Kiminitodokestuff - C's Blog

A reminder:

Sometimes it might feel like you’ve been standing in one place forever or you took a huge step backward, but try to remember that you write because you love to write. You might not have any books published, or an agent, or a publishing contract, but hopefully you’re working on something that means a lot to you. No matter what, no one can take that away from you. People might hate your writing or criticize you, but please don’t let that stop you.

Keep writing because it makes you happy.

How to Give Your Story “Heart”

Here’s where things get fluffy. This is the moment you unleash your feelings, tap into your inner light, and weep onto the page, using your sparkling tears as ink. Ready?

Edna would never allow us to do that. And that’s good, because contrary to conventional wisdom, that’s not how you give your story heart. We’re going to do it the real way.

So if it isn’t raw emotion, what is “heart”?

1) It’s what your character NEEDS (not wants).

2) It’s the HIDDEN STORYLINE.

3) It’s what you want to TEACH.

Those sound intimidating, I know. But if you don’t treat it like a mystical magic, it’s very doable.

So, what do those mean?

1) NEED =

Your character has flaws that are ruining their life and future, right? Flaws in their heads that only hurt themselves, flaws in their characters that hurt other people. Something is missing within them, something they don’t understand, something they need to learn. Once they realize their flaws, and learn the thing that will overcome those flaws, their lives will be saved.

Take Mr Fredrickson from Up. He’s so grumpy and stubbornly stuck in the past, he’s willing to leave a small child clinging to the porch of his flying house, rather than let him into his life.

He needs to learn that in order to live a fulfilling life again, he must let go of the past, and go have another adventure. Which Ellie helps him learn.

Great. Now I’m crying.

2) HIDDEN STORYLINE =

It’s what the story is really about. The journey going on below the action-y surface. It’s your character’s inner change from one kind of person to a (hopefully) better kind. The reader believes the story is about the tangible goal, and the actions taken to reach it — the surface. Yet inwardly, they’re processing the hero’s inner journey too. It’s sneakily hidden from them.

On the surface, Hamilton is about a revolution and the founding of a nation.

Underneath all that, it’s about a guy learning what a worthwhile legacy really is, and how to build one.

3) TEACHING =

Storytelling is the most powerful teaching method ever devised. Scientifically speaking, teaching is the purpose of stories, whether we like it or not. This fact usually makes people react like Gollum when approached by nasty hobbitses.

“Moralizing, precious? We hates it!”

Which is a reflex aversion that I understand, and have shared in the past. Books and movies that teach something positive are scorned and mocked in the world of “high literature” too. But when I thought about what stories have done for me, and why they were capable of it, my opinion changed. 

Tangled saved my life. If I had never seen that movie, I would still be in a horrible cult-like situation which I’d been trapped in for twelve years.

Narnia helped me escape depression.

The Harry Potter books were my home and my friends when I didn’t have either.

And those are all stories with strong hearts.

Why wouldn’t I want to create stories that could possibly help someone, like I was helped? Why would I let “avoid teaching at all costs” become my ultimate goal? (When really, that’s another way of saying “be pretentious and egotistical”?)

Nope. I’m choosing to write things that people will call schmaltzy and childish – but maybe life saving for another kid.

(I said I wasn’t going to get emotional. Sorry Edna.)

So, how do you figure out the heart of your story?

Answer these questions: — What does your character need to learn, to stop ruining their own life? — What do YOU want to say?

Keep reading

Kanojo wa Rokurokubi

My dog Chica had a nightmare last night. She doesn’t have them very often but when she does she’ll let out this adorable little howl that startles herself awake. She was a little shaken up about it but after a few snuggles in the hooman bed (usually off limits for doggos) she was happy as can be. After a while she hopped down to her own bed and drifted off into a peaceful pupper snooze. And I thought that was the end of it.

But I had a nightmare too. Now that’s not entirely uncommon, I have them fairly often and they’re something that I’ve gotten used to. But this one was a bad one.

The bad ones are the ones that I don’t wake up from. They’re the ones where my friends or loved ones are hurt in front of me and the only thing I can do is watch and cry and scream in the mad hope that it’s all just some terrible dream. Nothing ever happens to me in these dreams so I’m trapped within until I wake up of my own accord. But tonight was different.

Tonight, I felt something lick my hand and woke up in a cold sweat. There on the side of my bed was Chica, licking my hand and looking up at me with concern. Now I’m not sure how much a dog understands about nightmares and dreams and such, but she’s never woken me up from a nightmare before. I’d like to think that some part of her recognized what I was going through and she just wanted to wake me up to protect me from the scary monsters. I have never been more grateful to have Chica by my side than in that moment.

So I let her hop up on the hooman bed (twice in one night, oh boy!) and after a few snuggles I was happy as can be.

aishiteru <3

Like that girl ~ ><

This is how beasts kiss(and she doesn’t know that of course)

Color(Mimori Ao)