You’re A Rogue With Enough Gold To Last Ten Lifetimes. But Old Habits Die Hard—you Sneak Through

There are moments in life that feel so structured and poetic that they feel less like reality and more like scripted fiction and I think that those are some of the most important ones to hold onto

🍂 september poems 🍂

September 1913, William Butler Yeats

The Imprint of September Second, Ethan Gilsdorf

September, Joanne Kyger

Drowning in September, Eric Pfeiffer 

September, H Stuart

September Tomatoes, Karina Borowicz

One September Night, Franco Fortini

September Sunday, Lucille Broderson

September, 1918, Amy Lowell

September Midnight, Sara Teasdale

Monday, September 25, 2006, Susan Schultz

One September Afternoon, Leo Dangel

“I almost didn’t recognize you.”

“The scars are new.”

“Who…who gave them to you?”

“Doesn’t matter. They’re dead.”

⋆˚࿔ excuse prompts 𝜗𝜚˚⋆

¹⁾ “we were so drunk.”

²⁾ “i was trying to protect you!”

³⁾ “i never thought it would go this far.”

⁴⁾ “this wasn’t supposed to happen, i swear.”

⁵⁾ “he swore he wouldn’t tell anyone.”

⁶⁾ “you’re- you’re never around anymore!”

⁷⁾ “if i’d have waited any longer, the outcome would have been so much worse.”

⁸⁾ “you started this shit, i’m only trying to get us out of it!”

⁹⁾ “i… i just wanted the chance to prove myself to you.”

¹⁰⁾ “yeah, ‘cause you’re all such fucking saints.”

¹¹⁾ “i was handling it fine until you got involved!”

¹²⁾ “i wasn’t thinking, that’s the whole point!”

¹³⁾ “you didn’t give me any other choice.”

¹⁴⁾ “i gave you a pass when the roles were reversed, so maybe a little understanding wouldn’t kill you.”

¹⁵⁾ “if this were anyone else, you wouldn’t be riding them half as hard and you know it.”

¹⁶⁾ “you’ve been under so much pressure… i thought i could take a little of it off you by taking care of it.”

¹⁷⁾ “all i did was put my trust in the wrongs person.”

¹⁸⁾ “if you hadn’t chewed me out so damn hard for asking for your help last time, maybe i would’ve felt safe enough to do it again.”

¹⁹⁾ “do you have any idea what it feels like to be lonely in your own house? of course you don’t, because you’re never fucking here!”

²⁰⁾ “i didn’t think you’d care. nothing else ever seems to make you, so why should this!”

so I’m looking at short story publishers (fantasy)

Tor, cream of the crop. 25 cents a word. Stories can be read for free (YES). Slowish response time at ~3 months. Prefer under 12k, absolute maximum is 17.5k. Don’t bother if it’s not highly professional quality. SFWA qualifying.

Crossed Genres. 6 cents a word. Different theme each month (this month’s is “failure”). Submissions must combine either sci-fi or fantasy with the theme. Response time 1 month. 1k-6k, no exceptions. SFWA qualifying.

Long Hidden, anthology from CG. 6 cents a word. 2k-8k, no exceptions. Must take place before 1935. Protagonist(s) must be under 18 and marginalized in their time and place. Must be sci-fi/fantasy/horror. Deadline 30 April. Response by 1 October.

Queers Destroy Science Fiction. Sci-fi only right now, author must identify as queer (gay, lesbian, bi, ace, pan, trans, genderfluid, etc, just not cishet). 7.5k max. Deadline 15 February. Responses by 1 March. You can submit one flash fiction and one short story at the same time. (My network blocks the Lightspeed site for some reason, so I can’t get all the submission details. >_>) Probably SFWA qualifying?

Women in Practical Armor. 6 cents a word. 2k-5k. Must be about 1) a female warrior who 2) is already empowered and 3) wears sensible armour. Deadline 1 April. Response within three months.

Fiction Vortex. $10 per story, with $20 and $30 for editor’s and readers’ choice stories (hoping to improve). Speculative fiction only. Imaginative but non-florid stories. 7.5k maximum, preference for 5k and under. (I kind of want to support them on general principle.)

Urban Fantasy Magazine. 6 cents a word. 8k max, under 4k preferred. Must be urban fantasy (aka, the modern world, doesn’t need to be a literal city). 

Nightmare. 6 cents a word. 1.5-7.5k, preference for under 5k. Horror and dark fantasy. Response time up to two weeks. SFWA and HWA qualifying.

Apex Magazine. 6 cents a word. 7.5k max, no exceptions. Dark sci-fi/fantasy/horror. SFWA qualifying.

Asimov’s Science Fiction. 8-10 cents a word. 20k max, 1k minimum. Sci-fi; borderline fantasy is ok, but not S&S. Prefer character focused. Response time 5 weeks; query at 3 months. SFWA qualifying, ofc.

Buzzy Mag. 10 cents a word. 10k max. Should be acceptable for anyone 15+. Response time 6-8 weeks. SFWA qualifying.

Strange Horizons. 8 cents a word. Speculative fiction. 10k max, prefers under 5k. Response time 40 days. Particularly interested in diverse perspectives, nuanced approahces to political issues, and hypertexts. SFWA qualifying. 

Fantasy and Science Fiction. 7-12 cents a word. Speculative fiction, preference for character focus, would like more science-fiction or humour. 25k maximum. Prefers Courier. Response time 15 days.

Scigentasy. 3 cents a word. .5-5k. Science-fiction and fantasy, progressive/feminist emphasis. Fantastic Stories of the Imagination. 15 cents a word. 3k maximum. Any sci-fi/fantasy, they like a literary bent. (psst, steinbecks!) They also like to see both traditional and experimental approaches. Response time two weeks. 

Beneath Ceaseless Skies. 6 cents a word. 10k maximum. Fantasy in secondary worlds only (it can be Earth, but drastically different—alternate history or whatever). Character focus, prefer styles that are lush yet clear, limited first or third person narration. Response time usually 2-4 weeks, can be 5-7 weeks. SFWA qualifying.

Clarkesworld. 10 cents a word up to 4000, 7 afterwards. 1-8k, preferred is 4k. Science-fiction and fantasy. Needs to be well-written and convenient to read on-screen. Appreciates rigour. No talking cats. Response time 2 days. SFWA qualifying.

Orson Scott Card’s Intergalactic Medicine Show. 6 cents a word. Any length. Science-fiction and fantasy (along with fantastic horror). Good world-building and characterization. Clear straightforward prose. Response time three months. Yes, OSC is editor-in-chief. SFWA qualifying.

Interzone. Sub-pro rates if anything (but highly respected). 10k max. Short cover letter. Science-fiction and fantasy.

You are an evil doll. You were trapped under a lake by some kids for twenty years. You planned your revenge—but now, their lives are already so awful you don't need to do anything.

WEIRDLY SPECIFIC BUT HELPFUL CHARACTER BUILDING QUESTIONS

What’s the lie your character says most often?

How loosely or strictly do they use the word ‘friend’?

How often do they show their genuine emotions to others versus just the audience knowing?

What’s a hobby they used to have that they miss?

Can they cry on command? If so, what do they think about to make it happen?

What’s their favorite [insert anything] that they’ve never recommended to anyone before?

What would you (mun) yell in the middle of a crowd to find them? What would their best friend and/or romantic partner yell?

How loose is their use of the phrase ‘I love you’?

Do they give tough love or gentle love most often? Which do they prefer to receive?

What fact do they excitedly tell everyone about at every opportunity?

If someone was impersonating them, what would friends / family ask or do to tell the difference?

What’s something that makes them laugh every single time? Be specific!

When do they fake a smile? How often?

How do they put out a candle?

What’s the most obvious difference between their behavior at home, at work, at school, with friends, and when they’re alone?

What kinds of people do they have arguments with in their head?

What do they notice first in the mirror versus what most people first notice looking at them?

Who do they love truly, 100% unconditionally (if anyone)?

What would they do if stuck in a room with the person they’ve been avoiding?

Who do they like as a person but hate their work? Vice versa, whose work do they like but don’t like the person?

What common etiquette do they disagree with? Do they still follow it?

What simple activity that most people do / can do scares your character?

What do they feel guilty for that the other person(s) doesn’t / don’t even remember?

Did they take a cookie from the cookie jar? What kind of cookie was it?

What subject / topic do they know a lot about that’s completely useless to the direct plot?

How would they respond to being fired by a good boss?

What’s the worst gift they ever received? How did they respond?

What do they tell people they want? What do they actually want?

How do they respond when someone doesn’t believe them?

When they make a mistake and feel bad, does the guilt differ when it’s personal versus when it’s professional?

When do they feel the most guilt? How do they respond to it?

If they committed one petty crime / misdemeanor, what would it be? Why?

How do they greet someone they dislike / hate?

How do they greet someone they like / love?

What is the smallest, morally questionable choice they’ve made?

Who do they keep in their life for professional gain? Is it for malicious intent?

What’s a secret they haven’t told serious romantic partners and don’t plan to tell?

What hobby are they good at in private, but bad at in front of others? Why?

Would they rather be invited to an event to feel included or be excluded from an event if they were not genuinely wanted there?

How do they respond to a loose handshake? What goes through their head?

What phrases, pronunciations, or mannerisms did they pick up from someone / somewhere else?

If invited to a TED Talk, what topic would they present on? What would the title of their presentation be?

What do they commonly misinterpret because of their own upbringing / environment / biases? How do they respond when realizing the misunderstanding?

What language would be easiest for them to learn? Why?

What’s something unimportant / frivolous that they hate passionately?

Are they a listener or a talker? If they’re a listener, what makes them talk? If they’re a talker, what makes them listen?

Who have they forgotten about that remembers them very well?

Who would they say ‘yes’ to if invited to do something they abhorred / strongly didn’t want to do?

Would they eat something they find gross to be polite?

What belief / moral / personality trait do they stand by that you (mun) personally don’t agree with?

What’s a phrase they say a lot?

Do they act on their immediate emotions, or do they wait for the facts before acting?

Who would / do they believe without question?

What’s their instinct in a fight / flight / freeze / fawn situation?

What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?

If they’re scared, who do they want comfort from? Does this answer change depending on the type of fear?

What’s a simple daily activity / motion that they mess up often?

How many hobbies have they attempted to have over their lifetime? Is there a common theme?

this is what it means to be human

Everything, Mary Oliver

The Breathing, Denise Levertov

A Prayer by Antoine de Saint-Exupéry

The Laughing Heart by Charles Bukowski

Like a Small Café, That’s Love by Mahmoud Darwish (translated by Mohammad Shaheen)

Having a Coke with You by Frank O’Hara

Eating Together by Li-Young Lee

The Orange by Wendy Cope

The Quiet Machine, Ada Limón

To Go Mad, Paruyr Sevak

Our Beautiful Life When It’s Filled with Shrieks by Christopher Citro

Hammond B3 Organ Cistern, Gabrielle Calvocoressi

Peace XVIII, Khalil Gibran

Your Unripe Love, Paruyr Sevak (from “Anthology of Armenian poetry")

Here and Now by Peter Balakian

Ich finde dich (I find you) by Rainer Maria Rilke

The Thing Is by Ellen Bass

One Art by Elizabeth Bishop

Miss you. Would like to take a walk with you. by Gabrielle Calvocoressi

I Want to Write Something So Simply by Mary Oliver

What's Not to Love by Brendan Constantine

Where does such tenderness come from? by Marina Tsvetaeva

You Are Tired (I Think) by E. E. Cummings

Living With the News by W.S.Merwin

What the Living Do by Marie Howe

dialogue prompts for ~injury~

!!please credit/tag me!!

“Shit. Shit, shit, shit, c’mere.”

“Someone get the medic. Get the medic!”

“Hey, hey, shhhh. Shhhh. You’re okay.”

“You did so good. Don’t worry, you-you did so good.”

“Here, lean on me. I can carry you.”

“We’re gonna fix you up, brand new. I promise.”

“No. No, stop. Stop talking like that. You’re gonna be fine.”

“Okay. Okay, here’s what we’re gonna do—fuck.”

“I know, I know it hurts.”

"I don't care. I'm not leaving you."

“I’m going to lift you up, okay? Tell me if it hurts.”

“Where are they? Where are they?!”

"I would believe that you're fine, but you have a goddamn knife sticking out of your leg, so."

"You just watched them die."

"This is going to hurt, okay?"

"God, I'm so sorry, it'll be over soon, I promise."

"How many fingers am I holding up? ... I don't have six fingers."

"Stop. No. Wake up. Wake up! I said wake up!"

"I came as soon as I heard."

“Get away! You’re hurting them!”

“Please be okay. Please be okay, please be okay—”

“Shit. Shit, that’s a lot of blood.”

“You dumbass. Don’t do that. Ever again.”

"Help them! Please!"

"You scared us all back there. I... Including me."

"[name]? [name], this isn't funny. Stop... please..."

"Breathe... breathe. Look at the stars, kid."

"It was supposed to be me... please, no, [name], please..."

"Tell me where it hurts, and be specific."

“You’ll be fine.” *silence* “You’ll be fine. Hey! Wake up! Please. Please wake up…”

“I’m sorry. I’m so sorry.”

Text: The smell so delicious it torments me turns out to be coming from my own blood. I resist it, fearing what I already know: I am an Ouroboros, the first natural born in over two centuries.