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P5 - Blog Posts
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I love how Persona 5 solved the issue of train fares. If Ren doesn't have enough money on him to travel in crucial scenes, there's special dialogue where Morgana pipes up and basically calls Ren broke and pays the rest of the fee.
I just find it hilarious because this literally means that not only does your cat have his own savings, but if you don't have enough for the Kichijoji trip with Ryuji, then Makoto literally sees your cat pay your train fare while stalking you. Think about how embarrassing it is, to be so broke that your cat has to pitch in for your transportation.
I love how Persona 5 solved the issue of train fares. If Ren doesn't have enough money on him to travel in crucial scenes, there's special dialogue where Morgana pipes up and basically calls Ren broke and pays the rest of the fee.
I just find it hilarious because this literally means that not only does your cat have his own savings, but if you don't have enough for the Kichijoji trip with Ryuji, then Makoto literally sees your cat pay your train fare while stalking you. Think about how embarrassing it is, to be so broke that your cat has to pitch in for your transportation.
Headcanoning Persona 5 characters Mariokart mains, because I'm funny and I have way too much time to think about dumb things
Ren mains Shy Guy, usually green because he loves Kakyoin from JJBA. Mute City F-Zero is also his favorite Mariokart 8 track because of this.
Ryuji once said "I bet Ann plays Princess Peach", and Ann was so offended by the assumption that every time she intentionally takes Bowser before Ryuji can, so he has to pick his second favorite (Donkey Kong) instead. She doesn't even dislike Peach necessarily, she just never played Peach and was feeling petty.
Now, technically Ryuji could always just pick Dry Bowser- but unfortunately for him, Makoto always picks Dry Bowser, so he has no choice but to pick Bowser Jr, and he would rather just keep Donkey Kong.
Akechi doesn't really play Mariokart unless he's roped in by the group, so he never really had a main. The others kept throwing out suggestions for him to pick, and he kept shooting them down for various contrived reasons, only giving in because Futaba was the loudest and most obnoxious one shouting "Pick Yoshi". That's the day he became the Yoshi main.
Yusuke mains King Boo, and was extremely baffled and confused when Futaba blurted out "only sluts play King Boo" (Ann couldn't help but laugh at that).
Futaba would only play either Luigi or Waluigi, depending on her mood. Either way, she's a memelord about it.
Haru would be Daisy, because she's iconic and also they're very similar. Makoto pointed it out and Haru has picked Daisy every time ever since.
Morgana always picks Mario, but not just any Mario. Specifically Tanooki Mario. Everyone gave him a look, but he acted like this was perfectly normal behavior. If anyone brings up the resemblance, he will get extremely defensive.
Sumire almost exclusively played Rosalina, until one day she decided to pick Toadette out of nowhere. The group was kind of surprised, and she explained that she thinks it's cute, and never went back.
Zenkichi keeps refusing to play, and only gives in because Sumire is a sweetheart who suggests that he match her and pick Toad. He does, and it's funny as hell.
And finally, Sophia would pick Princess Peach, specifically Cat Peach with the pink car because it matches the colors. Before that she was just going to make a Mii of herself reluctantly, but Ann showed her Cat Peach and her eyes just lit up.
Basically:
Ren: Green Shy Guy
Ryuji: Bowser Donkey Kong
Ann: Bowser
Makoto: Dry Bowser
Akechi: Yoshi
Yusuke: King Boo
Futaba: (Wa)Luigi
Haru: Daisy
Morgana: Tanooki Mario
Sumire: Rosalina Toadette
Zenkichi: Toad
Sophia: Cat Peach
I want to add to this. I reblogged it before I actually thought of what I wanted to say, but it finally connected in my head. I agree with all of this, but it was mainly the realization that what the fandom calls his sudden "traumadumping", as funny as it is, is literally just him attempting to make Ren feel close to him without any real vulnerability.
He talks about his mom with Ren unprompted, and says he hasn't told anyone this before, and that's true- because he hates feeling pitied. He doesn't want to feel weak, but he does want to be cared for. He wants to be supported, by anyone, but most people would react to his hardship with sympathy that he doesn't need or believe he deserves or earns. So he instead opens up to Ren because he sees them on equal footing. They're on the same page, and he wants Ren to feel a connection to him even if it's entirely fabricated and calculated. It's partially due to habit because, y'know, Detective Prince mask requires him to do this already in general, but also because so much of his real hardship is locked up so seeking a real connection requires the melodrama.
For me, I had this realization remembering when he walked into Leblanc the first time. He sees Futaba and he says "You must be Wakaba Isshiki's daughter" and then after he gets chewed out by Sojiro, he starts talking about how he doesn't feel wanted anywhere. Then seemingly unrelated, he talks about his mom. It feels to me like he's trying to say "if you can care about Futaba, then you should care about me."
He hasn't had a support system, so the need for just someone, anyone to care, even though they don't know him and what he's done, is so strong. He hates being pitied because he doesn't see himself as weak, and he doesn't think he deserves sympathy, so why would he share anything more than necessary? The third semester is the inverse of this. Everyone knows too much, so now the care he craved for so long feels way too exposed. It's too vulnerable, and he never thought he would have earned it if he shared this much, even from Ren. So ultimately the trust he earned has the opposite effect, and now his prior "see me and love me" mask has been replaced by a "leave me alone and hate me" mask.
Just said something about this on twitter but out of everything in 3rd semester that’s meant to show the contrast between akechis behavior pre-engineroom and post-engineroom I honestly think this specific change in sprite expression does it best
The first one looks directly at you because he makes this face when he’s trying to gain sympathy points / connect with whoever he’s talking to. Okay yeah he uses it when he was talking about his mother at leblanc and the bathhouse which definitely drew from a place real sadness but it was still a calculated part of his attempts to endear himself. And the second one is the exact opposite. It barely shows up and when it does it’s only for 1-2 (?) dialogue boxes a piece. It’s the expression he makes when he can’t immediately hide his emotions. The quick turning away / avoidance of eye contact is so you Don’t connect with the little hints of genuineness that manage to slip out for the two seconds that they last. Maybe so he doesn’t have to see your face if you do? Anyway. TDLR I just think it’s nice to focus less on his crazy talk and meangirlisms and acknowledge that they’re 100% also being used to rein in the fact that he’s progressively losing his grip on masking “the real akechi” from sight 100% of the time. At every point in the game he only wants his real self to be seen in tiny, entirely controlled sneak peeks, and only when he thinks it benefits him. agh
Realized something so funny about Yusuke while playing Strikers.
1. He suggests that the Phantom Thieves go to Kyoto on their vacation because he really wants an art tour, and he immediately gets vetoed. They then plan a barbecue, and he gets excited for that but then plans change when the Metaverse returns and they go on their road trip, so he gets deprived of that too. But every single time their vacation gets brought up he acts like these things are going to happen. "What about our Kyoto excursion" "our barbecue extravaganza" he is in his own little world where the Thieves listen to him. They actually do eventually go to Kyoto and he STILL doesn't get his art tour.
2. Zenkichi tells them that Alice Hiiragi went to the same school as the Thieves and Yusuke pipes up like "SHE WENT TO KOSEI HIGH??" Even though he is the only member of the Thieves who didn't go to Shujin Academy.
3. The scene where they discuss how they're going to go on their road trip without a vehicle and he announces that he has money like it's HIS MOMENT. Like it's the moment he's been waiting for his whole life, and Futaba responds "keep your snack money, Inari". Later he makes a comment about how he's gone from "rags to riches".
Every single case of this he gets the dramatic cut-in thing, so what I'm saying is Yusuke is convinced he's the main character through all of Strikers. Like he goes through the motions assuming the world will bend at his whimsy and the other Thieves just sigh and move on.
I cannot help but find this one detail in Strikers endlessly funny. The game introduces Sophia and it's all like "What is Sophia's power? Is it a persona?? Keep playing to find out :3" and it's obviously going to be some kind of reveal or mystery they solve. I haven't finished the game yet, so I still don't know- but the point is her "Persona" skills and gameplay mechanics are the same as the other actual personas, which is an obvious plot hole that leaves no room for a reveal. So you would think that the game would come up with some serious sensical way to rectify this right?
Wrong, they literally just- slap a question mark at the end of all her Persona skills and call it a day.
It's "Dia?" because we think it's Dia, since it works the same, so let's just call it Dia and stop asking questions. It's so funny though from a gameplay perspective, because they could have just left it alone and hoped nobody would question it, but instead they put in the effort to put that little reminder that it's not confirmed to be a persona- but also want the ability to integrate her into the framework seamlessly. They were like "we can't have our cake and eat it too? Watch us" and then did exactly that.
This is why his introduction cutscene is so hilarious to me. It starts with showing this devastating and tragic subway accident on the news, and then the next thing you know there's this silly teenage detective thoroughly disappointed that his coworker is subjecting him to conveyor belt sushi. It's so funny to me that this face is literally him right after his most recent heinous crime broke the news:
P5r has a lot of writing flaws generally But you have to admit. no matter how you view his character “highly marketable anime Pretty Boy who keeps going ‘woaww Protagonist you’re so interesting <33’ is actually a hired assassin and is acting like that because he’s actively planning your murder” is an objectively hilarious plot point
Hear me out- I was thinking about how in Strikers all the Thieves have different outfits, and notably Makoto seems to have become much more comfortable in her own skin and expressing herself that way. She's literally wearing a crop pleather jacket, and she ROCKS it. So what I'm saying is, if Haru tried pastel goth, she would be sold. She would be immediately and irreversibly sold and would never go back.
The funniest thing about this to me is thinking about this with makoharu. Whether or not you ship it, it's still funny to me that it's literally just:
Punk biker butch lesbian and her pastel goth plant girlfriend who chops firewood as a hobby and is also secretly a butch.
Like- they are practically a lesbian stereotype checklist, it's so funny to me. I love them so much
a shuake commission for @tzviaariella’s lovely Pirate AU fic, A Brig too Far! I’m such a sucker for classic tarot imagery… and pirates… and these rival losers… Truly kismet ⚔️💖🏴☠️
not pictured here: the rest of the Phantom's crew groaning loudly and walking away before they have to witness whatever these two are going on about now
(have all you pirate AU lovers read @tzviaariella's Brigverse series yet because AAAAAAA)
day 11, “run”
made one of those decoden phone cases :p