Chuuya’s so funny because he literally shows up to do the bare minimum (unless Dazai is involved).
Like mfkr, you’re the strongest person in the world, what do you mean “oh no! he sliced through the helicopter blades! What are we going to do?!”
Your power is near limitless. Take your pick of defensive techniques. Throw him to space. Grind him to dust. Carry the helicopter away???
Why are you making people jump out of planes and sacrifice their lives when you can juggle the opps until their brains are mush?
He’s like “Mori said let them on the helicopter. I did my part.”
“Oh no; that kid and that guy from that place that Dazai occasionally volunteers at are strapped to bombs?” … “Well it’s my day off so more power to them.” ✌🏼
The absolute bare minimum. He’s so funny.
What's your advice on writing a strong, solid chapter one? Something that will grab the reader's attention and make them beg on their knees for more?
Note: in the examples, I’m using the second chapter as Harry Potter rather than the first, which was really more of a prologue.
1. Create a “snapshot” of your character’s normal life…
One of the most important things you can do in the first chapter is give your reader a sort of “snapshot” of your character’s life before the the inciting incident turns everything upside down. Otherwise, if we don’t know what their life is like before everything changes, the inciting incident won’t be a change. It’ll just be something that happens.
In Twilight, we saw Bella being the run-of-the-mill daughter of divorced parents. In Harry Potter, we saw Harry being the unwanted and much-maligned ward of muggle relatives, while struggling with emerging wizard powers. In Star Wars, we saw Luke being the bored farm boy, longing for heroism and adventure. In The Hunger Games, we saw Katniss taking care of her mom and sister by hunting for extra food for them with Gale.
2. Show us who they are–show us their strengths and their flaws…
Most stories feature a protagonist who changes in someway throughout the course of the story. This is the character arc, and it can either be positive (the most common) or negative. Positive story arcs stem from the character’s flaws that are established at the beginning of the story. While they have strengths, too, it’s the flaws that dominate and make their lives such a mess that the reader is anxious to see how their lives will change. The character will overcome those flaws through the events of the story, so in the end the reader can marvel at how far they’ve come and how much better their lives are as a result of this change. In a negative arc, it works in the exact opposite way. Sometimes there are static arcs, where the character doesn’t change but changes someone around them or their environment, and sometimes you get a little hybrid of both.
In Twilight, we see a girl who’s a little selfish, a little closed off, and very codependent. In The Hunger Games, we see a girl who feels helpless against the oppressive government making her life, and the lives of everyone she cares about, a living hell. In Star Wars, we see a boy who’s cocky and idealistic.
3. Show us who and what matters in their world…
Another important element that should be introduced in the first chapter is who and what matters to the main character. These are the initial stakes–the thing that motivates them into action when the world turns upside down. In some cases, the world turns upside down because something happened to them.
In Twilight, we meet Bella’s mom and dad, but in many ways, the absence of anyone else here is part of what serves as motivation for Bella to want her life to change and to want to belong to something bigger than herself. It’s much the same in Harry Potter, where the only people who really matter to him are people who died when he was a baby. In The Hunger Games, we meet Katniss’s mom and sister, her best friend Gale, and we learn about Katniss’s father and Gale’s family, and the boy with the bread. In Star Wars, we meet Luke’s Uncle Owen and Aunt Beru.
4. Show us their world…
Part of the point of the inciting incident is that it’s going to change the known world for the main character. This really dovetails with #1, because their normal life happens within this world. In some stories, a character’s “world” might be their work and home life or their home and school life. In other stories, their “world” might be the small village they live in and the plagued-by-evil-king kingdom the village is a part of.
In Twilight, Bella’s world was uprooted right at the beginning and exchanged for the tiny, perpetually overcast town of Forks, Washington. In The Hunger Games, Katniss’s world was District Twelve and the oppressive Capitol beyond. In Star Wars, Luke’s world was a moisture farm on the desert planet of Tatooine, part of a larger Civil War-wracked galaxy.
5. Start the story when something interesting is happening…
We often hear the advice “start in the middle of the action” or “begin the story with action” and this is often misinterpreted, either to mean you should start with the inciting incident or start with a big car chase or heart-pounding battle. Neither of which is true. Beginning the story with action just means you should start the story with something interesting happening rather than with a big info dump. That doesn’t mean you can’t include exposition in your opening, but weave the exposition into something interesting happening.
In Twilight, the story opens with Bella being dropped off at the airport by her mom so that she can move to Washington to live with her dad. In The Hunger Games, the story opens with Katniss getting ready to go hunting with Gale, then walking through her district on her way to meet him. In Harry Potter, we see Harry and the Dursleys getting ready for Dudley’s birthday party.
If you hit all five of these points in your first chapter, not only can you be sure to create a strong first chapter from which to launch the rest of your story, you can be sure your reader will have everything they need to start getting invested in your main character and the world around them. :)
the fact that adam is the one who tells us "[Ronan's] code of honor left no room for infidelity, for casual relationships. it wasn't that he didn't condone them; he couldn't understand them." will forever get me like adam is always reiterating ronan's capacity for love and intense devotion without even knowing that he PRAYED FOR HIM ON FIRST SIGHT.... & then he takes the time to completely process that before allowing himself to be with ronan (this didn't feel like a game and ASKING GANSEY ABT LOVE AFTER THEIR FIRST KISS) knowing how badly he wanted to accept it but wanting to be sure that he could return it. he approaches it differently but every bit as seriously as ronan does. bc it means so much to both of them, it isn't a game, they both know what this will be if they let it. who has he ever had to love him ever adam parrish is loved by someone that he himself has described multiple times as being intensely and singularly dedicated to what he loves, and expressing that love without restraint on a level adam marvels at. it is literally like nothing adam has ever known and every ounce of it is directed right at him.
making bad art and dressing weirdly and collecting random things and listening to silly music is actually so important
i get a little bit of free time and start going "what if i taught myself woodworking" girl work on ur resume
'If you don't like graffiti look away like you do for genocide"
Seen in Austin, Texas
me in my head at the supermarket: nobody is ever going to fucking love me. omg 25% off
wolfstar ‘eternal sunshine of the spotless mind’ au
By likeafunerall, and reposted with permission.
Caitlyn Siehl // Leonard Cohen, "Anthem" // Rumi, "Bitterweet" // trans. Anne Carson, "Euripides" // Sade Andria Zabala, "Coffee and Cigarettes" // tumblr acct @/gayassnatural // Anne Carson, "H of H Playbook" // William Shakespeare, "Sonnet 116" // Clementine von Radics, "Mouthful of Forevers" // Toni Morrison, "Jazz"
This is a big, giant list of Youtube tutorials that will teach you all the basic life skills you need to know in order to be a functional adult. There are a lot of important skills that aren’t included in this list, but this should be enough of a basic guide to get you started and prevent you from making a total mess of yourself. Happy adulting! Household Skills:
How to unclog a toilet without a plunger
How to fix a blown fuse
How to fix a leaky faucet
How to clean soap scum from your tub and shower
How to escape from a house fire
How to make a budget and stick to it
How to sharpen a knife
How to clean a self-cleaning oven
How to clean red wine stains from carpet
How to clean blood stains from fabric
How to clean grease stains from fabric
How to do a load of laundry
How to iron your clothes
How to test your smoke detectors
Cooking Skills:
How to tell if produce is ripe
How to know if food is expired
How to properly sanitize a kitchen
How to cook an egg
How to make rice
How to make pasta
How to put out a kitchen grease fire safely
How to use a gas stove
How to use a convection oven
How to cook meat safely
How to use a stand mixer
How to use kitchen knives properly
How to make mashed potatoes
How to make grilled cheese sandwiches
Health Skills:
How to stop bleeding
How to treat a burn
How to do CPR (on an adult)
How to do CPR (on a child)
How to do CPR (on a baby)
How to help someone who is choking
How to save yourself if you are choking alone
How to read a nutrition label
How to treat frostbite
How to recognize when someone is having a stroke
How to maintain a healthy sleep schedule
Mental Health Skills:
How to calm down during a panic attack
How to help someone who is suicidal
How to meditate
How to stop self-harming
How to recognize problem drinking
How to choose a therapist
How to deal with disappointment
How to cope with grief
How to raise your self-esteem
Relationship and Social Skills:
How to apologize
How to cope with a breakup
How to accept criticism
How to deal with bullying
How to argue in a healthy way
How to ask someone out
How to break up with someone
How to recognize an abusive relationship
How to rekindle a damaged friendship
How to speak in public
Job Hunting Skills:
How to tie a tie
How to write a resume
How to write a cover letter
How to dress for a job interview (for women/femmes)
How to dress for a job interview (for men/masculines)
How to properly shake hands
How to nail a job interview
Other Skills:
How to sew on a button
How to hammer a nail
How to change your oil
How to put gas in your car
How to jump-start a car
How to pick a good password
How to back up your files
How to write a cheque