selkie!soap x reader. depression. strangers to "lovers." somnophila. dubcon. smut. manipulative soap. unreliable narrator. terrible food. social isolation. suicidal ideation. suicidal resolve. . Running away from life to the Scottish Hebrides, you meet a man who won't leave you alone. . Masterlist. Ao3.
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A hand pets between your legs sometime in the early morning, fingers searching for tender flesh. The other slips up the front of your naked body, cradling one breast, thumb flicking gently across the nipple.
The covers over you are warm with yours and Johnny’s shared body heat, the both of you having gone to sleep naked. His body curves around you, the hair of his chest and thighs tickling your bare skin. Water laps at the outer hull in quiet breaths.
You’d dreamed. You don’t remember exactly what of. Only impressions are left behind—the rocking of the trawler following you into sleep. Darkness. A sense of displacement. Your throat closing and opening.
When you crack open your eyes you feel it in the pit of your stomach. A storm to match the one that blew across the night.
If you give into it—it will hurt. You recognize it in your bones.
Johnny groans behind you when his callused fingers find your cunt warm and soft for him. His cock is a column of heat against your low back, morning-stiff. He circles your clit, mouthing the back of your neck and nudging his knee between yours, hooking your leg over his thigh to spread you open.
Fresh arousal wells up to coat his fingers. You hear him huff behind you, amused; he reaches down between the two of you to palm himself, cupping his shaft up between your folds and thrusting shallowly between them. Catching the flow along the length of his cock.
You don’t move, other than to breathe.
He toys with the breast in his hand as he tracks humid kisses up behind your ear. When he angles the head at your entrance, he slides in with minimal resistance—seats himself to the root.
You release the airy moan it draws from you. Snug—he’s snug inside you, cockhead sitting against your cervix. When he rolls his hips, he barely pulls out, just far enough that you feel where his cock begins to widen, thickest in the middle, before pushing back in again.
He rocks against you, playing with your clit. His other hand moves to your leg, drawing it outward a little farther. You stay limp in his hold, eyes closed.
He can do what he wants with you. Anything. If it keeps what’s happening in your belly contained—anything.
It doesn’t take long—you’re not awake enough to brace against it. He winds you higher and higher until your spine goes-arrow straight, your climax spilling through you, drawing you tight around him, and Johnny pistons into you with a few rapid thrusts before groaning, long and satisfied, as liquid heat fills you once again.
“Mm,’” he murmurs, “mornin,’ bonnie.” Angling himself to kiss the corner of your mouth. “Gonna get us goin,’ hm?”
You’re not entirely sure what he means until he pulls away from you. He stands up from the bed and tugs the sheets back up over your naked shoulders, humming some tune you don’t recognize—it sounds vaguely like a hymn—as he dresses and disappears up the stairs.
You feel the trawler rock and shift as he takes it away from the pier, back into the open water. Gray morning light shafts in through the small window triptych above the head of the bed.
You turn onto your back. Johnny’s spend seeps out of you slowly as you shuffle into the heat his body left behind on the sheets. You look inward.
It’s still there. Quelled—for now. If you think too hard about it, you might summon it up.
But Johnny is just upstairs, and the last thing you want is for him to hear you, to hear the poor, crazed animal you can become. There is only so much of you that you are willing to inflict upon him. There is only so much you would ask him to tolerate.
Although it strikes you, as you stretch under the covers, that you don’t believe he would resent you for it.
Probably, he would just wrap his arms around you, and coo at you in that smarmy way of his. No big deal. You can have a breakdown, bonnie, and he’ll make you something for breakfast after. And do you want him to eat your pussy again? Bet you’ll feel better after that.
You almost give in then and there just thinking about it. Wind shear pressing against the inside of your tear ducts.
That would make it worse—if he were to comfort you. You don’t think you would make it out to the other side.
So you swallow hard. Swim your legs through the tangled sheets and find the floor with your bare feet. Your carry-on still sits up in the bridge, so you drag a blanket around your shoulders and climb the stairs to retrieve it.
“There she is!” Johnny exclaims as you surface. He looks over his shoulder at you, one hand on the wheel, the other holding a cup of coffee. He grins at you. “Hell’s bells, don’ you look beautiful.”
You sneer at him, knowing your hair is a rat’s nest and the bags beneath your eyes have had no chance to deflate. Another drop of his cum falls down your thigh; you grab up your bag and retreat back into the bedroom.
When you return to the bridge dressed and brushed, face washed and moisturized, Johnny brings you a second steaming mug, white ceramic, with “Hers” in black cursive printed on the side.
“Stupid,” you say, when you see it.
Johnny kisses the side of your head. “I’ll make eggs.”
“Shouldn’t you be driving?” you ask, as he sets a pan down on the stove. You eye the trawler wheel nervously, waiting for it to spin.
“Is no’ a car, bonnie,” Johnny snorts. “Dinnae have to watch for traffic.”
You eat the breakfast he makes you in disgruntled silence. Overhead, clouds pass, intermittent gaps allowing yellow sunlight to peek through, though never for more than a moment. You might’ve expected the day to be clear again, after the storm.
Six hours is six hours. You return to the novel you began yesterday, perched on the booth couch, though every time the hour changes your stomach draws tighter, as if winched.
At the end of the trip awaits more of the solitude you’ve been seeking. Johnny will deposit you onto the cove, and traipse off to his boy’s night. Possibly his old squad mates—team members—whatever they are, will be staying for more than one day.
You know. You know how it goes.
It’s better this way, you remind yourself. It’s what you wanted.
You pass the crags you saw on yesterday’s journey, and today they are vacant of their pinniped occupants. The island wildlife overall seems to be absent, perhaps hidden away in whatever sanctuary they found during the storm. A few seabirds circle above the dune grass, or trail after the trawler, but other than that, sky, sea, and land are vacant.
You reach the naval battle, and discover what the author spent the most time researching. She describes in exhausting detail how long it takes to load cannons, the role of current and wind speed in the maneuvering of ships, the bailing-out process of a breached hull.
It’s dull, and completely incongruous with the romantic melodrama of the previous chapter. You can see exactly why a former soldier would enjoy it.
You do not tell Johnny you’ve reached it.
Finally, sometime after noon, the cove comes into view. Johnny brings the trawler as close to shore as he can get it, and then drops anchor.
You sling your bag over one shoulder as you stand, lungs shaking in your chest.
“Well,” you say, “have a good time with your friends.”
He pauses, and then looks at you. The expression on his face is completely nonplussed, lips pursed, brows raised.
“What?”
“Your guys’ night.”
“What about it?”
You frown. “Aren’t you taking me to shore?”
“Why would I do that?”
Apprehension trickles down into your belly.
No. Oh, no.
“So you could go meet them?” you say, with growing trepidation.
Realization opens up his expression. Brows lift over blue eyes blooming. “Aw, bonnie, s’that why you’ve been cranky? You think I’m gonna abandon you?”
No—oh, no.
He comes over to you and gently nudges the strap of your bag off your shoulder, smiling.
“Course you’re invited, hen, what kind of bastard would I be if I left you all alone?”
Something breaks.
“No,” you say.
“Yeah,” he croons, bringing his hand to your jaw. Caressing the curve of it with his thumb. “Want you to meet my mates—”
You slap his hand away.
Panic, fully formed, climbs up your trachea.
It’s one thing to be left behind for better friends. It’s quite another to be subjected to them.
“What the fuck is wrong with you?” you snap. Fury boiling. “What the actual fuck is wrong with you?”
Johnny blinks. You wrench yourself away from him, shoving against the pull of his gravity—smacking him in the chest with both of your hands.
“Was it getting shot?” you snarl, pickaxing your temple with two fingers. “Was it drowning? Because something made you fucking delusional, and I don’t know what it was, but I’m fucking sick of it. I don’t fucking like you.”
Johnny’s expression flattens. The gleam dulls in his eyes as he gazes at you.
“I don’t give a shit about you,” you tremble on. “You’re nothing to me. You’re a hookup. You’re good dick and that’s it. You don’t mean anything to me. Nothing.”
He takes a step toward you. You step back.
“And you don’t give a shit about me either! You’re such a fucking asshole, you know that? You don’t have to act like this is anything but you do anyway, and you make fun of me the whole time, because you know I’m easy, because I’ll still let you fuck me, because I don’t have—because I’m just convenient pussy to you.”
He advances. You retreat. The cocky, confident Johnny that has been your unwelcome companion these past three days now is gone, as if a mask tossed away.
The line of his mouth is sharp and straight. His nostrils flare. A severe crease cracks the space between his drawn-together brows.
You’re not seeing the thing you saw on the beach, that first day. You’re not seeing the carefree bar cook or the island enthusiast.
You’re seeing the special forces soldier. Advancing on a target.
And you can’t stop yourself, even as terror runs a live wire up your spine.
“Like what do you think this was, Soap? I don’t care about you. I don’t care about your friends. I don’t care about your life. You’re wasting your fucking time. I don’t give a shit about you, and I never have, and I never will, and you’re too fucking stupid to notice—”
You run out of room to retreat. The backs of your knees run into the booth seat, but Johnny keeps coming. He invades every inch of your personal space, getting right up into your face, staring down at you with a hard jaw and sharp, spear point eyes.
“Stop it,” you flounder, “just stop it, just leave me alone, just—”
He closes thumb and forefinger around your chin and presses his warm mouth against yours.
You fight him. You clench your fists and beat their heels against his chest, but he wraps his other hand around the back of your head and sweeps his tongue between your lips. You screech into his mouth, but he hums back, the subvocal tones of calming an animal before it hurts itself. You sink your teeth into his bottom lip, seeking to draw blood, but it only eggs him on, makes him slant his head to kiss you deeper.
Even as you wear yourself out against him, his grip doesn’t loosen. He holds you in place as you struggle. Frighteningly strong—utterly indomitable; he overwhelms you with seemingly no effort on his part at all.
There’s bitter, black coffee on his tongue. Acidic. He presses it into yours, circling inward, making space for himself where you would give him none—
Insisting on it.
You gasp hard. Whimper futilely against his mouth. A few sharp tears escape the clench of your eyes, cutting down your cheeks.
Your fists land on him one final time, and then remain where they are. Your entire body slackens, submitting. Your lips find the curves in his where they fit the closest, and stay there. Bokeh spots dance across your closed eyes as your alveoli demand oxygen.
When you pull your mouth away from his to breathe, he lets you. Johnny rests his forehead against yours, hands coming around to cup your cheeks.
“Feel better?” he murmurs lowly, caressing the corners of your mouth with his thumbs. “Now that you got that all out?”
You take a shuddering breath. “You’re an asshole,” you repeat miserably.
Johnny kisses you softly again, first on the mouth, then the tip of your nose, then between your brows.
“Don’ be scared,” he says, mouth still on your forehead. “It’s gonna be alright.”
You sniff. “I hate you.”
He huffs—a small laugh, one that lacks his usual good humor. His hands slide down your shoulders to wrap his arms around you, and he tucks you beneath his chin, against his body. Even after so little time, the bulk of his frame is familiar, aligning with the shape of your body.
You don’t hug him back. You let your arms hang at your sides. If you nuzzle your face in between the soft slopes of his pectorals—you will take the truth of it to your grave.
John Price shows up in a motorboat, bringing along with him several grocery bags and a young man close to Johnny in age.
The two grin at each other and embrace, slapping backs in the masculine fashion and making loud, friendly noises as Price sidesteps them to bring his goods to the kitchen, where you’re hiding.
When he catches sight of you, his step falters.
“I don’t know why I’m here either,” you say, preempting him. You’re cloistered on the booth couch.
His mustache tilts at an angle. As with every other expression you’ve seen him make, you have no idea what it means, and it makes your stomach clutch.
Price is saved from having to respond as Johnny drags the other young man in behind him, beefy arm around his neck in a headlock. They’re laughing together, smiles wide as Price sets his bags on the counter.
The three of them populate the tiny space with the ease of years spent sharing little room between them, and you’d be shrinking back into the couch if Johnny’s friend hadn’t already caught sight of you. The surprise on his face is evident, even as he greets you with a polite, “Oh, hey!”
You make yourself stand up, pasting on a smile that feels more like a grimace. “Hi,” you say.
Johnny gestures at you with a proud, open hand, saying your name as fondly as if he’d just had it in a chokehold. “Stayin’ at the croft, the one I told you about? Just got back from Lewis today, we did, showed her the stones and everythin.’”
He winks at you. You fight not to scowl at him.
“Nice to meet you,” the young man says, disentangling himself from Johnny and extending a hand. “I’m Kyle, but everyone calls me Gaz.”
You shake. “Sorry to interrupt your, uh, your reunion.”
You can’t tell how sincere the smile is that Gaz gives you. Are the corners of his mouth too tight? The polite look in his eyes too saccharine? “The more the merrier, aye?”
“That’s what m’saying!” Johnny enthuses.
“Soap been behaving?” Gaz asks.
“Uh,” you say.
“Soap, you got a griddle on this dinghy?” Price calls, setting out packages of meat and buns. He bends down to root around in the under-cabinet, stored cookware clanging as he digs.
“Cap, tell me you didn’t get the patties,” Johnny complains, picking one up. Ground beef pre-molded into burger pucks, shrink-wrapped in their own thin red juice.
“What’s wrong with patties?” Price asks, still half-submerged. “Easy, innit?”
“For kids’ birthday parties, maybe,” Johnny protests.
“When’d you get so fussed about food?” asks Gaz, sipping from his can. “Not like this is London, mate, you get what you get.”
“Some of us have time to eat like human beings,” Johnny snipes. “You might have to choke on MREs, not like the rest of have to as well.”
“Soap,” Price says, “griddle.”
“Oh, nowhere near there.”
“You fucking muppet…”
Gaz and Johnny cackle. Price straightens, frowning gruffly, in a way that suggests he has regularly endured this hazing from the two younger men and no longer has the patience even to scold them for it.
Walking paths made together, now retread. Old stone, formed when the earth was young.
You step backward. Find the edge of the couch with your calves. None of the three men look at you as you settle back down into your seat. Your book lays half-open on bent pages.
“No Simon still?” asks Johnny as he cracks a beer off the pack.
“Still no word,” says Price. “Said he’d try, last we chatted, but wasn’t sure.”
“Hm,” says Johnny, sipping his beer.
His gaze slips over to you. You feel it like a rasp over your bare skin.
He cracks another can off and brings it over, sitting down to sling a heavy arm over your shoulders. You take the beer and open it, but do not drink.
“Not the same out there without you, mate,” says Gaz, folding his arms comfortably over his chest. “Neither of you, really, Cap.”
“Ah, you’re doin’ just fine, I bet,” replies Johnny. “You and Ghost? Dream team, right there.”
“Never gonna be you, Soap,” says Gaz.
Johnny’s replying smile is—contented. Satisfied. As if he’s hearing news he expected, but is pleased to hear nonetheless.
His arm hangs loosely over your shoulders as it continues like that. Johnny and the other two men punt the conversational shuttle back and forth, voices weaving with the cadence of an old scarf unraveling; the yarn thread frozen by time and tension into a shape that can wrap back around its fellows as easily as it came undone.
Unfamiliarity with their rhythm transforms the bridge—which has been, if not a safe space, at the very least something of a sanctuary to you for the past twenty-four hours. Someplace you could be your worst self without much worry of offending.
But Johnny’s old team members are not Johnny. You can’t speak to them the way you have spoken to him. They do not share his knack for inclusion—
At least, they don’t seem to, until, without you expecting it, the shuttle passes to you.
“What made you come out here?” asks Gaz, startling you.
You look up from the can of beer you have been staring at the whole time, warming between your palms, to find Gaz, Price, and Johnny all looking at you expectantly.
“Um,” you say, flushing with embarrassment. Completely unprepared to be treated like a conversational prospect.
“The quiet, didnae you say?” Johnny supplies, laying his hand along your upper arm, rubbing up and down.
He might as well have shoved that hand down your shirt instead—you catch the other two men seeing it. Noting it. Reevaluating who you are, who you might be, and why you’re intruding on their day together.
And Johnny mustrecognize it too, because he squeezes the soft part above your elbow.
Warmth like a candle flame in your chest.
“Yeah,” you say, lamely. “Just—tired, of the city, I guess…”
“I like the quiet too,” Gaz says diplomatically. “Bet it’s good surfing here too, in the summer.”
“No’ much,” says Johnny. “The wildlife’s the point here, innit, bonnie? Great seal watching, out here.”
You meet his gaze. Edges of sapphire blue are soft in your direction, mouth corners curled.
No obfuscation. No derision.
“Yeah,” you find yourself saying—and meaning. “The seals—the seals are cool.”
“Birds, too,” Price says, unpeeling patties after finally locating the electric griddle.
“How can you tolerate mucking around with two old codgers like this?” Gaz laughs.
Something effervescent infuses your bloodstream. Light and bubbly.
“As if Johnny has let me hang out with anyone but him,” you say, as if it has been a desire of yours in the first place.
You hear Price snort at the griddle. Gaz quirks a brow at Johnny without making any effort to hide it, and then clinks the belly of his can against yours before drinking.
You finally have a sip. It’s nice—hoppy, lightly sweet, fizzing on your tongue. Still cool enough to enjoy.
“Might take ya diving tomorrow,” Soap begins, fingertips twirling up your shoulder—
But then a distant voice cuts through the afternoon.
“Oy! Johnny!”
The three of you look around. Soap pulls away from you, warmth retreating with him, as he goes stick his head out of the door.
And then he dashes toward Price’s motorboat.
The engine revs as you, Gaz, and Price follow him out, watching as he speeds toward the shore. On the beach, a large man in dark colors, half his face covered by a black surgical mask, angles toward him, hands on his hips.
Johnny stops just shy of beaching the boat before he leaps out into the water, wades up the sand, and launches himself at the man.
They embrace like tectonic plates colliding. Even at a distance, you can hear the sound of hands slapping backs, feel the way their bodies meet and sway—so resonant with shared affection that you can feel the shocks of it across the water.
Glacial ice pushes through your veins.
“There he is,” Price says fondly. “Knew he wouldn’t miss this.”
“Ghost’s always gotta make an entrance,” Gaz agrees.
Ghost.
Or, as it must be—Simon.
Simon turns the snugness of four bodies into an overcrowd of five. In the bridge, there is little room to maneuver around him, massive as he is, and he seems disinclined not to claim as much space as there is available.
“Bonnie!” Johnny exclaims. “Want you to meet my old partner, Ghost.”
His eyes are dark, the color of a full whiskey bottle. They gaze at you without interest, even as he proffers his huge hand.
“You’re Johnny’s tourist,” he says, in a flat, brassy tenor. The sound of a metal grate closing.
Johnny.
Johnny.
“Yes,” you say, in a voice as irrelevant as a minnow’s.
He shakes your hand with a perfunctory grip, and says absolutely nothing more to you. He turns, and leans his bulk against the counter in the kitchen—galley, Johnny informs, as he explains the ship, and its story, to Ghost in rapid fire.
Had he been as excited to introduce it to you?
Ghost swigs from his beer, mask hooked under his chin. “What the fuck you even do on this thing, anyway?”
“Fish from it,” Johnny says. He’s standing close to Ghost, second can in one hand as he gestures with the other. “Got crab and lobster traps all over the place, that’s where the money is.”
“Always did like fishin,’” says Ghost, as warm to Johnny as he had been uninterested in you.
You cloister back in your place on the booth couch.
You can’t blame him. You can’t blame either of them. You can’t. You can’t. You are extraneous in this situation and always would have been.
“This isnae really fishin’ though, see?” Johnny goes on. “I mean, I use the dragnet time t’time, but rich tits on the mainland, they can get cod anywhere.”
“Become a real foodie, he has,” Gaz chuckles.
“Knob,” Ghost agrees.
Johnny grins. It’s a soft thing, an expression of sinking into warm bath water in a familiar tub. Ghost grins back at him, more with his eyes than his mouth.
If what’s between Johnny, Gaz, and Price is an unraveled scarf, easily knit back together, then what’s between Johnny and Ghost must be the tight-woven threads of fine, raw silk. It’s visible to the naked eye; if you reach out, you think you could brush against it with your bare fingertips.
Impenetrable. Gleaming.
You, a loose, dropped thread.
Price announces that the burgers are ready, and the men crowd the counter before he snaps at them to back off. You hook one heel around the other, twisting your fingers in your lap. An invisible wall between you and them.
The men bring the food over, setting down plates of sliced onion, limp lettuce, squishy tomato. Everything has been sitting out too long. Price sets down a platter of patties, cookie-cutter uniform, some blanketed with yellow, processed cheese.
Your empty stomach cringes in on itself. You don’t want to eat. Johnny slides in beside you, trapping you in, and his friends drag chairs over. Ghost claims the head of the table. They dig into the food with gusto.
“This is awful, Price,” says Johnny. “Told you, shoulda had seafood.”
“I’m sick of fish,” Price grunts.
Something about fresh oysters is at the tip of your tongue, but it’s trapped behind the bars of your teeth. And anyway, Gaz beats you to speaking.
“So you decided to kill the lot of us?” he asks. “Forgot we never let you cook in the field.”
“Nah, that was Johnny’s job,” Ghost says. “Where’s a meathead Scot learn to cook anyway?”
“Quite disrespectin’ my mum,” says Johnny.
They all chuckle at that. It loops around them, that ripple of laughter, and they go on to bandy stories about their captain’s culinary misdemeanors on deployment.
You shrink.
You look at Johnny. His face is animated; vibrant. The lines at the corners of his eyes have not smoothed once, with how much he’s been smiling. It’s as if sunlight is radiating from his chest, warming the room.
It visibly brightens his friends, sitting around him. Price’s gruff demeanor has softened. Gaz leans inward, elbows on the table, as if magnetically drawn. And Ghost—
You catch them exchanging a look. Speaking without words.
You don’t belong here.
The few bites you’ve managed to take of a burger surge against the walls of your stomach. Your trachea quivers against your spinal column.
“I need to use the bathroom,” you say. “Excuse me.”
It halts the flow of conversation. The four men look at you as if suddenly remembering you’re there, expressions paused in whatever shape they’d been in before your interruption.
No one says anything at all.
And why would they?
Johnny stands to let you out of the booth. You extricate yourself, and hold your gaze on the stairwell, refusing to look twice at them.
The belly of the ship swallows you with a whirlpool’s vacuum; you veer into the bathroom and lock the door behind you. Overhead, the conversation resumes, as if you left no empty space within it to compensate for.
Heat leeching up your face. Heart beating against your sternum, so hard it must be about the split the bone.
You don’t belong here.
You start heaving. Big, hard breaths, truncated, refusing both to be drawn in or released without a fight. You stagger to the sink and grip it with both hands, shaking so hard you can barely stand.
You don’t belong here. You don’t belong with anyone. You don’t deserve—
Your stomach shoves upward. You tip your face over the basin, throat convulsing, but nothing comes up.
Your vision swirls. You feel Johnny’s hand on your back, but it’s only a ghost of his touch. He’s still upstairs, with his friends.
You hear a sunburst of laughter above you, hearty and deep and shared by four voices.
Tears start streaming from your eyes, though you can barely feel them. You vibrate. It builds and builds inside you, a scream, a hurricane, gale forces whipping around and beating the inside of your skin. The quiver of your skull sends a high-pitched squeal up through the canals of your ears.
You sink to your knees.
“No,” you whimper, in the midnight zone of your voice, so that no one can hear you. “No, no, no, not again, no…”
The bath mat touches your forehead. Your shuddering mouth hangs open. You dig into the soft skin of your forearm with the nails of one hand, seeking blood.
You are a wound in the world that refuses to close. A cyst. Something here that should not be. Wherever you go is a mistake.
Heartbeat like a drum in your ears. Entire body drawing up, higher, tighter, trembling, seams pulling, self receding, bones exposed, so far out you will never make your way back.
You’re going to burst. You’re going to make a mess, right there on the floor, and they’re all going to come down and see it. It’s building in your throat. It’s at the dam of your teeth.
You wrap your arms around yourself, gripping tight.
You don’t belong here. You don’t belong here. You don’t belong here—
You don’t belong anywhere.
Suddenly, you go still.
Flying debris settles. Your airways open.
Stillness. Quiet. The next breath you take is slow and smooth.
You hear the far-away slosh of the ocean moving beneath the hull of the trawler.
Yes, of course.
You clamber upward, using the counter as leverage. As you rise, you catch yourself in the mirror.
Your face glistens. Your eyes are swollen, bags heavy beneath. It does not reflect what’s behind it—
Tranquility.
It isn’t about resolve, after all.
The truth of it settles gently in your chest. Of course. It’s about certainty. It’s about knowing, in your bones, what should and shouldn’t be. What is and what isn’t.
The way things will be, and the way they won’t.
Simple. Natural.
The evolutionary processes of your body simply hadn’t caught up. The genetic predisposition toward persistence, the silly, reactionary aversion to pain, to danger, the biological imperative of a time before now.
Now—
Turning the cold tap, you wet your fingers and dab at the puffy skin. You pull some toilet paper from the roll and pat at your face. You breathe easily through your nose, and on steadied feet, you leave the bathroom.
“You haven’t changed a bit,” you hear Gaz saying as you climb the stairs.
“Aw, gimme some credit,” Johnny protests.
You stop.
“No,” Ghost says, and it’s odd to hear contemplation in the knife’s edge of his voice. “Somethin’s changed.”
“What’s that?” Johnny asks.
“You’re…calmer,” says Ghost. You hear Price hum. “Never seen you sit this still, not long as I’ve known you.”
You hear Johnny huff a little laugh. “Guess this place’ll do that to you.”
“Hey, Johnny?” you say, surfacing.
The conversation pauses again. He looks up at you. Blinks beautiful, blue eyes.
The rueful smile you give him is easy.
“I don’t feel very well. I’m sorry. Can you take me back to shore?”
Some tiny muscle at the edge of his expression shifts.
You don’t know what, exactly, it could mean, but it doesn’t matter.
“Sure, bonnie,” he says slowly, setting down his half-eaten burger.
“It was nice meeting you all,” you say to the three other men.
They echo something back—insincere. Obligatory, you know. They’ll forget about you the moment you leave their view.
That doesn’t matter either. Nothing does.
You don’t think about it at all as Johnny helps you down into the kayak, taking your overnight bag first and then your hand. It’s cloudy overhead, cool without being cold. The wind is gentle.
He stares at you the whole time he rows. You don’t meet his gaze. Out of the corner of your eye, you can see his eyes narrowed, the line of his mouth tight again.
“Thank you,” you say, when the kayak reaches the beach. “Have fun with your friends, Johnny.”
“Sure, bonnie,” he says.
You indulge yourself—you look him up and down.
He really is an attractive man. Beautiful. Like the crash of a wave. You get that sense again—that he’s more real than anything surrounding him. More real than the ground beneath your feet. Than the ocean behind him.
More real than you.
“See you later,” you say, and turn away from him.
You walk the trail back, thinking about the anonymous feet that carved it into the grass. Years, generations walking the same way, down to the beach and back up. People you’ll never know. A part of something you never will be.
When you crest the rise, you see the cobbled siding of the cottage. You’d never looked at the back of it before—never thought to. It was unimportant in the face of everything else, irrelevant.
Maybe that’s why you look now. The finiteness making room for it.
At the cobbled wall’s base is a little mound of piled sand.
You go to your knees in front of it. The soil is cool to the touch, loose. Easily disturbed.
Somehow, you know what you’re going to find, even as you dig. Your fingers brush against it even before you uncover it fully, and it doesn’t surprise you at all.
Folded tightly, in a divot in the ground, is the paint-splash riot of Johnny’s pelt.
next chapter early access
a/n: had to add one more chapter because otherwise this would have been 9k words long lol
forreal this time—two chapters left!!
BOJACK HORSEMAN | Original release: August 22, 2014
how far would you go for the person you love?
type: part one of the time rot collection pairing: simon "ghost" riley x tf141!fem!reader (x johnny "soap" mactavish) word count: 5k
cw: dark!simon, dark!reader, curvy!fem!reader, mature language and content, suggestive language and content, graphic depictions of murder + violence + extortion, mw3 spoilers, unprotected piv, oral (fem!receiving), cumplay (18+)
you don't believe in fate. you don't believe in god. you don't believe in anything at all, maybe, because luck disguises coincidences, and no good deed goes unpunished. everything you are and all that you have are products of a world that never stops spinning--and nothing about what has ended up in your way has ever been the selfish result of some higher power or some kind of entity that holds a grudge against you.
it's simple. in your world, if you don't think, you get your comrades hurt. if you hesitate for a second too long or take a step in the wrong direction, you compromise ops and let targets get away.
and if you're stupid, you die.
it only takes a second. one moment, your hands are steady, following careful instructions by a familiar lilt how to disable the ticking timer that counts dangerously low towards zero. the next, your vision blurs, and your head pounds, and you can feel the trickle of your own blood coming down the side of your face. you try and sit up, and when your eyes are able to focus just a little, you're staring down the barrel of a handgun.
you have never needed a knight in shining armor. the idea offends you, disgusts you, and it rips your heart out when you see johnny coming up behind him and pushing the gun out of your face just in time for the shot to hit the floor beside you.
and it takes only one more second for the next bullet to go through the side of his head.
you scream. it rattles the room, a horrifying sound, but you're too late. it happens so fast, it's ringing in your ears, but there's nothing you can do. you've never felt more incapable, more useless, and you crawl on your hands and knees to get to him. it hurts, your head pounds, but you will yourself to keep moving until you fall over his chest, gripping the edges of his vest, shaking him.
no. no, no, no, no.
"get up!" you cry. "get up, get up, get up!"
he's still warm when you bury your face into his neck. when you feel the scratch of his stubble, the softness of his neck, the dark skin that shows where you kissed him the night before and the scratches along his arms that are from your own blunt fingernails.
"get up!" you hiccup. "you can't--you--you're not..." you drag him into your arms, picking up his head, and your hands shake as you cradle him into your body. you press your lips to the hole in his head, and you will it to disappear, to go away, to close up and spit out the bullet that was meant for you. "johnny--johnny, you have to get up--" your vision goes hazy again. "you...y-you have to get up."
when it's quiet is when you notice the shadows that hover over you. you don't move--you clutch johnny close, your arms tight around him, and when a warm hand touches your shoulder, you cry out, shoving them off.
no. no. no.
"no! no--" they're firm now, kyle gripping one of your arms, your captain taking the other. they drag you off, getting you onto your feet, and you thrash. you kick your legs, scream, anything to get them off of you, so you can pick up johnny's head and show them his eyes, because he has to be alive, he isn't gone--"no! no! get off of me! johnny! johnny!"
reality only sinks when you see him. ghost shifts, until he stands between you and what had been, and when you meet his eyes, you stop moving, shaking your head.
"simon--" your voice breaks. "simon--tell them--" you gasp. "we need a medevac, we need--he needs--"
you fall into his chest, and he catches you. one big arm wraps around your waist, and he grunts, tossing his rifle over his shoulder and cradling the back of your head with his other hand.
"simon--" you sob. "simon, it's not--it's--" you shut your eyes when you feel his gloved hand tangle into your hair. "it's not true, he's still warm, please tell them--!"
he says your name, low and gentle, and you shake your head. you won't say it. you won't believe it. it isn't true, because if it's true, it's all your fault, and you won't accept that, you can't.
you only laughed with him hours ago. shared his bed. woke up tangled between his sheets, pressed skin to skin against his burly chest, whispering against his lips about all the hours you would spend being lazy and unproductive when you finally got home to the bed that was actually big enough to hold the both of you, not the cot in the barracks with no locks on the doors--
you jump when the door shuts behind you. time passes without notice when you are this alone. you look around the flat; it's cold, and it doesn't look lived in, not like before. he always liked to leave it neat and proper, because it felt nice to come home to a clean home, but this isn't home anymore.
you pick up your bag and leave. you weren't even able to make it a few steps inside. you don't have it in you to get your things, to pack your clothes or your shoes or anything that still is in there because it won't feel the same to wear them again if he isn't here to see you.
price's name graces your phone all too often. he calls mornings, he calls evenings, he calls from unknown phone numbers. he says he's worried about you, that you didn't show to an important briefing, that you are welcome to take your leave but you need to tell him that you're alright, but you don't answer. when the call comes, an official one, asking you to gear up because wheels are up in an hour, you don't show up, and there is nothing he can do except scratch your name off his list and declare you dishonorably discharged.
but the world still turns. it doesn't stop just because your own did. you find yourself in need of the things that people use to survive, superficial papers and coins that rattle in everyone's pockets that keep them satiated with roofs over their heads.
at first, you start small. a friend of a friend is crying, hiding her bruised face, and she confesses to you that everything would just be easier if her boyfriend was gone. you're not there to see her face when he never comes back from his gambling night.
it starts as something good. johns threatening their girls disappearing when they take a smoke break. following drunk girls home only to drag their stalkers into dark alleyways. until one day it's a suit sliding you an envelope thick with notes, and you don't even bat an eye when you slip it into your jacket.
this is all you are now. you don't have anything inside. you aren't happy, you aren't good, and despite covering your crimes in the veil of defending those who can't, you know that it is just an excuse to wet your hands in the blood of someone else so you can forget what his own feels like.
because you can't forget. everywhere you turn, you see him. in the blue of someone else's eyes. in the dark curls of someone else's hair. in the shadow of another man's beard, the sound of a scottish accent, the plaid of a kilt that looks like the one he had shown you once that he said would be yours when you married him, because ye will marry me, bonnie, ye will--he always said you would even though you protested that you won't be a military wife, you won't sit at home and cook his dinner and grow his fat babies. and maybe you wouldn't, but he was good at showing you that he would fuck you dumb like a good wife should be, and you never had a problem with that.
he lives in the dark weather. the bricks of the buildings you pass by, the scratch of them almost mimicking the callous of his big palms. when rain touches your lips, you think about the way he would kiss you breathless, the feel of his spit on your tongue and the way he seemed to bare your soul with nothing but his smile.
the silence, it chokes you. you liked arguing; it meant he was alive, it meant he cared. he was charming. outgoing. he exuded fun, and he never ran out of energy, and maybe that's why you hated your superior so much. because johnny's eyes wandered, and you hadn't been around as long, and sometimes you would catch him staring at the back of a big, broad lieutenant only for you to rear him back and stuff his face between your thighs to distract him.
ghost always kept you on your toes. you knew he was a problem as soon as you joined their team. johnny was not subtle; from the first moment you met his eyes, you knew you would end up naked and underneath him in a short while, but it wasn't until weeks later that you noticed how stiff your superior was with you. how short. how mean. how angry. you didn't realize you had stolen something from him, but it was hard to feel guilty because johnny never behaved as if he belonged--he sought you out, he chased after you, he fell to his knees and begged for your attention, a hungry, starved dog that pawed at your pants for just a lick of the sweetness that pooled between your legs.
but that was why. johnny was starved. he wanted to love, he wanted touch and reciprocation and for the person he loved to tell him they loved him back, and that wasn't ghost. ghost held up a wall, even to johnny, and it wasn't enough. you would give what he would not, and maybe that angered ghost to some degree, because you could do what he couldn't, you could give what he didn't possess, and maybe he was jealous of that. jealous of how easy it was for you, and how impossible it seemed for him.
but the world keeps spinning. because it doesn't care about what you can and can't do. it won't stop, and neither would you, and he couldn't prevent what happened to you. he couldn't save the heart he didn't have.
and he couldn't save johnny from the bullet he would take for you.
and you think you hate him for that. you hate yourself for it, but you hate ghost, too. johnny couldn't see what you could see. his attention span was too short, he never looked long enough, but you did, and you noticed, and you saw the way ghost behaved. the subtly, the quiet longing, the eyes that never left him and the way he closed his fists. the twitch of his arm as he fought reaching for him, the way the masked moved as he contemplated saying something to him.
it was pathetic. it was pitiful. but you loved johnny, and you weren't going to try and coddle a traumatized man into taking what you really wanted. he loved johnny, you think, but he didn't love him enough.
not enough to fight for him. and not enough to save his life.
you haven't been paid for this. no one told you to look for him. no one told you that he was your mark, no one told you that he was the next on your list, that he deserved to find the end of the line at the killing side of your chosen weapon.
but he does deserve it. because you hate him. because he loved him, and he hadn't done anything to stop what never should've happened.
when he flicks on the light in his kitchen, he doesn't even react when he sees you standing there.
he's wearing civilian clothes, but you know better than to underestimate him. a hoodie under his rain jacket with the hood pulled up over his head, dark jeans over heavy boots, fading eye-black around the dark of his eyes, the only part of him visible under the balaclava. he could never quite cover up how striking his eyes truly are, or the blonde of his lashes. and he could never hide how big of a man he really is underneath it all.
"knew ya'd come eventually," he says finally. you try not to show any emotion, keeping your face neutral as you stare at him. he takes a step further into the flat, and the click of your handgun sounds as you hold it up. he still doesn't react, making his way towards the fridge and pulling a bottle out. he uses the edge of the counter to pop the cap off, and he grunts as he takes a seat at his table, relaxing into it.
you pull the chamber back, loading a round into the gun, and ghost narrows his eyes. he is still calm, very unbothered for someone about to eat the bullet he should've swallowed all those months ago, and it angers you more, unnerves you.
why isn't he afraid of me?
"wot's the price?" he asks, tilting his head to the side. "how much t'rid y'of me?"
when you don't respond, he laughs, humorlessly. this angers you, too.
"oh, i see..." he sucks on his teeth. "doin' this all on y'r own, eh?"
your lip twitches, and his eyes flicker, as if he's happy to get some sort of reaction out of you.
"i hate you," you whisper finally, and all he does is shrug his shoulders. "don't deserve to be here. to lead that team. to still call yourself a fucking lieutenant when you don't have anyone's back except your own."
he stares, not moving, and you envy how still he can be.
"and i know you're not going to wherever he is," you laugh bitterly. "not you, not someone as fucked up as you. you'll never have him again."
but neither will i.
"tha' wot y'think?" ghost asks. "tha' i don't have y'r back?"
"he's dead, isn't he?"
he leans forward, pushing his mask up slightly, and you watch with a shaky hand as he takes a long sip of his beer. his adam's apple bobs as he swallows, and you follow the pale lines you see that litter his lower face and neck. drags left behind from dull blades, the pieces of his skin that have been carved out and haphazardly put back together.
he looks like what you imagine you would, if someone looked on the inside of you. if someone pulled back the softness you wear and peeked underneath--they'd see you just like this. carved up, mutilated, picked apart. the anger wanes, just a little. you hate it, because it feels so true, the reflection of yourself that you see in him.
"why didn't you save him?" your voice breaks. your hand is shaking violently, your eyes are blurry with tears, and your legs feel weak. you look at him accusingly, and he stares right back. you can see more of his face, just his lips, but it's enough that you can see the way he snarls slightly. "why weren't you there? why--"
"y' 'ave no fuckin' idea--"
"you didn't love him enough!" you snap. you use two hands now, trying to hold the gun steady. "you didn't love him enough! y-you gave up on him, you fucking--"
"y' 'ave no idea wot i felt," he says, and you quiet, because his voice is dark and deep and a warning for you because he won't be so calm for long. "'ave no idea wot he was t'me."
"he was mine," you whisper, and you taste the tears that are falling down your face.
"wasn't always yours," he growls, and your hand shakes too much for your own good, and when he stands, he's too quick. he knocks the gun out of your hand, and it skids across the floor, and you cry out when he has you up against the wall, one big forearm trapping you there as he presses it firmly against your throat. he towers over you, glaring down at you, and when you try and use your legs, he forces you flat against him as he puts one thigh between your legs and holds you easily.
he's too strong. too big. too much of everything you aren't, and all you can do is gasp for air and thrash as much as he lets you.
"listen 'ere," he mutters, pressing down harder against your throat, and your breath hitches as you stare up at him through your tears. "the fuck y'wanna fight about? want t'kill me? want t'hurt me? wot the fuck are y'gonna do t'me that someone else hasn't, huh?" he spits at you now, angry and unhinged. "been buried alive. gnawed at m'own fuckin' hands t'break free. split apart from the inside-out, so wot the fuck can y'do t'me tha' i'll be afraid of, eh? y'r just a sorry fuckin' git tha' can't fuckin' admit y'weren't lookin'--and he's dead, and tha's a fact, and the sooner y'wrap y'r head around tha', the sooner y'can stop right fuckin' feelin' sorry for y'rself. y'think i don't play it in m'head everyday? thinkin' about wot i could've done t'get t'him?"
you break, crack, the tears spilling free. ghost isn't capable of feeling what you feel. of loving the way you love, of holding onto something so tight that he can't let it go, it isn't in him. he's fucking dead on the inside, you know that much. he wears that skull because he wants everyone to know that death is his friend, not his enemy, and that when he finally succumbs to his mortality, he'll just fucking go home.
"thinkin' about wot i could've done t'get t'you?" he breathes, and you blink up at him, your lips parting, trembling, and you take in the deep breath that he allows, and you aren't angry anymore. you don't understand. it doesn't make sense. "he had ya--" ghost wraps a hand into your hair, tugging on it, bringing you closer. "he almost had ya..."
what?
your eyes flutter shut when he presses his forehead to yours. his grip is firm, he isn't letting you go.
oh.
"almost had ya," he echoes, in a deep whisper, and you nuzzle your face to his, subconsciously.
oh...
maybe you were just naïve. so egotistical, so selfish, that you misinterpreted everything that you saw. was it anger, or was it longing? was it jealousy, or was it lust? was it the shame of the way he felt, or the timidness of revealing the truth of it?
wherever johnny was, there was ghost. right behind him, in the dark, purposefully watching.
or was he just waiting?
you want to feel guilty. you want to feel angry, you want to fight for the gun that escaped you and press it to his chest and pull the trigger, but you don't have it in you. you spent so long hating him, you didn't realize it could've been someone else.
vying for the attention of someone unattainable, someone unavailable, untouchable. someone that can understand the way you feel unlike anyone else in the entire, unforgiving world that keeps fucking spinning--
"b-but--"
"was never jealous," he admits, and you swallow hard. you almost stop breathing when you feel the faint brush of his lips against yours. "y'were out of m'reach." he loosens his grip on your neck, but you don't move. "couldn't 'ave ya, couldn't--"
the kiss is messy. you lean forward just enough to swallow his words. your heart squeezes in your chest, it bursts, and you cradle the back of his head as you slide your tongue between his teeth and taste him hurriedly. you want to know him, you want to understand him, you want to crawl inside the warmth he emanates and pretend the world stopped moving right before it took away the thing you loved more than anything.
you hate him, don't you? you hate all that he is, you hate the man he isn't, you hate him because he loved what you loved, and he didn't do anything to save him, you hate him because he had what you had, and he wasn't selfish enough to not let him go.
you hate him because even though it is all your fault, he doesn't hate you, and you think that's what you hate most of all.
because i am not worthy of anything anymore.
you want him to hate you. you want him to kill you, you want him to blame you for everything you've done. you want him to remind you that you aren't worthy of any kind of affection, of love, because you were stupid, and so was johnny, but he won't do it--he won't. he slides his hands down your sides, he puts them around you, picks you up from under your thighs and carries you until you fall underneath him onto the cushions of his couch that you don't deserve to feel.
he feels too good. he bares his layers. he takes his jacket off, slips the hoodie over his head, and you stare speechless as he kicks his jeans low and strips the mask off of his face.
your hands shake as you cup his cheeks. he's so pretty, unfathomably so, and you think you're crying because you recognize him even though you've never seen his face before. there's something so familiar about the shape of his nose, the way his brow bone feels under your fingertips, and you cry because you loved johnny, but you might love ghost more.
fuck.
you don't know him, and you think you love him more, and it isn't because you love johnny less, it isn't, but while johnny loved unconditionally, ghost loves you because he isn't capable of not loving you. you love him more, and it hurts to love him more, because he sounds grateful that bullet took everything from him except for you.
when you look into his eyes, you wonder if he let it happen. if he saw johnny step in front, if he knew where the bullet would land, and let it happen so that it wouldn't happen to you.
fuck. fuck, fuck, fuck.
it's selfish. it's disgusting. it's cruel, he is so cruel, it's frightening to think about him hesitating just to keep you, but it's even more frightening that you are looking up at him, all this time later, and you're letting him have what he abandoned everything to take.
you're letting him slip the shirt over your head. the pants from your legs, steal the lace from between your thighs so he can settle himself there and bury his head in the warmth of all that he wants.
he's cruel about this, too. he eats like he has never eaten before, like he tastes what he has been searching for his whole life and will lose it if he doesn't consume it all. he barely breathes, arms hooked around your thighs as he yanks you close, tongue buried inside as he coats his mouth in everything that you are and swallows it just to take more. you arch your back, bow it tight as he devours. and devour he does, squeezing the thick of your thighs hard as he bobs his head and fucks you with the warm muscle of his mouth. it drags along your insides, slips between the puffy folds, swirls around your clit until he suckles on it viciously, until you are crying for a different reason and letting the terrifying thoughts spill out of your ears until there is nothing to think about but the man between your legs and the love you have for him more than another.
"simon--"
it spurs him on. his name, the one he doesn't use anymore. it clouds his own head, and he groans as he opens his mouth wide and tries to eat you whole, eat you wet, eat you entirely like he will die if he doesn't.
and it isn't enough. never enough. he snarls when you cum, using two fingers to slip inside of you and feel the clench of your walls, and then he slips them out and feeds those fingers to you. you choke on his hand slightly, the girth unfamiliar, and when he smiles, wickedly, you shiver, afraid.
his love is so visceral, he let johnny die. his love is so broken, so jagged-edged and terrible, that he let go of what was his to have it. he smiles because he knows what he wants is now his.
did he know? did he know what would happen to johnny all that time ago and let what we were manifest because he knew how it all would fucking end?
ghost is a sickness. ghost is poison. ghost is what lives under children's beds, he is the black hole that sucks in the glow of anything nearby, that swallows anything in its path because anything other than what he wants is in his fucking way.
was johnny in his way? he must've loved him, he must've. they were lovers, friends, comrades, they stood back to back and faced their makers with nothing but each other--he must've loved him, but now you are so afraid, because if he did love johnny, what do i call what he feels for me?
did he know that johnny's love would kill him? did he know, and he let him love me anyways, because he's so patiently twisted inside?
he grips your jaw tight, and your eyes sparkle, diamonds in the wasteland you must be drowning in, and he shakes his head. it's so dark, night blackening the room, but you can see his own eyes bright as day. there is nowhere else to look. this is the man you have resigned yourself to. this is the thing that feeds on what you have left, and you should run away, he has killed what you truly are, but you won't.
i can't. i'm not capable of it. i'm not strong enough to leave, he has me, he fucking has me--
and he does. he won't even have to tie you up, he knows you won't leave, you can tell that he knows. he kisses you, still holding onto your face, and you just sink more into the cushions as he uses his free hand to find your entrance and sink himself deep.
it takes one smooth grind of his hips to press himself against you. his hips meet yours, and you whine when he lets go of you, gripping you around the thighs and hoisting you underneath him so you're nestled right under him, knees up and pussy fluttering. he seals it, he's infected you, and you should tell him to go away, you should tell him to stop, but it feels so good, it feels so nice, he's so big, he's mine, mine, mine--
"all y'needed," he murmurs, staring down at you. "'s all y'needed, luv. somethin' to shut y'up."
your body betrays what you feel inside. it grips him tight; every time he drags his cock out, it fights to pull him back inside, and the grunt he lets out as he sinks deep again tells him he knows this, too. no matter what atrocities the two of you commit, this is where you will end up. staring each other in the eyes, knowing you are black inside, and fucking each other anyway because that is my reward, this is where i'm meant to be, this is where i'll end up in whatever fucking universe we end up in.
"y'feel me, swee'eart?" he asks, pressing his palm to your stomach. you rock with him as he grinds slow, hitting you deep and powerful every time, and you nod frantically, your lips parting as you rattle every time he hits his hips to yours. "feel me right 'ere...yeah..." he smooths his thumb over the stop his tip hits, and you whimper, sliding your own hand down and over his, keeping his touch there. he fucks so well, every move he makes draws the blood from your head and makes you feel stupidly wonderful, and he knows just when to angle his hips to touch the sensitive little clit that pulses in rhythm with his thrusts.
this is what you are. this is what you always were going to be, even if you fought it, and you want it to hurt that johnny was collateral damage, but it doesn't.
it doesn't.
your eyes meet his, and he has your face in a strong grip now, leaning down as he picks up the pace. he hits a gooey spot inside of you now, a wet squelch sounding out as you drip, as you wet his cock because he is every desire you didn't know you had, and he bares his teeth, smiles down at you, he has me, he fucking has me, he'll never let me go.
"all mine," he slurs, and you aren't coherent enough to read between the lines. you aren't lucid enough to understand what he means, that now that you don't belong to anyone, not even yourself, there is no logical place for you to be except for underneath him. for him to own you, from the light in your eyes to the very breaths that you share with him.
connected, one being, and if i do not obey, i don't know who he will take next from me.
but there isn't anyone left to take. not even yourself, because you think it has already been given.
you cry when he holds you by the throat and fucks you stupid. hips snapping, breathes short and heavy, the spill of your arousal and the need of the very oxygen to breathe. you claw at him, wanting more, your stomach clenching and a feeling catching in your chest because you are climbing a mountain so fucking tall, and please get me there--i'm so close--yes-yes-yes!
your eyes roll back into your head when he cums. he groans into your ear, fucking you through it, gripping your hips tight as he keeps his hips pressed to yours. you feel so full, a kind of euphoria that is beyond you, a hazy place of pleasure that you've never been to before. it clouds your vision and the thoughts you know you should have.
the thoughts that would make you run. the ones that would reach for the knife you see taped under the coffee table and use it to slit his pretty neck.
you blink up at ghost, trying to think, but he bends low to kiss you again. you whine as he settles down between your thighs, his weight heavy and solid above you, and you relax with both of your hands on his face.
he smiles, and it should scare you, but it doesn't. you want it to hurt, but it doesn't. you want him to kill you, but he won't, you want to kill him, but you can't. his eyes all but confess what he's really done. the secret he hides inside but reveals in what he holds in his very hands. the world keeps spinning. it doesn't care. and, you suppose, neither do you.
because all you do is smile back at him.
kinda a continuation of this, but Johnny finally getting to fuck you after being in the friend zone for years and being a bastard about it. implied breeding kink.
it adds insult to injury that he’s good.
bent over your childhood bed, drooling on nostalgia and the dust that collected after your absence while abroad. he’s no different, barely able to fit through your front door, shoulders taking the brunt force of the decade he’s been away.
that, and his cock.
palm swallowing your moans so your families don’t hear how he ruins your cunt with it, thick middle reshaping the gums of your walls. you can smell the holiday perfume and champagne melting off your neck as he sucks under your jaw. it’s snowing outside, but the the flakes look bleary behind the tears that boils your waterline.
“y’should see yerself, doll-“ grunts when you flatten your ass against his pelvis, rutting deeper until you bite at his callouses, “a braw mess. must regret not lettin’ me n’yer cunt sooner, mm?”
pushes on your shoulder blades until your throat is stuffed with the feathers in your pillows. fastens his fingers around your hips and angles you just right so he’s brushing against your womb.
dandelion fires light behind your eyes, and you remember how a younger johnny used to talk you through counting them when you looked at the sun too long.
things change fast.
“fuck- squeezin’ me dry, aren’t ye,” he pants, lowering himself until he’s next to your ear, “even yer body knew y’always wanted me. fuckin’ made for me, precious. dinnae why y’held out fer so long.”
“ah- johnny don’t-“
“what? cum inside?” he laughs, and you burry your face into pillow case cotton when he quickens the pace, “why nae make tis permanent, yeah? have meh whenever y’need.”
buries himself to the hilt, and you feel warm confliction fill your womb in ropes until your shaking in the aftermath of your own orgasm.
holds your lower back as he leads you downstairs. plays with the kids while you get water and talk with the mothers.
he sends you a look after picking one up and blowing a raspberry into their stomach, and suddenly you’re aware that this was always going to happen.
and now there’s no way back.
Addition to this one because I’m so unwell for this woman, you have no idea
Amira of House Karim comes into your life with courting gifts from her brother and heavy eyes that feels, see right through you.
There is one short, almost non-existent, moment when she blinks, as if stunned, as if she was expecting anyone but you.
She had a long way, travelling from a country where sun in the sky is hot enough to bring people to their knees, where neighbouring kingdoms do their best to ravage her home, where people speak in language so old it’s sacred.
Amira of House Karim does not give you her name — she is tight-lipped and stern, soft accent of hers bellies the steel of her character.
Amira of House Karim doesn’t want to make friends, she is not here for pleasantries and tea parties, she does not enjoy the blatant flaunting of wealth from the high lords that smirk in her face and laugh behind her back.
Amira of House Karim is a woman in a place where women are so rarely considered, the steel of her character seen as a sin rather than an advantage.
High lords sneer that no one would take a woman like that as a wife.
You catch just a glimpse of her rage when she muses “I wouldn’t take any of you as a husband either”, her eyes cold and heavy, her back straight as an arrow.
Amira is the diamond of her house, amira is the best there is and the example of proper lady.
When she wants to be it, of course.
You hide your smile behind your sleeve, looking in away when one of the lords stutters in her presence.
Not noticing the way amira’s eyes linger on you.
Thoughtful, curious, contemplative.
Amira of House Karim does not understand how in a place like this exists someone like you. She doesn’t understand how you can live like that.
How you can live with that.
How you manage to keep getting back up even after these greedy lords, these fools, these men try to topple you any chance they get.
This is undignified behaviour, princess, you shall not allow anyone look down on you. You shall do better.
Amira says like it’s easy, like she knows your court better, like anyone can be the diamond.
You just hum, finishing up your embroidery and looking up at the face of hers. She is beautiful in a way that makes you tongue-tied and slow, in a way that tugs on something inside of you slowly unraveling, in a way that makes you want things you shouldn’t.
Because amira is not here to make friends, she doesn’t like you and she clearly doesn’t think much of you.
And still you follow her to the gardens, ignoring worried whispers of your ladies-in-waiting, ignoring your knight and closing the gates behind you.
They don’t understand what amira feels.
They don’t understand how much it hurts to be reminded time and time again that no matter how smart and royal you are, no matter how confident and educated, how beautiful and capable — first and foremost you are a jewel of the house.
Not the head of it.
Amira of house Karim doesn’t look at you when you sit down next to her, doesn’t speak to you, doesn’t respond to your questions.
Amira doesn’t want you here.
What can you do, princess? She saw the way you smile to these men, she saw the way you make peace and the way you compromise even if you are the one on whose feet they step on.
Don’t you have any dignity? Does your royal blood not heat at their casual cruelty?
Don’t you have any honour, princess?
You let her pour it all out, you silently listen, your eyes distant as you watch the water fountain.
This whole garden is a gift for you — the only daughter, the pearl of the family, the favourite child of the king.
But the king is just a man, even if that man is your father.
King believes garden is more suitable gift than the library or the stables, king believes you should be wed before you are out of your prime, king believes that he knows what’s better.
And he never asks.
Why would he, right? Kings rarely ask, that’s not their prerogative, that’s not how it works, you learned that a long time ago.
Amira of House Karim hates everything your homeland stands for.
Amira of House Karim hates this she doesn’t hate you.
You, with your rows of pearls and bright eyes and soft whispers of witty comebacks you are not allowed to say. Glimmers of a person behind the beautiful empty portrait. Cracks in the fine porcelain of a royal doll your father adores.
You, with your long skirts and braided hair and gardens filled to the brim with roses-roses-roses.
Red and white and yellow and gorgeous pinks and wonderful magentas. Every possible colour, every single variety. Each one with thorns sharper than the previous one.
Must be expensive to take care of this many flowers, amira says in passing and the smile on your face — delicate, sharp and fleeting — stops her in her tracks.
You have no idea, you say, suddenly throwing away all the titles and honorary suffixes, pearls around your throat a heavy collar.
Pearls around your throat a gorgeous reminder of your position.
Amira tilts her head to the side, one of her braids siding off her shoulder, her eyes — the velvet of the night sky, the dark soil in which your roses grow, the promise of privacy you are so not allowed nowadays.
But you have been utterly perfect all your life.
You deserve a little break, don’t you?
There is a small pause before you offer amira your hand and pull her out of the ballroom, your skirts heavy, her palm in yours a steady weight that grounds you.
Something shifts that day. Something small that gives way to unavoidable change.
Amira of House Karim watches you whenever you don’t look, her fingers careful as she rebraids your hair, her lips cool and soft when they press to the nape of your neck.
To your shoulder, to your vertebrae, to the vulnerable spot between your shoulder blades.
Amira of House Karim waves off your maids and helps you with your corset herself, her fingers lacing it up.
Her fingers lingering on your waist, heat spreading under your skin, your cheeks warming up when she smiles like she knows something you don’t.
Like she finally sees something she likes.
Amira of House Karim doesn’t like your court, your kingdom, your knight and your father.
Her fingers dip between your legs late at night, coaxing all these little sounds that she drinks in, holding each one between her teeth like a pearl she has a pleasure of swallowing.
Amira’s name is Farah and she didn’t come to make any friends, she says. Her fingers trace idle patterns on your soft belly, gliding up to press her while palm under your breast.
Holding your heart in hand.
“So we aren’t friends?”, there is a small crack in your voice, pearls on your throat a choking reminder of how much you do not amount to no matter how hard you try.
Farah lies in bed with you, her head on the same pillow, your heart in her palm when she kisses you for the first time. Properly. Like she means it.
“We aren’t friends, princess”, she breathes out softly and wraps her arms around your waist, smiling at the way your whole face lights up.
You are the prettiest pearl of the court, the sharpest thorn in the garden, the most sensitive princess Farah has ever encountered.
“Would you let me take you away?”, she murmurs one night, her fingers moving inside of you in a rhythm that melt your spine and clouds your head. “I could bring you home with me. Could show you the other life there is to live”, Farah breathes out quietly, her eyes the velvet that wraps around your body, her eyes the soil in which you bloom like never before.
There are no words coming out of your throat, no sentences left in the empty bright place of your head, your thighs falling open for her, your heart pulsing against her palm when she unravels you again.
Amira of house Karim didn’t come to make friends.
Good thing that she never considered you one.
Good thing Farah of House Karim wants you as a wife.
I opened a box thing again on Instagram and folks sent me stuff to doodle, and someone's request just unleashed the gay man within me
This is one of my ALL time favorite writers on here! Check her out :)
Hello all, I'm trying to fund money to pay for loans and keep me afloat while I look for work, and all to hopefully save up for a car. So I'm opening up writing commissions to hopefully pay for all that.
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pricexghostxreader is just thee dynamic to me. ghost only trusting price to be any level of vulnerable around, needing price to 'vet' any pretty bird they think could help temper their combined fire with her softness. he has a hard time trusting good things, needs price to reassure him that the pretty soft thing waiting in their shared bed really does just want simon as much as she wants john.
price, who wants the traditional wife waiting at home with a baby on her hip, but isn't willing to give up his right hand, his best lieutenant, his good boy. simon is his long-term project, a soldier he saved from himself and molded into the perfect attack dog. his loyal pet. the bond they have goes deep, and price will not, under any circumstances, give up that heady sense of power he gets when simon just submits, all
both of them requiring an 'anchor' to the civilian world, a reminder of what they do the work for- because they know that when a soldier's whole life is absolutely nothing but the job, that's how you create weirdos like nikto and kreuger.
that's what sets john off hunting for their fat little wife, someone who can keep a home ready for them, who can keep one busy while the other's deployed separately. someone who will give them a soft, warm respite from the hard lives they've been leading.
the dynamic between price and simon is rigid, with price calling the shots always... but ghost isn't a lieutenant for nothing. he needs someone to train, to lead, to mold to his wants the same way price molded him. (and if he's honest with himself, he'll realize his wants and prices wants are damn near the same).
their soft little plaything may not be at the top of the pecking order, but she's so vitally important to keeping them grounded that she may as well be on top. they both need her tenderness and devotion in order to feel like they have worth beyond being killing machines, that what they do in the field has real meaning beyond fulfilling orders from on high.
and their sweet, soft girl who has no clue how vitally important she is, who assumes she's the needy one, living off their combined wages in a house whose deed doesn't have her name on it (yet). who loves and dotes on sir and daddy, who's desperately afraid one or both might not come home and she'll be left alone, forced to leave the house she's worked so hard to make a home for them.
ahhhhhhhhhhh fuck i love this dynamic
they will not leave me alone
more ancient gods
It's been two months since you appealed to the ancient gods in a last ditch attempt to save your village. Two months where soft rains fall every few days, healing the dried, cracked earth. Two months since most of those gone for battle return, scarred but no longer scared. Two months where game have slowly returned to the lands around the village, and barren plants have begun blooming again. Two months where the only death comes at the end of a long life.
You try to find a new rhythm to your days. Three months ago, you were another member of your people, albeit one with more knowledge of the old ways than was considered necessary. Now, though, the village elders have spoken in hushed terms of elevating you to the position of prophetess or seer, believing you have some direct connection to the four gods who saved them. You do not share their faith, but you still bear the initial marks of all four gods on your body.
You still do not know what it means.
In the meantime, the shrines you asked for have been completed, and you've become their de facto caretaker. You keep the altars clean and say prayers to each god in turn. After the way they've blessed the village, you think it might be good to consult the ancient tomes again; perhaps there are other gods whose aid the village could use If only there was a place to pray to them. If nothing else, you could learn how to better show devotion to the four gods who feel so real to you now, though you struggle to explain why.
A fortnight after the first rains fell, a young mother asked if she could make an offering to Gaz for the health of her new baby. Two days later an old man found you and, hesitantly, asked how he could ask the god of death to guide his wife in the afterlife. Two of the men you'd played with as a child bring seeds as an offering to Tav the night before they're set to till and sow the field. The former leader of your people's warriors brings his best weapon to lay on Jon's altar in thanks for bringing him safely home.
At night your dreams are more vivid. You find yourself in fighting leathers, sword in hand, as Jon teaches you swordplay. The god of death reminds you you gave your life to him, and he does not plan to cut you down so young, urging you to learn Jon's lessons. Tav joins you in Gaz's unwalled tent, dishes spread feet from the fertile fields where now both men use your body for their pleasure.
More than whispers of conversation carry from your dreams. Jon telling you the shrines and worship make their presence in your village, and in your life, stronger. Gaz hinting that dreams will no longer be the only place you see them. The god of death talking about the power of names before giving you the one your people had lost to time: Si. Tav commenting on how you'll glow when he can truly show you how powerful your fertility is.
Everything points to a reality you cannot comprehend. Until one day, half a year after that first night, your village is visited by four large men, strangers to all but you.
main masterlist
Joyce Gunn Cairns (Scottish, b. 1948, Bonnyrigg, Midlothian, Scotland, based Edinburgh, Scotland) - Darling Dolly, 2023, Paintings: Oil on Board
I’m finally brave enough to start reading Ghoap fanfics and I am actually scared