Computers Warping My Brain Again

Concept sketch for a piece of cover art... Evangelion Unit-01 suplexing a cyborg dinosaur into a volcano full of beer.

Long story. Don't ask.

I’m dead certain that the first 20% of learning to draw, the first step, is learning how to handle the drawing utensil. They say anyone who can write can learn to draw, but they don’t mention that learning to write results in a whole lot of habits that have to be retrained.

Notice that the artist is not scrunching their fingers to inch the pen along? It’s all in the wrist and arm. Finger scrunching is good for up to, like, lines up to an inch long.

Quick Tip to Draw Straight Lines & Avoid Shaky Hand Lettering by Sean McCabe

I got an early Christmas present... a set of charcoal pencils and sticks, and a pad of paper suitable for them. Lucked out really: charcoal was the last thing on my list of things to play around with that I hadn't yet acquired the materials for. Pretty well the only thing missing was a tortillion, of which I already had a few.

I spent an afternoon playing around, getting a feel for them, but this is the first drawing I've taken the time to sit down and put some effort into.

The process was pretty straight forward: I sketched the figure with an HB charcoal pencil, then darkened the lines and filled in the shade with a 4B. After that, it was a steady cycle of blending with a tortillion, lightening patches with a light application of 4mm eraser stick or kneaded eraser, laying down more charcoal where needed, and back to blending again. Wash, rinse, repeat.

Man, I love this stuff! It's much better for heavy shade than graphite, and it doesn't make as much of a mess as I thought it would. Charcoal doesn't compare to india ink for pure, solid black, I don't think anything could, but the charcoal is so much more workable. I don't mind the time and effort it takes to build up a ton of hatching with a nib pen, but all you can do is build up. Being able to lay down, blend, and erase charcoal was an utter delight. 

I might do a few more pages of that steampunk comic I worked on a while back, just for something to do in charcoal.

Bleah. So much fail.

Decided to sit down and see how well I could draw heads from a full range of angles. I think  the worst is the lower left one, since I really wasn't sure what the heck the far side of the face should look like. I'm surprised the right coulomb came out as well as it did.

Two big mistakes on this one... First, the blocks I used to rough in the positions were cubes, when heads are actually 2/3rds as wide as they are tall. I think the left coulomb looks off because the eyes are too far apart (for comparison, the drawing on the right was done with the proportions I usually use). Second, the heads are turned about 45 degrees, and tilted 30 degrees... that's at the extreme end of how far the neck can bend. Comfortably.

For the record: by "mistake" I mean "I should have known better," not "things I did wrong." The things I did wrong are legion, and it'll probably take me a month just to google up the reference images I'll need to study.

(Quickly) inked in photoshop. The pencil and paper version was a mess.

Livestream is Streaming Lively

WhiteFox Art Studio: Come on in, everyone's welcome.

Chat rules:

Be polite, be civil.

If there's a problem in the chat, bring it up with me or a mod.

Posting of links is allowed, as long as they're personal (ie: your tumblr, dA, or FimFic page), or relevant to the conversation.

Stream is mostly SFW: no R#34, no graphic violence. Other than that, I don't object to people discussing mature subjects, there may be some blood or nudity in the art I work on, and I'll be very surprised if I go the whole night without saying a few bad words.

Discussion is encouraged, arguing is not. If you want to share your opinions, by all means do so... do not rant endlessly, shout down others, or get your panties in a bunch. Listen as much as you talk.

Roleplaying is fine, as long as you aren't obnoxious about it. Chatting in-character is okay: inane slap-fights, zaney madcap antics, and inappropriate displays of affection can get annoying if they're taken too far.

This list of rules is not comprehensive. If I say something is not allowed, it's not allowed.

What's on the schedule?

Purely digital painting and drawing. Which I've never done very much of, so it should be hilarious watching my epic flails. Bluey suggested doing some urban scenery, so I'll probably be trying some of that.

Perceptionality character art.

Scanning, editing, and colouring of an Unplanned Adventure Comic page.

I might be taking a few requests, on an "if I feel like doing it" basis. If I can get my web cam set up with a minimum of fuss, I'll stream the traditional media part. Or something

Art critique and commentary: if you have work you'd like feedback on, or there's a particular subject you wanna hear me talk about, go ahead and ask. I'll see what I can say about it.

During breaks, I may be putting on a movie or something. Probably R.E.D., we'll see.

I may sing a little bit.

Well! I think that's everything, so let's get this trainwreck started!

reblogging to my art tumblr, since photography counts for that sorta thing. Sorry for the redundancy.

So, on our daily walk to the McDonalds today, my brother and I took a detour through the waterfowl park, and came across not one, but two geese in the middle of the path, each with a little bundle of baby goslings. I apologize for the picture quality, but all I had on me was my iPod touch, and nothing to brace it on. Also: we didn’t want to get too close, since geese can be very protective, territorial, and irritable. We stood around for at least twenty minutes, and they held up any foot traffic coming through. Every now and then, one of the adults would stand up straight, stretch their neck upward, look around, and hiss at anything they didn’t like the look of. After a time, one bundle of goslings made their way across the path, one at a time, and snuggled in with the other bundle. Occasionally, one of the adults would check out the little ones, and get jumped on, or pick through the grass looking for edibles. Not gonna lie, it was pretty adorable.

We didn’t see any ducklings, but did spot plenty of ducks swimming around in pairs, so you know they’re on the way. X3

'Nother charcoal drawing. WhiteFox likes snow. WhiteFox likes snow very much. Also, I am apparently one of those select few who has the right kind of face for tea-shades, so I consider myself lucky there.

I don't really draw my avatar all that often... I'm not really sure how to define him. I don't think of him as a fictional character, persona, or mascot. He represents me, but I don't think of him as being me. I guess he's like the visual component of a pen-name.

I don't like this drawing as much as the one I previously posted, probably because I didn't get to define the planes of the face or neck. Course, when you're matte white, there's not a lot you can do. I did play around with using unblended strokes to add definition to the hair and beard, and it was an informative exercise, but it doesn't carry a whole lot of visual impact.

Still... I like it. 

Hi have you herad from brian recenty? I think your frinds with him right Im worryed about him and trying ro find out if hes ok

Sorry, anon: I know a couple of people named Brian, online and irl... Could you be more specific?

sorry I mean brianedbysaucepan

Oh, you mean Brainedbysaucepans... yeah: he's been kinda reclusive as of late, I see him appear on Skype sporadically, haven't gotten to talk to him as of late. :/

Quick observation: publishers like Marvel/DC put out a 32 page comic every month... those books have like twenty people working on them: pencillers, inkers, colourists, typesetters, cleanup artists, etc... 

re: artists working themselves to death and why the HECK is this the standard

the entire thing about the death of an animator in japan due to overwork is exactly why i am completing chapter 1 of 1989nk in months, not weeks.

this has been one of my biggest fears getting this project off the ground. the standard for work output by artists is set so fucking high nowadays. we’re ALL expected to perform at the level of the outlier. (This was apparent to me as early as in Art School, when we were all treated like we were absolutely fucking useless for not being able to do an entire 5 minute 3D animated film all by ourselves like that one guy in our program.) Artists who overwork themselves and overachieve (whether by perceived necessity or choice) unfortunately create an illusion to consumers and employers that their level of performance should be the standard. It creates a nasty cycle, because more artists start trying to adhere to that standard and it gets passed on and on and on.

i’m honestly fully expecting my deadline for chapter one to be too long of a wait for some people. “This other artist got their 30-40 page comic done in 6-8 weeks, why is yours going to take 6-8 months?”

listen, its because i don’t want to not be able to draw for the rest of my life at 30. I dont want to destroy my wrist and make myself ill and make the quality of the comic suffer because i have to live up to the vicious overwork cycle that’s completely blanketed the digital art/media/comics scene. If another artist takes only a few weeks to do their comic? Fine, but you know, theyre most likely suffering BADLY for it, and even THEY shouldn’t have to do that. They really, really shouldn’t. Overwork and over achievement frankly needs to stop being praised and heralded, because its not only extremely damaging to the artist themselves, but it also creates that cycle i mentioned.

Trying to keep up with the immense production quantity and speed that other artists seem to be doing has never, ever been possible for me and I’ve occasionally tried, only to seriously break myself. Even the amount of work I do is considered a lot by some, so then how is it that to me, it always feels like chicken scratch? It feels like i’m STILL not doing enough, ever. Even with the amount of work I do, I still feel like a lazy sack of shit and feel crippling guilt when I’m taking a break to do anything else but draw. I constantly feel like I’m losing the race. That isn’t right. That isn’t fair.

i just really, really hope that people don’t see my production time for 1989nk and go “that’s too long, artists don’t take THAT long to do work” because. well. honestly, they should.