Yes, sir, OF COURSE I'll check that you got your 10% senior's discount on your $5.95 sandwich. By the way, have you heard that there are people in third world countries who are literally sucking the marrow out of old bones to eat because they have nothing else?
How many times is this tv show going to make me cry, damn it?!?!?!
Don’t get me wrong, I’ve always loved Ian Holm’s portrayal of Bilbo in the LotR trilogy, but it was really Martin Freeman’s rendition of the character that really made me fall in love with him, and let me finally finish The Hobbit book. I’d read LotR at ten years old and loved it, and despite trying to read The Hobbit, I simply couldn’t do get through it. Martin brought Bilbo to life for me that breathed life into him when I read the book and allowed me to understand the full beauty and fun of the character of Bilbo Baggins as written by the Professor.
Being an adult means first reading Sam's "Well, I'm back." quote at the end of LOTR as a ten year old and thinking it's a weird stupid ending, and then reading it again as a 24 year old and crying because it's the most beautiful perfect ending ever written in the history of literature.
It’s too late, Amazon, you’ve waited too long to release Good Omens. I’m off to the Shire to hang out with the hobbits and I don’t know when I’ll be back.
At this point I’m half-convinced that there will be no release date for Good Omens; Amazon will simply put all of the episodes up and not tell anyone, and wait for the first fan to find out.
Frodo & Bilbo play Scrabble regularly and are VERY competitive
Donna Noble is indirectly (directly?) responsible for the Twelfth Doctor’s face, and that makes me very happy.
Okay, whatever else I am COMPLETELY behind the Good Omens soundtrack.
If Chibnall ever wants to throw in some major darkness to Thirteen's storyline, there is a loophole to her kind personality.
Nowhere in the English language does it say that kind means nice.
“As long as you are proud, you cannot know God. A proud man is always looking down on things and people; and, of course, as long as you are looking down, you cannot see anything that is above you.”
— C. S. Lewis
Trying to explain to people that it’s not a problem with your ears (I’m 24 and I’ve passed every hearing test I’ve ever been given with flying colors) and being told it must be all in your head then.
• *someone says something* “what?” *repeats themselves* “sorry?” *repeats themselves again* “pardon?”
•"hey, y'see the red thing at the top of the shelf, will you get it?“ “Sorry, what?” “On the sh-” “oh yeah sure, I’ll get it.”
•*doesn’t hear teacher because someone’s pen is making a scratchy sound at the back of the room*
•*replays video 10 ten times to figure out what they’re saying*
•teachers asking, “why do you always stop writing in the middle of a sentence, just write down whatever I’m saying,” followed by the response, “I’m just processing it,” rebuked by, “we’ll stop processing it and just write.”
•*gets really focused on staring out the window and goes through four songs without hearing a single on*
My two favorite words of the English language: flabbergasted, and gobsmacked.
The biggest problem I have with DT as Crowley is that we are going to inevitably have Crowley/Rose Tyler fics, and when that happens I’m going to flip a table. Leave my ineffable husbands alone please!
Reblogging because it’s just as true today as it was before.
you know it’s really hard to obsess about just one fandom. just really freaking hard, it’s like you look at people who can be into Harry Potter for ten years of their life and I’m just over here thinking HOW DO YOU STAY IN ONE FANDOM FOR 10 FREAKING YEARS I DON’T HAVE THAT KIND OF TIME
I think my love and adoration of the Twelfth Doctor can be summed up in the fact that he’s the only Doctor I can imagine who would, without a hint of fear or angst-ridden pathos, respond to a Dalek with an exasperated, eyerolling “Oh for fuck’s sake.”
…10-13. 10, 11, and 13 run around like spastic children while 12 has to babysit them all and pretend he doesn’t find their antics amusing. Tell me this wouldn’t be funny. 10 and 13 will scronch faces at each other and build 5 devices that go “ding!” for no reason by the end of the episode.
I’m not trying to win. I’m not doing this because I want to beat someone, or because I hate someone, or because I want to blame someone. It’s not because it’s fun. God knows it’s not because it’s easy. It’s not even because it works because it hardly ever does!
I think perfection is ugly. I want to see scars, failure, disorder, distortion.
Yohji Yamamoto (via quotemadness)
I got asked again recently why I write fanfiction and not ‘proper books’ (I’m pretty open about my fic writing, I’m not ashamed). I told them what I’ve told everyone else - I’ve done both and this is so much better.
I self-published a YA novel a few years back, the plot of which I was super proud of, and I even have ideas for two sequels, but they’ll never see the light of day. I just have no motivation to write them, and world building is hard and that amount of effort just doesn’t seem worth it.
See, everyone I knew wanted to read my novel, but no one wanted to buy it. Probably about 40 people read it but I only sold 16 copies, and for the effort to format text into a publishable format, the cost of ordering proof copies only to find it was wrong and to do it all again, and the stress of the whole process was just so not worth those few dollars that I made. But I knew going into it that I wasn’t going to be one of those fairy tale stories of an unknown author suddenly becoming a sensation overnight. The story was too obscure, set in Western Australia and wasn’t an ‘outback romance’ which is the only ones that seem to be popular in this setting. I’m more than okay with that because I have fanfiction now.
The difference? I have thousands of people reading my stories, and not just reading them, but I get feedback from some of them (never enough, we authors are fickle creatures who always want more comments, more interacton, more discussion). The thing is though, fanfiction gives me an audience that I will never have from my YA novel. That audience already exists, it’s out there, and they’re hungry for the story to continue. Not all fanfiction is successful - the people who read it aren’t a mindless mass; they have expectations, standards, itches that need scratching. Quality matters, but not just the quality of the writing but of the idea. It’s not just formulaic bullshit that a ghost writer can churn out, change the names but the plot is the same and then throw a big name author on the cover and it’s instantly a bestseller. We’re forgiving of small mistakes if the plot makes us want to keep reading until dawn lights the horizon, we’ll salute the authors who write in English when it’s not their native language and will gladly offer help with those phrases that they’re not sure of, and best of all, we stick together to protect and support each other from annon hate so those ideas have a safe place to grow. We’re a community, a family.
Fanfiction has also given me a platform to improve my writing. Looking back at the standard of my work at the very beginning (and even in my novel) I cringe now at how terrible it was. I’ve written over 1,200,000 words of fanfiction and I’m forever improving. I know how to properly punctuate dialogue tags now, my vocabulary has expanded, I’m not afraid to use adverbs just because some twat said ‘show, not tell’ is better. If an adverb makes the story flow better than three extra waffly sentences then I’ll damned well use it and be proud of it. I’m more confident in my writing and that shows in the quality. I would never have gained that confidence by selling fifty thousand books to ‘silent readers’. It’s the interaction, the feedback, the community that fanfic has that has made me a better writer.
So that’s why I prefer to write fanfic over ‘proper books’ and I will fight anyone who says that we’re not real writers. At the end of the day, people read fiction to be entertained and if I can honestly say that thousands of people from all over the world have been entertained by my fanfiction, that makes me a real bloody writer.
Hamlet is such a sassy little turd, and I love him a lot.
M E R R Y C H R I S T M A S
Star Wars: Return of the Jedi would have ended a lot differently if Palpatine had only kept his mouth shut...
Aziraphale’s and Crowley’s discussions are interesting in Good Omens simply because their such utterly different approaches to them. Now I really enjoy Crowley’s points but right now I’m focusing on Aziraphale’s side because despite the several years he’s lived on Earth and the books upon books he’s read he falls back on one simple reason for everything that happens.
Ineffability,
And maybe that reason works sometimes. And it certainly does; it leaves just enough wriggle room, just enough doubt, that his opponent can’t definitely say that he’s wrong. After all, in Good Omens God is real even if He hasn’t been seen or heard from in a few millennia. Crowley can’t say that there isn’t a Higher Plan.
But what he does do is learn how to counter-argue the Ineffability reason.
It seems to me that at this point Aziraphale is using the Ineffable Plan as an excuse. It’s like hearing all the churchgoers out there when questioned about God’s existence or why bad things happen to good people they simply reply, ‘You have to take it by faith, that’s all.’ Take it be faith, take it for Ineffability.
Which of course leads to Crowley’s logical rebuttals. That’s the key difference, I think, when looking at their conversations. Aziraphale relies on the possibility of the Ineffable Plan, while Crowley has taken the time to learn how to perceive an argument on all sides and come up with a counter argument for everything the angel says. His reasons make sense, which only highlights how desperate Aziraphale’s Ineffable argument sounds sometimes.
Which just makes it all the more brilliant when he uses the Ineffable argument to run circles around Metatron and Beelzabub later on in the story.
Wriggle room always wins an argument. He must have learned it from Crowley.
Every time I watch the Good Omens trailer, when we see Crowley dancing in the trippy disco scene in the very beginning I always just think, ‘Oop, Aziraphale just took LSD and it’s making him see things.’ Why does he see Crowley dancing in a trippy disco setting? Why is he taking LSD at all? I don’t know, you’d have to ask him.
they get fogged up when we drink hot beverages. they get smudged for no reason. we will push them up using anything in our area (i.e shoulder, whatever is in my hand, scrunching my nose up so they get pushed up, etc.). they get knocked off our faces all. the. fucking. time. when we change clothes we either take them off or they fall off when we pull our shirts off. we have to clean them after being in the rain. we own multiple pairs of them, not just one lone pair for our whole lives. most people don’t wear them in the pool, but some have extra old pairs for the pool (like me). some people take them off during sex, that’s fine! but some people keep them on. they don’t get squished into your face when you kiss (most of the time. at least from what i’ve experienced and i’ve got some mf big glasses). if we look down and look back up while you talk/to peek up at something, we will just peek blindly over the top of them. we clean them on whatever item of clothing is closest. some of us have prescription sunglasses and some of us wear contacts when we need to wear sunglasses. please keep some of these in mind when you write characters with glasses cause y'all who have 20/20 vision keep telling me all characters sleep in their glasses and own the same singular pair from age 6-25 and they never clean them.