Latest Posts by writingwickedwitch - Page 7

lahore pigeons are some of the most visually appealing birds out there. like in terms of visual design. very minimalist, good contrast.

This is a rather personal issue to me. Doctors suggested I had a rare form of brain damage because they couldn't believe a girl could be autistic. It wasn't until multiple MRIS and other scans came back proving it wasn't the case and some other tests that proved that I am in fact autistic.

Expert says many more girls have autism than was thought, and failure to diagnose them can lead to misery

So, basically, what this article is saying is they discovered the way that boys present with autism, went “well that covers 100% of the population surely!” and then didn’t bother figuring out how autism presents in girls.

Girls slip through the diagnostic net, said Attwood, because they are so good at camouflaging or masking their symptoms. “Boys tend to externalise their problems, while girls learn that, if they’re good, their differences will not be noticed,” he said. “Boys go into attack mode when frustrated, while girls suffer in silence and become passive-aggressive. Girls learn to appease and apologise. They learn to observe people from a distance and imitate them. It is only if you look closely and ask the right questions, you see the terror in their eyes and see that their reactions are a learnt script.”

WOW. 

Tony Attwood, founder of the first diagnostic and treatment clinic for children and adults with Asperger’s, and author of The Complete Guide to Asperger’s Syndrome, agreed with Gould’s estimation of a 2.5:1 ratio of boys to girls. “The bottom line is that we understand far too little about girls with ASDs because we diagnose autism based on a male conceptualisation of the condition. We need a complete paradigm shift,” he said.

WE FIGURED OUT HOW TO DIAGNOSE BOYS AND BECAUSE WE FIGURED THAT WOULD WORK FOR EVERYONE BECAUSE BOYS AND GIRLS ARE SO EXACTLY THE SAME (child psychology would DISAGREE WITH YOU IDIOTS) NOW WE’RE REAL SURPRISED THAT WE FUCKED UP.

This. This is a feminist issue. This is an issue like holy shit there are doctors out there who will deny a female patient who is referred to them because ‘lul girls don’t get austism’. They didn’t think to do any more research because, whatever right? We figured out how to solve the male side of the problem.

This is so wrong on so many levels.

Rat: If it involves cutting back on the good ol' Winstons, I'm burning this place to the ground.

This makes me want to play D and D even more now.

Just so everyone knows.

The latest Pathfinder Iconic, Zova the Shifter?

Canon asexual.

“ In time, when her friends began to flirt and pursue romantic trysts, Zova realized that while she valued and greatly enjoyed the company of those friends, she felt no drive to find such a romantic partner for herself. “ - Meet the Iconics - Zova (writer: James Jacobs)

The Twin-City Daily Sentinel, Winston-Salem, North Carolina, March 11, 1912

!!!!!!!!!!!!

hey truscum the creator of the trans flag made a specific place for nonbinary people so…….

The Big Tights Co. and Their Amazing Tights

Confession: we have a crush on a company that makes tights. The Big Tights Company’s tights start with a plus size that is designed to fit a UK dress size 22 to 32; they’ll fit a US dress size 20-30 and stretch to fit 60 inch hips, 32 inch thighs and have a depth (gusset to waistband) of up to 28 inches. That’s right! They considered the depth of the panty area, so your tights actually don’t go sliding down your butt! Their extra plus size is designed to fit a UK dress size 32 to 42; they’ll fit a US dress size 30-40 and stretch to fit 90 inch hips, 40 inch thighs and have a depth (gusset to waistband) of up to 32 inches.

Available in a beautifully opaque option and a sheer that is basically Photoshop for your legs, the styles from The Big Tights Company are comfortable, gorgeous and actually fit. We don’t have anything else to add beyond ecstatic flailing.

♥Lucy Socks by Sock Dreams • Free Shipping in the US • $5 International Shipping Find us on facebook | twitter | pinterest | instagram | sock journal | g+

Since I haven’t seen any mention of it yet, except on twitter, i’d also like to remind everyone that not only is June LGBT pride month, but it’s also Indigenous History month!

Please take the time to support, uplift and remember your Native, First Nations, Aboriginal and otherwise Indigenous friends and family. We are here, we exist! We have a long and winding history that deserves to be heard and respected! The word ‘Indigenous’ is so wonderful, and so expansive, and includes so many different cultures under its arms. Go out, learn about our histories and our cultures. Talk to the Indigenous people around you! We’re everywhere!

And not only that, but also be sure to give extra support to LGBT indigenous voices in this community. We are a minority that is scarcely acknowledged, and in desperate need of it. Too many times have I gotten strange looks for being so openly Native and so openly a lesbian. It’s as if that combination is impossible for people to understand. Support our content, buy from our stores! Or at least just include us!

I’d like to wish a happy LGBT pride month, and a happy Indigenous History month to everyone, but especially us LGBT Native folks. This really is our month to be open about ourselves, and I sure intend to. 💗🏳️‍🌈

Queer Composers

For Pride Month, I would like to share a list of some of my favorite queer composers. Being queer doesn’t matter when talking about the music, and there is no other commonality that pairs these composers together. The point isn’t to say that queerness makes their music more valuable or influences their music, rather the point is to recognize diversity, and to acknowledge queer visibility. I understand the people who scratch their heads or roll their eyes at the idea of bringing up queer composers, and to them I say the point is simply to recognize their existence, because prejudices and biases through time have worked on erasing or revising history in order to keep hidden this aspect of the human condition. You could shrug and say “Who cares if Tchaikovsky was gay?” and I would say, “You’re right, it doesn’t matter much outside of biographies, but if you acknowledged Tchaikovsky’s homosexuality in Russia you could be arrested for “promoting gay propaganda”. I am also motivated by a comment from a friend who admitted they think the concept of “Pride” for anything you cannot control is “idiotic”. My response can be summed up as, when a group has been shamed for years for their identity, they will be ready to sing about it from the mountaintops when it is accepted. In other words, it is not about who is better or worse, rather it is the opposite of shame, and hopefully putting a human face on something that a lot of people only consider in the abstract.

In no particular order, here is some cool music by some queer people;

Tchaikovsky: Possibly the greatest composer in Russian history, and one of the greatest composers in general. Pyotr Illych Tchaikovsky wrote in multiple genre, from symphonies to concertos to ballets, chamber music, opera…and while he can be criticized for the way he develops themes, his music is melodic and passionate and brimming with life. Among my favorites are his fourth symphony, the second piano concerto, the first orchestral suite, his piano trio, and his concert fantasy.

Poulenc: One of the members of Les Six, a group of Modernist French composers who were reacting against “overblown” Post-Romantic music, and methodical 12-tone serialism, Francis Poulenc can be described as a “neo-classicist”, sometimes his music resembles Stravinsky. The music tends to mix two unlikely moods: goofy, fun melodies and rhythms, and solemn religious contemplation. Cosmopolitan and Catholic, Poulenc was able to juxtapose opposite ends of the spectrum of the human condition; our vulgarity and profanity, and our spirituality and the desire for divine connection. My favorite works by him are his Organ Concerto, his harpsichord concerto “Concert-champêtre”, the concerto for two pianos, the cello sonata, and his Gloria.

Smyth: An English composer and an important figure in the Woman’s Suffrage movement, Ethel Smyth was a Post-Romantic who wrote powerful music lively with the British sense of nobility and strength. In the same ironic tragedy Beethoven went through, Smyth started to lose her hearing from 1913 onward, and so she gave up composing in favor of writing. While that is a shame, she left behind a good handful of orchestral and chamber music. My favorites by her are the overture to one of her operas, The Wreckers, her serenade which is kind of evocative of Brahms, and her gargantuan Mass in D Major.

Szymanowski: A Polish composer from the first half of the 20th century whose life can be seen as a narrative of seeking identity. Karol Szymanowski started out writing in the Post Romantic German style, with dense textures and a lot of chromatic modulation, but he was losing interest in this idiom quickly. He was inspired by Persian poetry he came across, and started writing in an Impressionistic way focusing on Mediterranean cultures, influenced by Greek and Roman mythology, Middle Eastern poetry, and the atmosphere of the Mediterranean as being a diverse mixing of cultures. Later in his life, he decided to look back at Poland for inspiration and finally found his “authentic” Polish identity in music inspired by the folk stories and Catholicism of Poland. My favorite works by him are his nocturne and tarantella for violin and piano, his song cycle the Love Songs of Hafiz, the third symphony, and his Stabat Mater.

Barber: It’s possible to say that Samuel Barber’s music is a good representative of American culture…a diverse mix of differences that complement each other. He took after jazz and blues, and after experiments in tonality heard in Europe and other American composers like Charles Ives, and he took after Romanticism with deep and powerful music. My favorite works by him are the Adagio for Strings which is heavily inspired by Mahler, his piano concerto, and Knoxville: Summer of 1915.

Copland: Another great portrait of America, Aaron Copland was considered one of the quintessential “American” composers of the 20th century, despite the combined factors of being gay, Jewish, leftist, and inspired by Russian and French modernism. All of those were seen as outsiders of the general American public. Even so, taking after Stravinsky, Copland’s music is full of spaciousness and open chords, melodies that range from longing to folksy and fun. My favorite works by him are his clarinet concerto, violin sonata, fanfare for the common man, and his ballet Appalachian Spring.

And if you reblog this list, feel free to add any of your favorite queer composers and share their music, their names, their faces.

Allura in Alphonse Mucha artstyle 🌾🌟 !

‘In 1778, two Irish gentlewomen put on men’s clothing and ran away together.  Lady Eleanor Butler had received several offers of marriage but was determined to share her life with her friend Sarah Ponsonby. […] They spent the rest of their lives in a black and white house called Plas Newydd outside Llangollen, cultivating their garden, improving their minds and filling the house with clocks, cabinets and “whirligigs of every shape and hue”.  [They also had] a little dog called Sapho.’

It's always the generic bros that are bullies. But I guess cargo shorts and a too small tank top don't make an as interesting visual.

why do they always showcase ‘bullies’ in cartoons as being some punk with a mohawk like

when was the last time you saw a cool guy in a leather jacket not minding his own business it’s usually some basic asshole in a graphic tee that has something to say

self-editing for fiction writers

Showing vs Telling

Do you have any narrative summary, or are you bouncing from scene to scene without pausing for breath?

Characterization & Exposition

What information do your readers need in order to understand your story? At what point in the story do they need to know it?

How are you getting this info across to your readers? Is it all at once through a writer-to-reader lecture?

If exposition comes out through dialogue, is it through dialogue your characters would actually speak even if your readers didn’t have to know the information? In other words, does the dialogue exist only to put the information across?

Point of View

Look at your descriptions. Can you tell how your viewpoint character feels about what you’re describing?

Proportion

Look at descriptions. Are the details you give the ones your viewpoint character would notice?

Reread your first fifty pages, paying attention to what you spend your time on. Are the characters you develop most fully important to the ending? Do you use the locations you develop in detail later in the story? Do any of the characters play a surprising role in the ending? Could readers guess this from the amount of time you spend on them?

Dialogue

Can you get rid of some of your speaker attributions entirely? Try replacing some with beats. 

How often have you paragrapher your dialogue?Try paragraphing a little more often. 

See How it Sounds

Read your dialogue aloud. At some point, read aloud every word you write.

Be on the lookout for places where you are tempted to change the wording. 

How well do your characters understand each other? Do they ever mislead on another? Any outright lies? 

Interior Monologue

First, how much interior monologue do you have? If you seem to have a lot, check to see whether some is actually dialogue description in disguise. Are you using interior monologue to show things that should be told?

Do you have thinker attributions you should get rid of (by  recasting into 3rd person, by setting the interior monologue off in its own paragraph or in italics, or by simply dropping the attribution)

Do your mechanics match your narrative distance?(Thinker attributions, italics, first person when your narrative is in third?)

Easy Beats

How many beats do you have? How often do you interrupt your dialogue?

What are your beats describing? Familiar every day actions, such as dialling a telephone or buying groceries? How often do you repeat a beat? Are your characters always looking out of windows or lighting cigarettes? 

Do your beats help illuminate your characters? Are they individual or general actions anyone might do under just about any circumstances?

Do your beats fit the rhythm of your dialogue? Read it aloud and find out

Breaking up is easy to do

Look for white space. How much is there? Do you have paragraphs that go on as much as a page in length? 

Do you have scenes with NO longer paragraphs? Remember what you’re after is the right balance. 

Have your characters made little speeches to one another? 

If you’re writing a novel, are all your scenes or chapters exactly the same length? -> brief scenes or chapters can give you more control over your story. They can add to your story’s tension. Longer chapters can give it a more leisurely feels. If scene or chapter length remains steady while the tension of the story varies considerably, your are passing up the chance to reinforce the tension. 

Once is usually enough

Reread your manuscript, keeping in mind what you are trying to do with each paragraph–what character point you’re trying to establish, what sort of mood you’re trying to create, what background you’re trying to suggest. In how many different ways are you accomplishing each of these ends?

If more than one way, try reading the passage without the weakest approach and see if it itsn’t more effective. 

How about on a chapter level? Do you have more than one chapter that accomplishes the same thing?

Is there a plot device or stylistic effect you are particularly pleased with? How often do you use it?

Keep on the lookout for unintentional word repeats. The more striking a word or phrase is, the more jarring it will be if repeated 

Sophistication 

How many -ing and as phrases do you write? The only ones that count are the ones that place a bit of action in a subordinate clause

How about -ly adverbs?

Do you have a lot of short sentences, both within your dialogue and within your description and narration? Try stringing some of them together with commas

Do you ever start bullshitting a paper, and then look over it halfway through and think, ’…Wait a minute, I could be onto something here.’

Please buy this comic, be it trades, issues (physical or digital) this is a super feminist LGBT+ comic for all ages.

Raven the Pirate Princess is Sinking

I despise doing posts where I ask for help, but here we are.

About two years ago I started a new creator owned project.  It began as a spin-off of Princeless, but the reality is this - Raven The Pirate Princess is its own thing altogether.  I knew this from the first issue and if you’ve been reading, so have you.

Sure, the first few issues of Raven: Pirate Princess had that heroic lady feminist banter for which Princeless has become known both among its fans and detractors.  I mean, Raven had this scene:

and issue 1 had this scene:

But perhaps much more importantly, the first issue of Raven had this:

but that wasn’t where that ended.  This is a book about a community of diverse queer women actively claiming their place in the world and taking what’s theirs.  It’s about Raven, who is desperately in love with her childhood best friend Ximena

It’s about Ximena, a girl who was held captive for years by a pirate king who pretended to be her liberator.  Who fell in love with the pirate’s daughter, only to be left behind by that father when she outlived her value.

About Sunshine, the thief that chose the wrong target and ended up falling in love with a woman already hopelessly in love with somebody else.

It’s about Katie, the bisexual second in command who’s motivated by honor…and occasionally beating the snot out of a dude or two

Oh and in case I forgot to mention, Katie is also incredibly muscular:

And Jayla, the asexual science genius who’s tired of being treated like a little sister

and Cid, the deaf engineer who quietly keeps the ship running

and of course, these two:

The socially awkward poet and the angry sword fighter who couldn’t stand her who have somehow become these two:

But here’s the thing: this comic is failing.  It has a very dedicated and exuberant but at this point SMALL fanbase.  Today I had a hard conversation with Action Lab about the reality of the numbers on this book versus what it costs to produce this book and, suffice it to say, Action Lab isn’t ready to cancel the book, but they aren’t ready to greenlight year 3 either.  After Year 2 #13, Raven is set to go on the shelf until numbers can support continuing it.

This is where I need your help

If you care about this book full of queer pirate ladies and you want it to continue, we need to find a way to spread the word about it.  We don’t need to sell single issues (it would be nice) but ultimately we need the trades sales that back up the continuation of this big YA Pirate/Revenge/Adventure/Romance thing.

Digital copies can be bought instantly right on Comixology: https://www.comixology.com/Princeless-Raven-The-Pirate-Princess/comics-series/46971

You can buy the physical volumes on amazon here: https://www.amazon.com/gp/bookseries/B01BF7U91Q

In fact, if you’ve already purchased volumes 1-4, volume 5 is available for preorder there right now! 

Maybe you’ve bought all the issues already.  Thank you!  If you still want to support Raven, you can review the books on Amazon or other retailers, you can share, reblog or retweet this post.  You can tell a friend about the book! 

If you have a comics review site or, say, a blog where you talk about LGBT media, contact me for review links or interviews.  Please, help us save our ship.

on a list of dumb shit i know:

the grass in the original shrek movie is not grass. its hair. they used hair textures for the grass bc the actual grass for some reason in their computer modelling programs would not behave like grass so they used hair textures colored green.

If you have a cat please reblog this with its name please and thank you

At long last I’m excited to share my comic ‘Tinder’! I had so much fun on this project and it got me really excited to write more stories! I sincerely hope you enjoyed the comic and have a great day! <3

If you want to help support the comic you can help by: ~ !! Reblogging this post !! ( a big please and thank you! <3) ~ Give the comic an ‘ol follow over on Tapas

Or if you have some extra cash you’re welcome to: ~ Buy a digital copy of the comic ~ Buy a physical copy of the comic ~ Support me on Kofi

I love this. I want weird creepy architectural arms creeping from the corners of my house.

this

Beneath the cut, you’ll find #76 character labels that I’ve thought up– they’re underused! I felt like I was sick and tired of seeing simplistic labels that defined the characters situation rather than their personality (eg. the teen mom, the loser, the rebel, etc.). Please like and/or reblog if you found this useful!

“Romantic Gothic deals with the tormented condition of a creature suspended between the extremes of faith and skepticism, beatitude and horror, being and nothingness, love and hate - and anguished by an indefinable guilt for some crime it cannot remember having committed.”

— – G. R. Thompson: from “Romanticism and the Gothic Tradition”

I saw this on my professor’s door and I can’t even deal with the accuracy.

As an English Major/ person who gives a fuck about women that headline hurts me.

Girls are amazing. Being friends with girls is equally amazing.

The Tatler, England, April 22, 1903

I love this so much. This seems like something my old cousin would say.

Pensacola News Journal, Florida, March 8, 1934

I love it when people try to claim representation in fiction is being taken “too far” to the point where it’s no believable. They’re like: 

“What’s next, a mixed-race immigrant on the autism spectrum?” Hi, my name is Rachel, also known as Rachna, and I’m a mixed-race immigrant on the autism spectrum. 

“What’s next, a transgender Latino man with chronic pain?” What, you mean my former colleague, Marco? 

“What’s next, a Black Jewish lesbian?” Bitch, I know I three Black Jewish lesbians, WHAT’S YOUR FUCKING POINT?