Medieval History - Blog Posts

knights can be created by other knights like vampires except instead of biting them they wack them on the shoulders with swords

The way Lucrezia and Cesare relationship is represented in media is so disgusting and disrespectful. Born from pure xenophobia and misogyny

In fantasy, medieval life is depicted as all sexual violence and squalor. It's not that simple

Whenever a fantasy series such as "House of the Dragon" treads deeply into gruesome violence or plain old human exploitation, storytellers like to say it's historically accurate. But while sexual and reproductive violence is somewhat accurate for the medieval age, so are myriad other things that seem to fall off the storyboard when it's time to add authenticity.

“The desire to be ‘accurate’ suddenly disappears when sex isn’t involved and it is actual interesting day to day minutiae,” says Eleanor Janega, a medieval historian who teaches at the London School of Economics. “If the ('Game of Thrones’) world was historically accurate, why isn’t every single noble house or castle absolutely covered by huge gaudy, colourful murals? Why is it that this form of historical accuracy isn’t important, but showing rape as endemic is?”

Other historians point out that, as prurient and gasp-worthy as something like a crude C-section death is, such butchery wasn’t as prevalent as storytellers would have you believe.

“They were very keen on protecting mothers from harm,” medieval history scholar Sara McDougall told Slate.

Texts from the time indicate that such extreme measures would usually be performed on women who had already died – not, as in “House of the Dragon,” a fully awake and alert woman with no clue what was about to happen to her.

[…]

Janega points out that, while medieval times were certainly not overkind to women or anyone else who wasn’t rich, powerful and male, they weren’t the burlesque of suffering we’re so used to seeing on screen.

“'Accuracy’ is always focusing on the distasteful aspects of a society, but never the pleasurable ones,” she says. “(It) somehow always encompasses sexual violence and never things like, for example, the three field system, or fishing weirs. They don’t really show how women other than the nobility are a dynamic part of the medieval workforce. Women are found in pretty much every facet of medieval work: as blacksmiths, running shops, brewing beer, in cloth production, running bath houses or in trading delegations addressing the court.”