious triumph phenomenal failure throughout your story. This makes them more alive, and therefore more relatable, which is important in any story.

Relationships With Other Characters

Relationships with characters should be shown through the manner in which they communicate and interact in your story. If they don’t like each other, there will most likely be some tension when they’re forced to work together and rely on one another. If they love each other, they’ll show it through affectionate gestures and sometimes their words.

Growth & Personal Development

The beginning and ending of your story doesn’t have to be a miraculous before and after, but your character should go through some sort of a personal evolution between the start and finish line. Whether that be in their self-concept, their relationship with someone else, or their views on something, they should transform, at least a little. This is just a characteristic of a rounded character, and that’s what you want. 

Show their development in ways such as putting them in a similar situation they’ve been in before and have them react in a way that highlights the change that has occurred. Show them realizing themselves that they have changed and now see through a different lens. Show them interacting differently as time progresses and imparting new words of wisdom, whether they’re correct or completely misguided.

Support Wordsnstuff!

If you enjoy my blog and wish for it to continue being updated frequently and for me to continue putting my energy toward answering your questions, please consider Buying Me A Coffee.

Request Resources, Tips, Playlists, or Prompt Lists

Instagram // Twitter //Facebook //#wordsnstuff

FAQ //monthly writing challenges // Masterlist

You dare come into my house and insult me like this?

controversial writing tip

open a document and start writing

Or did it technically declare all fanfics as canon? 🤔

pb opened up a wormhole for fanfic writers with all of these alternate timelines, new ships alternate stories varying outcomes like holy shit this site is going to write so hard that word processors everywhere will stage unpaid overtime protests

🥐🍰Pâtisserie Asks🍮

While some many questions were answered and not, I think I can help with at least one. The key with Quinn's zodiac on it was likely left by the endless to aid them on their quest much like Raj's frying pan and the mark on the wall for Estella. Our group just did not find it in this timeline.

ES Finale

Ooof, I don’t even know where to start…

I knew that trusting Rourke was an idiotic idea, but I tried it out of curiosity… Quinn is still dying, Sean isn’t happy (from what I can tell), Michelle is dealing with those fake friends again, Zahra’s our “roomie” but as cold as an iceberg, Estela was hella rude, didn’t see much of Craig, Raj, Grace, and Aleister. Lila’s alive, and a Rourke groupie again. And we don’t even get to see Jake and Mike… The only plus was starting a new friendship with Diego. #AllHailEmperorRourke

Staying on the island was also not great. Yeah, we get to stay with everyone on the island, live with our sexy husband/wife, but everyone seems like they weren’t really happy. The last thing they did was toast to their lost family members… Also upset that after getting married we don’t get to see a new house or whatever. I was looking forward to building a home on La Huerta.

The fact that we never got to see everyone reunite with their families pisses me off so much… Like I didn’t sacrifice myself to not see everyone’s future. I wanted the heart-wrenching reunion scenes! Jake seeing his mom and sister for the first time in years, Estela going back to her uncle, Sean seeing his mom again, and Quinn getting her parents back together. But, nope. (in my opinion) This was the best out of the 3. I knew I was gonna choose this anyway, because to me it just made the most sense. The voice message MC left was really sweet though i most definitely cried, and they all got together 5 years later on the island it looks like and toasted to MC. We didn’t really get as much of reaction (especially from our LI’s) as I’d hoped… But it was still worth it.

Somethings I still don’t get though:

Who was Diego crushing on in book one?

What was the point of the pirates and Kele?

Is Jake’s name cleared in the 3rd option? Does he not see his family again?

Why did I buy the bikini in the 3rd book if it doesn’t even replace that ugly purple one?

What was the deal with the Dolphin Key in the diamond scene? What does it do?

What was the deal with the robot spider on the boat?

What was the point in showing Taari disappearing at the end of book 2? They didn’t even mention it.

What was the point of the mezzberries (or whatever they’re called)?

Were they all just on a random beach in the 3rd option? If it was La Huerta, how is it still existing without Vaanu?

Estela and Zahra, Michelle and Jeanine, Lila and Aleister… Why?

What happened to Varyyn in the 1st option? Does Diego find out he’s still alive?? Or even remember him???

Well, I guess thats it. It’s done now. Over. Gone. Finito. 

I feel like the whole finale was kind of… Lackluster? Idk, I just expected something more… A 4th option or some sort of surprise after the stats. A secret ending… Huh, I guess it’s really over…

Every writer on Tumblr: “I would combust out of love if someone ever drew fanart of my fic!!” Me: “oh man I wanna draw this scene BUT THEY WOULD PROBABLY HATE IT AND HATE ME FOR THE NERVE”

Just a quick reminder

Not everyone will like your fic. Write it anyway. 

Not everyone will like your art. Keep drawing. 

Not everyone will like your moodboards/edits/vids. Make more. 

Pursue your craft because it makes you happy, and just know that there are people out there who adore everything you create and can’t wait for more. And there are fans that haven’t found you yet, but your content will change their life. 

Keep creating, okay? 

I love you guys. And I support you all so hard. 

When It Clicks.

Becca x MC (Alison)

on a evening where Alison convinces Becca to try a game with her nerdy friends.

Word Count:1800+

This was requested by absolutely no one, i just wanted to write it for me, and that is why i started writing to start with, for me and my silly ideas. I had a lot of  fun with it, and i hope you enjoy it too. (Also not been proof-read, sorry.)

“So, you want me to play some video game with you?” Becca said, slightly surprised at the suggestion, she was sure she never shown any indication at being into any such thing before.

“Yeah! Why not, isn’t that what couples do? Take an interest in each other’s hobbies and interests?” Alison was excited at the idea, she was really interested in seeing how Becca would react, whether she would enjoy it. Becca was always full of surprises, she had managed to get into watching The Crown and The Flame with Alison, something previously conceived to be far to nerdy for Becca to endure never mind enjoy.

“Don’t you think playing video games is a little childish, oh wait look who I’m talking to!” Becca mocked, Alison smiled in return, she did rather enjoy the teasing back and forth that they had, it was one of the reasons why they worked. Becca’s smile quickly faded and her face fell, her eyes following, dropping to the floor as she questioned herself. “Won’t I be absolutely useless? I wouldn’t want you to get fed up with me.”

“i’m really not that competitive, besides you’ve shown yourself to be very adaptable.”

Becca rolled her eyes, and blew out a sharp exhale almost in defeat, she did make a very good argument. And how could she say no to that half smile Alison always pulled when she knew she came out on top with an indefensible argument.

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