167 posts
Scott Treleaven Untitled (curved water/Spanish Steps), 2017 Unique chromogenic photo collage, 35mm negative prints, archival tape, artist frame
Scott Treleaven Untitled (Mercury/kalanchoe), 2017 Unique chromogenic photo collage, 35mm negative prints, archival tape, artist frame
Scott Treleaven ‘Fogo II’ (2016) cardboard, foamcore, paper, gouache, PVA adhesive
On view next month at Front International: Cleveland Triennial for Contemporary Art https://frontart.org/exercises/the-great-lakes/ alongside seven other new sculptures
Scott Treleaven Untitled (Pollinators), 2018 Gouache, acrylic, and collage on paper 23 panels, 20.5 x 18 inches each
http://invisible-exports.com/exhibitions/scott-treleaven/
Scott Treleaven In Whatever Way Tames Whomsoever, 2017 Gouache, acrylic and panel collage on paper Diptych, 105.5 x 105.5 cm ea. panel
Scott Treleaven
Untitled (studio floor/Mercury sandal), 2018
Unique photo collage from original 35mm negative prints, archival tape, in hand-painted artist frame, 12 x 10″
Scott Treleaven March 2, 2018 - April 1, 2018 Opening reception: Saturday March 3, 4-6pm COOPER COLE is pleased to present Meson, a solo exhibition by Scott Treleaven. This marks Treleaven's second solo exhibition with the gallery. Scott Treleaven’s most recent body of work is an ongoing series of torn photo-collages; bipartite constructions made from over two decades worth of the artist’s own 35mm snapshots. Produced by physically tearing in half and reassembling 4 x 6” photographs, Treleaven creates a new visual unity between the disparate pieces. The tear in the work becomes a transition between two fields; an edit, a horizon and a fulcrum. Usually depictions of atmospheric effects in nature, or quotidian domestic and studio settings, the assemblages avoid easy visual or surrealist puns, working instead with arrangements of subject, light, colour, and space. Each photo surrenders up a fraction of its original form, now segments in a new narrative that evokes the ghosts of their discarded halves. Treleaven’s artistic origins are in small-gage filmmaking and self-published zines that made an enduring contribution to independent, queer, and underground culture. The modest and democratic tenants of his early practice continue in his material choices, as well as his theory of collage as a basic gesture of insolence; a social strategy for both discord and unanticipated beauty. The photographs change from a serially reproducible, private object into a singular unique artwork by a process that usually signifies the ultimate rejection of an image.
Scott Treleaven at Invisible-Exports NY Extended thru March 25, 2018 http://invisible-exports.com/exhibitions/scott-treleaven/
solo exhibition of new paintings & collages:
Scott Treleaven February 9 - March 18
opening reception Fri Feb.9 6-8pm
Invisible-Exports 89 Eldridge Street, NY 10002 invisible-exports.com
Scott Treleaven, Before Become Extinct (2017) Gouache, acrylic and collage on paper 8 ¼" X 6 ¼" 20.32cm X 15.24cm
Scott Treleaven, The Seeding Ship (2017) Gouache and acrylic on paper, Diptych 41.5" X 81" each [105.41cm X 205.74cm]
Scott Treleaven, untitled (Mercury, in profile), 2017, c-print from 35mm double-exposure, 34 x 25" in silver painted frame
Scott Treleaven, Above/Below (2007), C-print printed direct from super8mm film frames, dyptic: 23.62 x 15.35 inches ea.
[against black wall]
Scott Treleaven, Mayfair Strangers (2017) Gouache, acrylic and collage on paper
Scott Treleaven ‘I Put It to You, That Time Has Come Again’ (2017), gouache, acrylic, collage - diptych, each panel 41 x 41 inches
Scott Treleaven, ‘Whales Over the Tuileries Hedge Maze’ (2017) Gouache, acrylic and collage on paper Diptych 98" x 73"
Scott Treleaven NOT PALACES
Solo Exhibition
Jan.20 - Mar.11, 2017 at COOPER COLE
http://coopercolegallery.com/exhibition/scott-treleaven-not-palaces/
Scott Treleaven, ‘Not Palaces (Rassemblement)’, 2016 Gouache, acrylic and collage on paper 16 panels, 21.5" X 280"
Scott Treleaven The Short Life of JdAF (2015) gouache and collage on paper, 73 x 49 inches
Scott Treleaven, ‘Untitled’, 2016 – ed. of 9 Diptych, soft ground etching with chine-collé 45.5 x 37 cm
http://poligrafa.net/artist.php?id=191
Scott Treleaven, ‘Space is the Place’, 2016 – ed. of 9 Diptych, soft ground etching with chine-collé 44 x 36/33 x 30 cm
http://poligrafa.net/artist.php?id=191
Scott Treleaven, ‘The Great Pan is Dead’, 2016 – ed. of 9 + 3AP Diptych, soft ground etching with chine-collé 33 x 30 cm each
http://poligrafa.net/artist.php?id=191
Scott Treleaven ‘Timemachine’ (2016), gouache, acrylic, collage - diptych, each panel 41 x 41 inches
Scott Treleaven Communication with Haight-Ashbury Flautist Seen in Book from 1968 (with Implied Ectoplasm), 2016 Gouache, pastel and collage on paper 73 x 49 inches
Scott Treleaven, ‘Times Square Red/Times Square Blue’ (2016), soft ground and aquatint with chine-collé – new etchings and print editions coming soon from Poligrafa http://www.poligrafa.net/artists.php
Language of the Birds: Occult and Art
80WSE Gallery, New York University January 12 – February 13, 2016
Curated by Pam Grossman
Opening reception: Wednesday, January 13, 6 – 8pm
With: Kenneth Anger * Anohni * Laura Battle * Jordan Belson * Alison Blickle * Carol Bove * Jesse Bransford * BREYER P-ORRIDGE * John Brill * Robert Buratti * Elijah Burgher * Cameron * Leonora Carrington * Francesco Clemente * Ira Cohen * Brian Cotnoir * Aleister Crowley * Enrico Donati * El Gato Chimney * Leonor Fini * JFC Fuller * Helen Rebekah Garber * Rik Garrett * Delia Gonzalez * Jonah Groeneboer * Juanita Guccione * Brion Gysin * Frank Haines * Barry William Hale * Valerie Hammond * Ken Henson * Bernard Hoffman * Nino Japaridze * Gerome Kamrowski * Leo Kenney * Paul Laffoley * Adela Leibowitz * Darcilio Lima * Angus MacLise * Ann McCoy * Rithika Merchant * William Mortensen * Rosaleen Norton * Micki Pellerano * Ryan M Pfeiffer & Rebecca Walz * Max Razdow * Ron Regé, Jr. * Rebecca Salmon * Kurt Seligmann * Harry Smith * Kiki Smith * Xul Solar * Austin Osman Spare * Charles Stein * Shannon Taggart * Gordon Terry * Scott Treleaven * Panos Tsagaris * Charmion von Wiegand * Robert Wang * Peter Lamborn Wilson * Lionel Ziprin
image: Scott Treleaven, New Desirable States (2015) pastel, crayon, gouache, house paint on paper, 41.25 x 31.5 inches
installation shots – Scott Treleaven, Animal Chapel
Invisible-Exports (May 1 – June 14, 2015)
Scott Treleaven, ‘The Pardon’ (2015) pastel, gouache and gesso on cardboard; triptych
Scott Treleaven, ‘Queer Sun (for Winston Leyland’ (2015) pastel, gouache and collage on paper 124.5 x 94.5 cm