Fleshing Out Plot Ideas

Tips on Writing a Great Short Story

Weeks ago I was asked to do an article on short stories, specifically. What makes a short story great? And how is it different from writing a novel?

To be honest, writing a novel and writing a short story are very similar in many ways, and most of the techniques I’ve written about on my blog apply: creating complex characters, writing great dialogue, utilizing subtext, including hooks . . .

Sure, there are some exceptions, as always. You can find famous short stories that don’t really have complex characters, for example, but often such stories are really short stories–maybe by today’s standard, considered flash fiction. Here is a famous flash fiction story:

For sale: baby shoes, never worn

Does that really tell us much about the complexity of the characters? Not really. But it does still have great subtext.

So keep in mind that there are always exceptions when it comes to writing, but they are just that, exceptions.

So let’s got started.

Focus

One of the most important things about writing a short story is to keep it focused. Technically, novels should be focused too, but their focus has a broader range whereas short stories need to be narrower, like a flashlight beam compared to a laser beam. A common problem I’ve seen with newer writers is that they try to fit a novel-length concept into 50 pages. Problematic. Here are some ways to avoid that.

Limit Plotlines–In a novel, you will need a lot of plotlines to carry the story; if you don’t have that, a novel will start to feel repetitious since it lacks variety for so many pages. But in a short story, you need to limit your plotlines.  Many short stories really have one plotline, with two components working closely together: the outer journey and the inner journey. Think about the premise or main concept of your short story, and keep a laser-beam focus on that. Aim to go deep into the concept, not broad on the topic.

Limit Your Characters–In a short story, you’ll usually focus largely on one main character and that character’s arc. The more focal characters you include, the more length you typically add. Sure, you can write a story with more than one focal character–you might be able to get away with maybe two. If you have more than that though, usually the focal characters–while individuals–have the same goals and function as a unit. As opposed to most novels, where each focal (or viewpoint) character may have somewhat different goals and more of their own, individualized journeys. (Again, keep in mind that everything in this post is generally speaking).

A good word of advice that gets pushed around in the industry, related to character and plot, is that in a short story, you should specifically write about the most important event that happened in that character’s life. I don’t know that I agree with this 100%, but it’s a good thing to keep in mind when evaluating plot and character. Capture the most important event, which naturally means that it will be an event that changed the character.

Laser-Beam the Theme–Unfortunately, people still talk and treat theme like it’s this elusive animal–something wild and beautiful, but dangerous if caged. In reality, the more you understand about theme, the more intentional you can be about it. It’s only dangerous when you try to tame it improperly, because you don’t understand it. For a recap on how theme actually works, check out this post, “How to Write Your Story’s Theme”

Themes are fantastic for focusing stories (and especially in short stories that may seem to lack a feeling of … cohesion). And because a lot of people don’t understand how to do them, you can really stand out if you master the theme in your story. Theme is what makes a story feel timeless. It sticks with us after we are done, so we aren’t left closing the book and thinking, Well that was entertaining, time to get back to normal life! If you read five excellent stories, but only one of them has a powerful theme that changed you, guess which one you will think about long, long after you’ve finished it?

In a novel, you have room to explore a theme topic rather broadly. Consider all the ways the theme topics of mercy and justice are illustrated and explored in Les Mis. In a novel, you can also explore how the theme topic interacts with other theme topics, societies, and ideologies. In a short story, you are going to be more laser-focused. Take the classic fable of The Tortoise and The Hare–it stays laser-focused on really one illustration of the theme. It doesn’t go into, say how in some situations in the real world, getting a head start can have benefits. So focus in on a particular rendition or two (but probably no more than three) of your thematic statement.

Often the most famous and powerful short stories are so great because they say something profound in a small amount of space. In a way, it’s similar to poetry. Professional poetry isn’t actually about using beautiful words (which is what a lot of people who have never legit studied it seem to think)–it’s about capturing specific, significant ideas, concepts, and images, in a brief space, for maximum impact. Great short stories function in similar ways, except you have more room to develop a powerful thematic thread. It can be hard to impact a reader in such a short space with the characters and plot, but you can really hit them in the feels with the theme.

Keep reading

Huevember -green

"But my Plot isn’t UNIQUE or BIG enough!”

One thing that I worry about is that my plot isn’t good enough. I know lots of other writers who have had this issue in the past as well, and it’s all about having confidence in yourself and your ability to tell a tale. 

The plot doesn’t have to be groundbreaking, just think of how many people get fed up of Shyamalan twist-endings. They’re clever sometimes, yes, but they’re also not what everyone ever is looking for, and when they are forced into a piece of work it is painfully obvious to anyone who really values what you’ve written. 

What matters is the telling of the story. Your plot can be exceptionally simple, and you might write one of the most compelling books of our era. 

I found one thing that helped was to look at other works, and try and break them down into their very, very simplistic terms - the bare bones, the things the author would have decided up front perhaps. The things that… if told without the wonder of the story, might have been boring. 

Like A Song of Ice and Fire, for example, which tells the stories of Political struggle against a backdrop of Ice creatures who can raise the dead and force them to attack you. It’s basically a Socio-Political zombie apocalypse, with dragons. That could have gone either way; as it was, it went amazingly. Because Martin is a master of making every character a person, and building such a rich, colourful world that we believe it. 

So, what I’ve done is looked at a very popular work that spans multiple books. Harry Potter is widely known, so this should be useful to as many people as possible. It is also praised as one of the most in depth and atmospheric works for children, young people, adults, or just about anyone, having been translated, adapted and studied over and over. 

                           HARRY POTTER BREAKDOWN

Bread and Butter

So, when I asked Google what the heck the plot of Harry Potter was, I got this;

This is what I’m going to call the BREAD AND BUTTER of the story. It’s what happens in the day-to-day of the story. It’s perhaps the introduction J. K. would have given when first sending in her manuscript. It’s also a hugely unoriginal idea. 

The concept of a young Witch or Wizard attending a magical school where they can learn their abilities has been done before, a lot. It is basically the prmise of books like EarthSea and the Worst Witch. 

So next time you think your premise is overdone or uninspired, remember that it doesn’t matter. It’s not the premise that counts, it’s what you do with it. What Rowling did with it was create an in-depth world, full of structures and rules, populated by characters we all loved, hated, felt sorry for or routed for. She also made sure to include a way for us to learn more about the world, so she made her protagonist just as unaware of the wonder and horror as all of us. 

Tea

In this case, tea is gonna’ be the conflict of the story. The main arc. Because going to a Wizard School is freaking awesome and everything, but this story needs risk. Our characters need to be in danger, and they need something to overcome. Often writers get stuck here. They have a wonderful setting and they really want to write about their character doing this or that, but what’s the main goal? What is there to overcome? 

Very simply, Rowling’s villain is a man who wishes to purify the progression of magic by weeding out those who’s blood he see’s as tainted. He is a Hitler-figure, who himself should be ‘tainted’ in his own view. That’s the villain’s GOAL. It’s clear, and simple. 

If you think your villains goal is too simple, just look at Voldemort’s goal. What makes it more complex are the many twists and turns he and Harry both have to adapt too. His many failures, as well. 

Voldemort fits into many tropes, including the bad guy ‘selling his soul’ to achieve a vain goal, the bad guy murdering the heroes’ parents, the ‘more like you than you think’ trope, where a Villain and a hero are quite similar. I especailly like that last one, because J. K. played with it. Yes, she included it, and yes she gave a magical reason as to why. 

That just shows that unique elements can be added on to overdone ideas, to make them wonderful. 

Jam and Cream

This is where Rowling turns her simple ideas into something beautiful. Whether an idea is original or not, it will not matter if the depth is not there. Jam and Cream stands for all the little things. 

The fact one of the most hated antagonists was only a prime player in one book but left such an impression, the fact Hermione was disliked by the main characters at first, the fact Neville was the cowardly laughing stock of the group for years. Let’s see… The fact Sybil was right about almost all of her predictions and no one believed her, thus linking her with the Mythological figure Cassandra. 

The use of diversion and tension in The Prisoner of Azkaban, the fact that Harry’s own father was rather arrogant and mean at times, yet still a good person. The moral ambiguity of characters like Dumbledore or Snape. 

And…

That isn’t even naming the things the books got wrong. Because every author makes mistakes. Yes! You’re allowed too! J. K. has Dumbledore play the ‘I’m going to withhold information from you for the sake of the plot,’ card. We are also supposed to believe Harry forgave everything Snape ever did and named his son after him because he rather fancied his mother. Many issues are left unaddressed, such as the disinterest/damn right rudeness towards Hagrid in the final years, or the silly quest over the fake Sword. 

But in the end, if the story is told masterfully, no one is going to care. 

Basically, what I’m trying to say is, if you plot is overdone, don’t worry about it. If your world feels familiar, do more to make it your own. If your villain feels like a trope, give them more twists and turns, and maybe a reason for the trope that fits your world alone. If your characters feel stale, give them more scenes that address their personality. 

You’re doing fine, and your manuscript is totally fine. If you believe in it, there’s gonna’ be at least a hundred more people who would too. 

– i’d hoard jars man // e.d.c.

a writeblr introduction

hello writeblr! i’m zie, a long-time writer and perhaps poet but that’s sort of stretch who just decided to publish my stories and other collection of words here. i had a tumblr account way back in 2013 but i wanted to start anew, so here i am.

about me:

she/her, aro-ace, infj(p), type 4, libra but pisces at heart, ravenclaw

overly enthusiastic for art, literature, books, music that punctures your inner psyche, psychology, philosophy, and you guessed it, theatre!

the superior time are afternoons and midnights, it’s when my imagination goes crazy and my aesthetics shift and morph

guilty pleasure is watching barbie movies and writing long-ass essays that i’m sure my professors are tired of reading, but oh well

i don’t know how to make cool edits like all the other splendid authors here on tumblr so heavens PLEASE, i hope my words will suffice

about my writing:

i love writing themes about mental health, fantasy, magical beings, and anything that borders on idealism, much like one of my favorite authors

pantsing or outlining a storyline really just depends on my mood. characters always go first before the plot, because i usually deem them as real people and the book revolves around them. they deserve just as much.

i am a sucker for symbolisms, metaphors, and paradoxes, it’s not that i overuse them, it just gives you a feel of what my oc’s are feeling.

i love creating dialogues, you’ll see a lot of ‘em. don’t get sick of ‘em, i beg of you.

current wips (all of which are subject to change):

sleeping at last is a mental-health centralized and mystery fiction set in the modern times of a fictional country/city. it explores the death of a recurring female character and how her friends try to search for the events leading up to it, making themselves subjects to ill-starred events all the while being under the same roof of adwell house, a mental wellness sanatorium for orphans such as them.

of curse and glory is a fantasy and dark academia story set in an alternate universe unbeknownst to humankind. it narrates the story of four kingdoms which do not know their history. but when the heirs of each kingdom receive an ancient message from those who claim are the oldens, they begin to uniyeld truth from a provocation—saving everyone else’s lives in the process.

in our orbit is a fictional romance story set in new york city, manhattan where two men meet each other in chaotic circumstances inside an art museum. when push comes to shove, they must decide whether or not love is worth keeping in the sacrifice of their dreams.

poems and essays is pretty much self-explanatory. this will be a series of thoughts constellated into words that i’ll share with the world. from my heart to yours.

please reblog if you’re also a writeblr because i would love to interact, be mutuals, and follow all of you! writeblrs supporting writeblrs, everyone!

contents coming very very soon in a poeticparchment near you!

Plot Doctoring: 9 Steps to Build a Strong Plot

Like the main event itself, NaNo Prep is always better with an incredible writing community around you. Luckily, our forums come with such a ready-made community. Inspired by the Plot Doctoring forum, we asked Derek Murphy, NaNoWriMo participant, to share his thoughts on plotting, and he outlined his 9-step plotting diagram:

Here’s a truth: you must write badly before you can write well. 

Everybody’s first draft is rubbish. It’s part of the process, so don’t worry about it. The writing can be polished and fixed and improved later, after NaNoWriMo, during the editing stages.

What most writers get out of NaNoWriMo is a collection of great scenes that don’t necessarily fit into a cohesive story—and that’s a problem if you want to produce something publishable.

Nearly all fiction follows some version of the classical hero’s journey: a character has an experience, learns something, and is consequently improved. There are turning points and scenes that need to be included in your story—if they are missing it won’t connect with readers in an emotionally powerful way. And it’s a thousand times easier to map them out before you write your book.

Keep reading

Building Your Character’s Personality

Character development is extremely important when it comes to storytelling. If your audience doesn’t feel for your character in some way, even if they’re not necessarily a good person, your story will fall flat. As the audience, we need to understand what a character wants, how they’re trying to get it, and what stands in their way. We need to get inside their heads. Talking about character development is one thing, but actually executing it effectively is another. If you’re looking for ways to build your character’s personality, here are a few tips to get you going.

Try focusing on these areas if you want to get a full picture: childhood/past, personal relationships, likes/dislikes, personal opinions, and wants.

 Childhood/past

Your character came from somewhere. Even if your main character is a robot, that’s their past. Their lack of childhood still plays a part in your story. Think about your character’s early life and how it might have shaped what they want now. Your past definitely played a part in building your personality, so it should do the same for your characters. Even if you don’t necessarily discuss their past, you should know it as a writer. You should know how it formed them in some way.  Don’t skip this part!

Personal relationships

It helps to take time developing your character’s personal relationships. Does this character care about anyone? Did that change over time? Who is most important to them? Figuring out these things will help you build your character’s personality. Who and what we care about is very important and it forces us to act in certain ways. If your main character has a son or daughter, this might serve as their motivation for something. Love and friendship, or the lack thereof, has a lot to do with how we develop. Think about the difference between Harry Potter and Voldemort. The story makes it clear that Harry could have gone down the same path if he didn’t have the support of his friends.

Likes/dislikes

Taking the time to fill out one of those character development sheets might make a big difference. You should know what your character enjoys most and what they hate. It might not seem like the most important thing in the world, but we can be shaped by our interests. Know your character’s interests and you will have a better understanding of their personality.

Personal opinions

What is your character’s outlook on life? Do they see the glass as half-empty or half-full? Knowing these things will help you shape your character’s view of the world. If your character has consistently been through hard times, they might have a dim outlook on the world around them. This will shape their personality. All these factors will help form who they are and what they want.

Wants

Knowing what your character wants is super important. Every character should want something. Every character should have a goal of some kind. This information will help you develop your character’s personality. If you they want something really bad for a long time, they might become obsessive. If they don’t want something enough, we might see them as unmotivated and lazy. Use these wants to help shape your character and what actions they will take.

-Kris Noel

A Guide to Making Up Diseases (as Explained by a Biologist)

So listen up y’all, nothing drives me crazier as both a writer and a scientist than seeing alien diseases that make no fuckin’ sense in a human body. 

If you’re talking about alien diseases in a non-human character, you can ignore all this.

But as far as alien diseases in humans go, please remember:

DISEASE SYMPTOMS ARE AN IMMUNE RESPONSE.

Fever? A response to help your immune cells function faster and more efficiently to destroy invaders.

Sore/scratchy throat? An immune response. Diseases that latch onto the epithelium of the throat (the common cold, the flu) replicate there, and your body is like “uh no fuckin’ thanks” and starts to slough off those cells in order to stop the replication of new virus in its tracks. So when it feels like your throat is dying? guess what it literally is. And the white spots you see with more severe bacterial infections are pus accumulation, which is basically dead white blood cells, and the pus is a nice and disgusting way of getting that shit outta here.

(No one really knows why soreness and malaise happens, but some scientists guess that it’s a byproduct of immune response, and others suspect that it’s your body’s way of telling you to take it easy)

headache? usually sinus pressure (or dehydration, which isn’t an immune response but causes headaches by reducing blood volume and causing a general ruckus in your body, can be an unfortunate side effect of a fever) caused by mucous which is an immune response to flush that nasty viral shit outta your face.

Rashes? an inflammatory response. Your lymphocytes see a thing they don’t like and they’re like “hEY NOW” and release a bunch of chemicals that tell the cells that are supposed to kill it to come do that. Those chemicals cause inflammation, which causes redness, heat, and swelling. They itch because histamine is a bitch.

fatigue? your body is doing a lot–give it a break!

here is a fact:

during the Spanish 1918 Plague, a very strange age group succumbed to the illness. The very young and very old were fine, but people who were seemingly healthy and in the prime of life (young adults) did not survive. This is because that virus triggered an immune response called a cytokine storm, which basically killed everything in sight and caused horrific symptoms like tissue death, vasodilation and bleeding–basically a MASSIVE inflammatory response that lead to organ damage and death. Those with the strongest immune systems took the worst beating by their own immune responses, while those with weaker immune systems were fine.

So when you’re thinking of an alien disease, think through the immune response.

Where does this virus attack? Look up viruses that also attack there and understand what the immune system would do about it. 

Understand symptoms that usually travel together–joint pain and fever, for example.

So please, please: no purple and green spotted diseases. No diseases that cause glamorous fainting spells and nothing else. No mystical eye-color/hair-color changing diseases. If you want these things to happen, use magic or some shit or alien physiology, but when it’s humans, it doesn’t make any fuckin’ sense. 

This has been a rant and I apologize for that. 

Writeblr (re)introduction - I’ve moved blogs!!

Hello! I’m Z, and I was previously found at @zwritesstuff. This is going to be kind of a messy blog, but I’m hoping to reblog a lot of advice posts and maybe post some of my own (I’ve already made one on characters and one on the first draft) as I find inspiration/a need for them. But you’ll also find a bunch of writing memes on here as well, because writing is hard and we all need a laugh sometimes

Some things about me:

23 years old

being bullied by several mental illnesses (so i’m distant sometimes)

can’t stop coming up with new wips (seriously i have 4 original wips rn and like 12 fanfics)

i really love world building and establishing characters but i struggle a lot with plot and actually. writing

the reason i remade my blog is because i wanted to separate this content from my main blog so that i can get on more tag lists 

i am absolutely going to be on the lookout for new wips to follow, so please feel free to let me know what wips you have going on right now and i’ll check them out!!

please reblog and say hi in the tags so that I can start following people !!