Urban Fantasy - Blog Posts

Chapter 5: Of fights, Farewells, and Fools

I woke to the sharp chime of the bell, the sound pulling me abruptly from my daze and dragging me back into reality.

"Time's up," the proctor announced, his voice cutting through the lingering haze in my mind. Right — the gymnasium. I was still here. 

I turned my head, only to find Ezra sprawled unconscious on the floor. Instinctively, I reached out to shake him awake, but before my hand could make contact, a voice interrupted me.

"I wouldn't do that if I were you." I glanced up, finding one of my classmates watching me with thinly veiled amusement. "And why not?" I asked. He raised a brow, clearly unimpressed. 

"Are you seriously asking that?" Something about his tone scratched at my nerves. Still, I forced myself to remain calm.

"If you can't answer a simple question, perhaps you shouldn't waste your breath."

"A sharp tongue won't save you from your own ignorance."

"And your refusal to clarify only proves your own." I frowned, though he only responded with a careless scoff. 

"Enough, Maverick," Clarence cut in, stepping between us with the practiced ease of someone used to extinguish petty conflicts. Maverick shrugged, utterly unbothered, and walked away without another word. 

"What's his problem?" I muttered to Clarence. Clarence let out a tired sigh. "He's always like that. Not the brightest socially, but quick to mock anyone who's even slightly out of the loop. Let's just say he finds entertainment in other people's confusion." 

"Charming," I said dryly. 

"Anyway, what do we do about Ezra?" 

"I'll notify the proctor," Clarence said, adjusting his glasses. "And for future reference, you should avoid touching him directly. His abilities are highly contagious — you did learn that from the time-travel session, didn't you?" 

"No," I admitted. "I didn't get that far. The bell rang before I could see anything else." "I see." Clarence gave a thoughtful nod before heading off to inform the proctor, leaving me alone with Ezra's motionless form and the unsettling realization that there's far more to this boy than I ever imagined. I watched as Ezra was hurried off to the infirmary, and with his absence came a flood of questions swirling in my mind. Why is he contagious? The thought looped over and over, each repetition tightening like a knot behind my eyes. 

Before I could stop it, my head began to ache — a slow, creeping pulse that warned me something was coming. 

A vision, maybe. My magic stirring to life. Panic shot through me, and I bolted toward the bench where I'd left my mask, my hands shaking as I slipped it back on. Just in time, too — a fragmented memory was already clawing its way to the surface, blurring my vision and distorting reality. If I hadn't covered my face, I'd probably be the next one dragged off to the infirmary. A sigh of relief slipped from my lips as I sank onto the bench. 

Honestly, I can't even overthink without overthinking the fact that overthinking might actually make me pass out. And somehow, just by trying to figure everything out, I end up drained by my own powers. Truly, fate has a twisted sense of humor. 

"Hagarin~" Clara's sing-song voice rang out as she skipped over and settled beside me. I noticed her monocle wasn't on her face but dangling between her fingers. 

"I saw your face earlier! You're really pretty, you know that?" she said with a bright smile.

"Oh... thank you?" I replied, caught somewhere between confusion and gratitude. She only giggled in response.

"Wait—why aren't you wearing your monocle? Wouldn't that give you a headache if your power activates?" I asked, tilting my head slightly. 

She shook her head with a proud grin. "I've managed to control about ten percent of my power now. It's not much, but it's a lot better than having no control at all." 

"That ten percent lets me shut down a small part of my ability. It only kicks in randomly if I'm feeling really anxious or overwhelmed," she explained, and I nodded along. 

"What about the rest of your power? What can you do at full strength?" 

"Well..." She tapped her chin playfully. "The best part is feeling almost normal—for once. No headaches, no sudden visions of doom. It's peaceful." 

"But why a monocle? Wouldn't it make more sense to cover both eyes if seeing the future is such a problem?" I asked. She laughed softly. "I only have time magic in one eye—my left. The right eye? That one's all nature. Back when I was a kid, I used to keep my mom's plants alive with a flick of my fingers." 

"Speaking of my mom, want to come visit her with me sometime? She's dead, by the way.""...What—oh! I'm so sorry for your loss," I stammered, completely thrown off by her delivery. Clara only smiled, unbothered as always.

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When class hours ended, Clara insisted that Clarence join us, but he politely declined, mentioning he already had other plans. So, in the end, it was just me and Clara. We strolled along the stone pavement, the crisp air mingling with the rustling of trees lining the path.

 I found myself enjoying the peacefulness, a rare moment of tranquility. Out of the corner of my eye, I watched Clara hopping along the stepping stones, entertaining herself like a carefree child. "Y'know, Hagarin, I have a feeling you'll end up acing the entire class," she said suddenly, her voice light and confident. 

"I'm not sure if I should believe that, considering we both have the ability to see the future," I hummed, keeping my gaze forward. 

"I'm saying this from instinct, not sight." She spun to face me, sliding her monocle back into place—a clear sign she wasn't using her powers to peek ahead. 

"Right," I scoffed softly. "Why won't you believe me?" she pouted. "You're already better than half our classmates, and most of them barely have two functioning brain cells to rub together. Plus, they're just mean for no reason." "Are they?" I raised a brow. "I guess I never really paid much attention to anyone." The scenery was far more interesting, in my opinion. 

Clara hopped off the last stepping stone and walked beside me. "Have you not noticed Maverick? Or even Liviya? They're not full-blown bullies or anything, but the mess in their heads is loud enough to drown out whatever kindness they might have had. Honestly, they're so chaotic, it's hard to even see them as normal." 

"I suppose they do give me some unpleasant looks now and then," I admitted after a brief pause. "What about the blind girl? I haven't seen her face either. Everyone took off their... stuff during class, but I never caught a glimpse of her," I said, curiously. 

"Oh, Alain? She's sweet, just incredibly quiet. But if you ever get the chance to talk to her, you'll like her," Clara said with a fond smile. 

"She's blind, yes, but her powers let her see everything—every possibility, every shift in time. That's why she wears a blindfold. Without it, her mind gets overwhelmed. Though, from what I've seen, she's making progress."

"That's... actually fascinating. It's like a blessing wrapped in a curse." I rubbed my chin thoughtfully. "Imagine being born without sight, unable to witness the beauty of the world—only to be gifted the power to see everything at once. Still, I'm guessing that's nothing compared to ordinary vision."

I glanced at Clara, my thoughts drifting. "Seeing through the eyes of a time traveler is so strange. For me, it's all washed-out shades of blue, with a slight distortion. Like looking through fogged glass." 

"Really? Blue?" Clara tilted her head. "For me, it's this pale brown haze, almost sepia." She laughed softly. "Maybe it has something to do with our actual eye color."

"Could be," I said, returning her smile. "Just another strange part of our lives, I guess." 

We finally arrived at her mother's tomb. "Hi, Mom. I brought a friend with me today—another new one besides Clarence," Clara said softly as she stepped closer to the grave.

"We learned how to time travel in class today." The tomb itself was well-maintained, adorned with delicate decorations built into the stone. It felt intentional, almost like a tradition that had been passed down through generations. Every small detail seemed to hold a memory. 

I stood beside Clara, quietly listening as she rambled on, speaking to her mother as though she were still right there with us. 

I'd be like that too if I ever had the chance to bury my mother—to care for her tomb and visit her like this. But no, life gave me something far more cruel. A memory I can never bury, no matter how much I want to. 

When it ended, we both lit candles as a gesture of respect, the soft flicker of the flames dancing in the cool air. 

As we slowly walked down the stone path, I broke the silence.

"Clara, if life wasn't so cruel, would you actually enjoy living?" I asked as we slowly made our way down the stone path.She gave a soft laugh, but there was a hint of bitterness behind it. 

"I'm content with my life—even if the word enjoy doesn't really fit anywhere in it. If life had been kinder, I wouldn't have met Clarence... or you."

"Everything that happened today wouldn't have happened. That's just how fate works—we either accept it or keep fighting something we can't change." She paused, looking up at the floating lanterns that were starting to light our way. 

"I know this world of ours is swallowed whole by magic, and sure, anything feels possible—like we're trapped in some cruel fairytale. Hell, reincarnation might even be real for all we know. But even so, I think I like this life. Just... go with the flow. Maybe you'll find a reason to keep going."

"Right," I murmured. "The power to rewrite my past and change the future is right at my fingertips... yet I didn't take it."Clara glanced at me, her expression unreadable. 

"Because you know you'd die if you mess up your timeline."

"Time, fate—whatever people want to call it—it's such a tangled mess," she sighed. 

"Sometimes, I wish I had something simple. Like the power to grow flowers or control fire. Something that doesn't make my head hurt."

"I get that," I said quietly. Neither of us spoke after that. We just walked, both letting out a long sigh at the same time, letting the silence say the rest.

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Later that evening, Clara and I parted ways to head back to our homes. Tomorrow was another day, and honestly, I was relieved this one had finally come to an end. When I stepped through the door, the soft murmur of the television greeted me. 

"I'm home... sorry I'm late," I said quietly, spotting Hanari lounging on the couch. 

"Where'd you even go?" she asked, barely glancing my way as I slipped off my shoes and dropped onto the couch beside her. "I, uh... went with a friend to visit her mom's grave."

Hanari just hummed in response, munching lazily on her slice of apple pie. 

"I don't have any friends anymore, you know. You're never there. Maybe you could come to the main building and have lunch with me sometime? I saw your schedule—you have way more free periods than I do." 

"Can't," I shrugged. 

"Too lazy to walk that far, and the main building's practically on the other side of the campus."Hanari groaned dramatically, flopping back against the cushions like her life was ending.

"What if I just come to your building instead?"

"They probably won't let you," I said, stealing a glance at her.

She groaned again, louder this time, like the weight of her tragic social life was too much to bear. "I look like some lonely loser."

"You'll live," I muttered, grabbing her fork and stealing a bite of her apple pie before she could protest.

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Friday — Sparring Day.

Every Friday, our class dedicates the entire day to sparring practice. It's the only time we're allowed to fully use our powers against each other — under supervision, of course.

We were all gathered at the field, the usual spot for these sessions. I stood at the edge, quietly observing my classmates as they clashed, each person using their abilities in creative or chaotic ways. 

Some were flashy, showing off like they were performing for an audience. Others fought with precision, wasting no movement. Then, the proctor called out the next pair. 

"Hagarin... versus..."There was a brief pause before the proctor continued.

"Oh, Clara." Both of us froze for a second, equally surprised. From across the field, Clara waved nervously.

"Go easy on me, Hagarin!" she called out with a laugh, though there was a flicker of real concern in her voice. We took our places, standing opposite each other in the center of the field. 

All eyes were on us now — classmates whispering, some curious, others already making guesses about who would win. We stood across from each other, the afternoon sun casting long shadows over the field. 

The proctor raised his hand — the signal to begin. Clara didn't waste a second. The ground beneath me trembled as thick roots erupted from the earth, twisting and surging toward me like serpents. I leapt back, narrowly avoiding the first strike, but more followed in its wake, branches splitting off and shooting upward to block my escape. 

She's fast. Faster than I expected.

I darted between the branches, my body weaving instinctively to avoid getting caught. From the corner of my eye, I saw Clara raise her hand — this time, a single rosebud bloomed at her fingertips. 

With a flick of her wrist, the rose shot toward me like an arrow, its petals sharp like blades. It wasn't aimed at me directly — it was after my mask. I ducked just in time, the flower slicing through the air above my head. 

"She's really aiming for my mask?" I muttered to myself. Typical Clara move — clever, but predictable. If my mask comes off, my power will surge uncontrollably, and we both know that could end the match in chaos.

"Trying to cheat already?" I called out, though my tone was lighthearted.

"Not cheating! Just creative strategy!" Clara shouted back, a grin splitting her face as more vines slithered toward my ankles.

I stomped hard, shattering a root just before it wrapped around my foot. If I let her trap me, it's over. The rules are simple — whoever hits the ground and stays down for five seconds loses.

 "Alright," I muttered, cracking my knuckles. "My turn." Clara raised a brow, unfazed, as she unleashed another wave of attacks — every flower she could summon sharpened into dart-like projectiles, whistling through the air toward me.

 I dodged each one with ease, weaving left and right, but just as I landed, something coiled around my ankle. 

A vine. Clara snorted, clearly proud of herself, her confidence radiating as she tugged slightly, tightening the grip on my leg. 

"Gotcha." But this was exactly what I wanted. I kept my back turned to her as she broke into a sprint, closing the distance between us. I could feel the anticipation rolling off her — she thought this was her win.

 That's when I calmly reached up and removed my mask. For the first time, the power I'd always struggled to control worked with me instead of against me. 

Clara's eyes widened in shock as my gaze met hers, the air between us thickening as time itself slowed to a crawl. The vine around my leg twitched, then loosened, retracting inch by inch as Clara's body faltered. 

She stumbled, knees hitting the grass with a dull thud, a soft curse slipping from her lips. I could feel her discomfort, the telltale headache caused when her own time vision clashed with the distortion I created.

 Her powers were fighting mine, and neither of us could fully stop it. Still, all I had to do was keep her down — and slowed — long enough.

"5... 4... 3... 2... 1!"The entire class counted down, their voices echoing across the field.

I took a deep breath, lowering my mask back over my face just as the proctor raised his hand.

"Winner — Hagarin." 

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"It's fine, really. You don't have to apologize." Clara reassured me, still comfortably seated on the hospital bed.

"Clara! I'm really sorry." I showed up at the infirmary, holding an apple pie as my peace offering. She just smiled, waving off my concern.

"You really did well back there, but didn't I already tell you to go easy on me?" She chuckled softly.

I sat at the edge of the bed, carefully cutting the apple pie. "Well, I'm glad I lost though. Thanks for the food, I guess." Clara added with a light laugh.

The laughter and chatter from earlier had long faded, replaced by the quiet hum of the evening settling in. The sky outside was painted in soft hues of sunset as I walked down the hall, my steps slow and hesitant.

Part of me didn't want to leave Clara alone in the infirmary, but she had insisted I go home, saying her dad would be there to pick her up soon anyway. The halls were practically deserted now — most students had already gone home, leaving only a few teachers and staff lingering somewhere in the building.

Or so I thought.

That was until I heard soft giggles echoing behind me — the unmistakable sound of someone laughing to themselves. And who else could it be but Ezra?

"Don't touch me," I said immediately, spinning around to face him.

He raised both hands in mock surrender, a grin plastered on his face. "I haven't even done anything!"

"You always tense up when I'm around, don't you? Dove, you gotta ease up a little," he cackled, his voice echoing faintly through the empty hall.

I crossed my arms, trying not to let his antics get to me. "What do you even want? And why are you still here this late?"

Ezra clasped his hands together, his smile never fading. "Oh, I got detention — something about almost killing a classmate earlier!" he said, far too casually for my liking.

I raised a brow, equal parts concerned and confused. "Almost killing someone? How did you even come to that conclusion?" 

"Easy! That classmate was Maverick — y'know, the guy who acts like he's the smartest person in the universe but actually reeks of arrogance." Ezra rolled his eyes dramatically before clasping his hands together, voice brimming with exaggerated enthusiasm. "So, to help him fully experience my sincere, heartfelt, emotionally touching anger, I pulled out a pistol when I got close to him."

He even pointed upward like some self-proclaimed intellectual giving a lecture.

I blinked, trying to process the sheer absurdity of what he just said. "Wait—hold on. A pistol? How did you even... What?"

Ezra gasped, clutching his chest like I'd just shattered his heart. "You didn't watch me? Oh, dove, I'm hurt! Absolutely heartbroken!"

I just stared at him, my silence practically speaking for itself. Ezra, on the other hand, stared back at me like a giant question mark had just popped out of his head.

Oh. Right. I forgot — he couldn't even see my face. The mask was still on.

"So...uh, just don't do it again." I finally broke the awkward silence.

"I like whatever is wrong with you — it's fascinating. I'm following you home." Ezra grinned, that usual chaotic glint in his eyes.

"Don't—"

"Too late! Let's go!" Before I could even finish, he grabbed my wrist and practically dragged me along.

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3,429 words

next chapter

Chapter 4: I see you

Content Warnings for Chapter 4:

Child Abuse (Physical and Emotional)

Neglect and Abandonment

Drug Abuse Mention

Domestic Violence

Mentions of Poverty and Financial S

trugglesTrauma and PTSD

 ThemesMental Health Struggles (Insanity/Breakdowns)

Graphic Descriptions of Injury/AbuseDissociation and Psychological Distress

viewer discretion is advised ⚠️

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My footsteps echoed softly through the unfamiliar halls, each step carrying me closer to a classroom I had never entered before. There was no sense of certainty about what awaited me beyond its door, only a quiet apprehension that lingered in my chest. After signing a consent form handed to me at the entrance, something unexpected happened—the paper itself shimmered faintly, folding and twisting until it transformed into a mask resting delicately in my hands.

I recognized its shape almost instantly, though only from the books I had devoured back at the facility. It was a kitsune mask, a relic often associated with spirits and tricksters from old tales. Traditionally, these masks covered the entire face, which struck me as suffocating and isolating—perhaps a personal bias formed from my own sensory sensitivities. To my relief, however, this mask was only a half-mask, designed to shield my eyes rather than my whole face. A practical adjustment, I assumed, meant to make it less overwhelming to wear.

Ms. Tess, who had been silently observing my reaction, stepped forward and explained the mask's true purpose. It was not simply an ornament or a ceremonial object—it was a tool. A containment device meant to dampen the constant flood of visions and fractured moments that relentlessly played across my mind like a broken film reel. With the mask in place, the overwhelming torrent of future flashes would ease, granting me at least a fleeting sense of normalcy.

She also gently suggested that I visit her every Friday—a standing invitation to what she called 'sensory moments.' These were designed to ground me, a time dedicated to unraveling the tension knotted inside my mind. Apparently, my powers were not only fueled by external triggers but also amplified by my own relentless overthinking, the constant hum of unease I carried with me. It was this internal chaos, she explained, that kept my abilities flaring wildly out of control, leaving me drained and vulnerable.

Those fleeting thoughts, fragile as fallen leaves beneath my feet, crumbled the moment I stood before the door. Room 206—a name so ordinary for a place that felt anything but.

My knuckles rapped softly against the wood, and with a breath caught between hesitation and resolve, I pushed the door open.

"As predicted, here she is."

The voice belonged to the professor, whose gaze flickered toward me with the faintest trace of expectation. I lifted my eyes to meet theirs, offering a plain, almost weightless, "Good morning," before stepping fully into the room—a presence without fanfare, yet not without gravity.

My gaze drifted over the room, tracing each unfamiliar face. Eleven students. Only eleven.

So, they weren't exaggerating after all. Those who walk the uncertain paths tied to time itself—our kind—are rare as cracks in the sky.  From what I see, they all have unique different objects they wear to help them control their powers, which is quite amazing to think that there's this one girl who have her eyes blindfolded.

"Please introduce yourself." The professor said as I nodded. "Good morning. I am Tachibana Hagarin..."

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Curious gazes devoured my presence the moment I settled into my seat. I suppose I couldn't blame them—a new face in a room so small was bound to attract attention. The silence that followed pressed against my skin like a second atmosphere, thick and unrelenting.

"For the continuation of our lesson," the professor's voice cut through the hush like a knife against glass, "we begin at Chapter 5."

A pause—deliberate, heavy.

"Dark Triad."

The words slithered into the air, curling like smoke around the edges of my mind.

"The Dark Triad refers to Narcissism, Machiavellianism, and Psychopathy—three personality traits bound together by manipulation, absence of empathy, and an insatiable hunger for control."

The professor's voice echoed within the hollow of my thoughts, and for once, the clarity of it felt almost indulgent. My mind had been left unclouded for days, all thanks to the mask resting against my face — a fragile shield between my sanity and the endless unraveling of time.

Even so, I couldn't help but wonder why we were treading the waters of psychology in the first place.

This was supposed to be a class for those who twist time itself — so why did this feel like an autopsy for the mind? 

When the class ended after 2 hours, I finally reached the schedule of vacant time. I was quietly thinking of what to do with the given 2 hours of vacant but suddenly...

A pen rolled near my shoe, its faint clatter against the cold floor somehow louder than it should have been. I leaned forward, fingers poised to grasp it—

"No!"

The word cracked like a whip through the air, sharp enough to slice through my hesitation. I looked up to see a girl, panic carved into every step she took as she nearly stumbled toward me, her shoe sending the pen skittering across the room.

"You shouldn't touch it," she whispered, her voice low and urgent, as if the walls themselves had ears.

I followed the flicker of her gaze to a boy slouched near the back, his grin stitched too wide across his face, a glint in his eye that spoke of cruelty reserved for those who knew no limits.

"Why?" My voice was calm, but curiosity curled beneath it like smoke.

"That pen," Clara murmured, fingers trembling as they curled into her sleeves, "has been laced with someone's twisted magic. If you touched it, you would've been swallowed whole — into a room stitched from riddles and silence. A place where you could scream until your voice breaks, and still no one would hear you."

Her words tasted like truth, bitter and lingering.

"But you kicked it," I pointed out, my voice softer now. "Wouldn't that count as contact?"

She shook her head, strands of hair sticking to the sweat gathering at her temple. "No... It needs skin. It craves warmth. Bone, flesh, the pulse beneath your fingertips. Shoes are just leather and rubber. They hold no soul."

Her eyes drifted back to the boy — the architect of this sick game — who merely offered a laugh that sounded more like something choking on itself.

"Just be careful," Clara said, voice dipping lower. "You're new. You don't want to end up... you know... a plaything."

I offered a nod, the weight of her words settling across my shoulders like a damp cloak. "Thank you for the warning."

There was silence, then her hand stretched toward me, trembling just slightly. "I'm Clara."

I took her hand — cold skin against mine — and held it for a breath longer than I meant to. "Hagarin."

A pause, then: "Can I ask... more about this place? This department?"

Clara sighed, her expression caught somewhere between pity and exhaustion, before she sank into the seat beside me.

"I'll tell you everything I can," she said, her voice no louder than a prayer, "in hopes it makes you feel a little less like prey."

When Clara settled beside me, I let my gaze linger on her — a habit born from survival rather than curiosity. Her hair, a shade too soft for this place, was braided into a bun plait, too delicate for a room that reeked of fear. The strands twisted like a noose, and at its center, her monocle gleamed like an artificial eye — an elegant restraint to a power I knew she could barely hold back.

"Where would you like to start?" Her voice cut through my observation like a scalpel, precise and clinical.

I averted my gaze, as though looking too long would unravel me. "I suppose... we could start with the culture here. What do people do in a place like this?"

Clara's smile was thin, barely there, like a ghost caught between walls. "Culture," she repeated, as though the word was foreign, a relic long buried beneath dust and rot.

She folded her hands in her lap, knuckles pale. "This building breathes silence. Not by design, but by consequence. We are few — a species on the verge of extinction, clinging to corridors stained with the mistakes of those who came before us. But we all share the same disease."

Her voice dropped into something brittle. "The disease of seeing too much."

I felt my stomach twist. "And the subjects you study?"

"Psychology, History, Philosophy, Sociology, Politics," she listed them like names on gravestones.

"Why?" I asked, though I already knew the answer would taste bitter.

"Because if you lose your mind, your power will devour you." Her words carried the weight of a funeral prayer. "This place is a coffin for those who couldn't hold their own sanity together — their powers grew wild, untethered, until they swallowed them whole. If you can't control your mind, you can't control the time."

Clara scratched at her temple, the skin red and irritated, as though her own thoughts were a splinter beneath the flesh.

"These subjects aren't about learning — they're about survival. You study history so you don't repeat your own mistakes. You study psychology so you understand the voices crawling inside your head. Philosophy teaches you to question your reality before it eats you alive. Sociology reminds you that you aren't the only monster walking these halls. And politics..."

She trailed off, but another voice filled the void.

"Politics teaches you the rules of power. Knowing when to kneel — and when to slit a throat."

The footsteps were soft, measured, each one deliberate like the ticking of a clock. A boy stood before us, the air around him heavy with calculation. His uniform was too neat, his posture too perfect, like he belonged in a portrait rather than this crumbling room.

His smile was polite, but his eyes were scalpel-sharp, stripping me bare in a single glance. "Sanity is currency here," he said. "If you lose it, your power consumes you from the inside out. So, we sharpen our minds until they're blades — because the only way to survive this place is to cut first."

The room felt colder.

The boy offered no introduction but just a polite smile. "Right, no need to sound like a walking thesis just to make us feel stupid, Clarence," Clara shot back, her voice light, but her eyes rolling with enough force to tilt the earth off its axis.

Clarence chuckled — a low, deliberate sound that somehow felt like it belonged to someone who knew exactly how and when you would die. "Just doing my civic duty. Our new little time anomaly deserves the full orientation package, doesn't she?" His gaze flickered to me, sharp but amused.

I rested my chin in my palm, already exhausted. "If we're supposed to be trained into functional, sane people, why's that guy..." —my finger lazily pointed at the slumped figure drooling onto his desk, the one who rolled the pen towards me— "acting like he's escaped from a psychological horror film?"

Clara snorted. "Oh, him? That's Ezra. He's new, like you. Except he skipped the 'gradual breakdown' part and just speed ran straight into 'hopelessly unhinged.'"

Clarence leaned against the desk, his expression darkening into something more serious — the kind of look you'd wear at a eulogy. "He's a walking cautionary tale. His sanity wasn't just fractured — it was pried apart, piece by piece, until the light itself showed him everything he couldn't bear to see."

He paused, his fingers tracing patterns on the desk absentmindedly. "You see, for some of us, the power doesn't break us. It shows us how broken we already were. And once the mind is exposed to too much truth, it shatters like glass."

I didn't respond. There wasn't much to say when someone described a fate you could practically feel breathing down your neck.

Clara, mercifully, broke the silence. "Anyway!" she clapped her hands together, trying to inject some life back into the room. "Moral of the story — don't touch random objects, don't stare too long at the void, and for god's sake, never trust the vending machine on the third floor."

"Why the vending machine?" I blinked, confused by the sudden shift.

Clarence just smiled. "It eats more than your money."

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Several days have passed, and I suppose I've begun to adapt to the peculiar rhythm of this place. The atmosphere here is unlike the main building, which was constantly alive with noise and bustling students. In stark contrast, this department feels almost isolated, its silence only interrupted by the occasional conversation or the faint hum of distant footsteps.

Throughout these days, I've found myself gravitating toward Clara and Clarence. They seem to have taken it upon themselves to ensure I don't entirely lose my mind in this strange environment. When they're occupied, however, Ezra tends to appear — often without warning. His presence alone is unnerving, considering our first encounter involved him casually rolling a cursed pen in my direction. A pen, mind you, capable of trapping me within a labyrinth of riddles until I somehow managed to solve my way out. To put it lightly, Ezra's existence leaves me with an enduring sense of wariness.

At the moment, our class is gathered in the gymnasium. Today's exercise focuses on building connections — not through casual conversation, but through direct access to each other's memories. The process is simple in theory: remove any object that dampens our abilities, select a partner, and lock eyes until the walls around their past begin to collapse, allowing us a glimpse into their personal history. It is, apparently, a foundational technique for understanding time travel. For some reason, the moment I removed my mask, nothing happened. No sudden flood of memories, no overwhelming rush of visions — just the ordinary sight of the gymnasium and my classmates. It was almost unsettling how quiet my mind remained, like a static screen where chaos should have been.

Perhaps it's this building itself — designed to keep us on edge, to suppress what we rely on most. I couldn't help but wonder what kind of subtle tricks they embedded into these walls. A spell? A mechanism? Or maybe something much simpler, like the weight of constant observation. Whatever it was, the absence of noise in my head felt louder than any commotion ever could.

"I'll be assigning partners," our proctor announced, glancing down at the clipboard in his hands. A collective groan rippled through the room, though none of us were particularly surprised. Of course, we couldn't choose for ourselves — not here.

"Hagarin and Ezra."

Ah, yes. The radiant beacon of my existence. How fortunate I am.

From behind me, I heard the unmistakable twin reactions of Clara and Clarence — a synchronized oh that carried both sympathy and amusement. I turned to them, silently pleading for some form of rescue, but all they offered in return were sheepish smiles and helpless shrugs.

Before I could plot my escape, a hand clamped down on my shoulder, spinning me around with unnecessary enthusiasm. "Aren't you the luckiest? Partnered with me!" Ezra's grin stretched ear to ear, radiating the kind of chaotic energy that could set off a fire alarm just by existing.

"More like a curse," I replied, shaking my head. "You cling like a wasp that refuses to die."

"And you," he said, utterly unfazed, "are the honey — all sweet and easy to mess with."

"Dear god..." I muttered with a cringed reaction etched on my face, turning to walk away, only for him to seize my wrist and pull me back into his orbit, cackling like a villain in a low-budget play.

He's going to be the death of me someday — that much I'm certain of.

The proctor continued announcing the other pairs, though his voice felt distant, like a soft hum beneath the weight of my own thoughts. Soon enough, it was time to begin.

We were instructed to sit across from our assigned partners, knees barely apart, eyes locked. No masks, no objects to soften the edges of our abilities. Just direct eye contact, until the world around us dissolved into memory.

The rules were clear, spoken with the sternness of someone who had undoubtedly witnessed the consequences of disobedience: Do not touch anything. Do not move anything. Do not allow yourself to be seen. Do not speak to anyone. Observe, nothing more. A quiet ghost in the river of time.

I met his gaze, and for a brief moment, I forgot how to breathe.

His eyes — mismatched and striking — were a story in themselves. One a rich amber, warm like sunlight spilling through ancient windows; the other a deep, stormy blue, like the sky moments before thunder shatters the silence. They pulled me in, gently at first, then all at once, like falling into a trance where the edges between past and present began to blur.

Somehow, without meaning to, I found myself wondering — if eyes could hold someone's entire history, what kind of story would his tell me?

A blur crawled into my mind, cold and relentless — like fingers dragging me under the surface of a frozen lake.

The flood of memories didn't arrive gently, nor did it feel like a tender unveiling of his past. It was violence wrapped in silence, the kind of silence that pulses against your ears when screams are too hoarse to escape. Whispers slithered through the cracks in my consciousness, fragmented mutterings, desperate pleas, the sound of skin hitting skin, the begging — oh god, the begging to live.

And that is the story of Ezra.

A boy born into the middle ground — not poor enough to be pitied, not wealthy enough to be spared. His life was average in the cruelest sense, hovering just above ruin, surrounded by people too broken to love him properly. Those smiles and bursts of manic energy were a carefully crafted mask, because the truth was too ugly to show.

Deliberately ignored by the very hands meant to protect him, Ezra learned survival the hard way. His mother — the woman meant to fill his stomach and soothe his fears — turned to drugs instead, letting substances take the place of responsibility. The house became a prison, the walls soaked with the stench of neglect. And when she wasn't a ghost, she was a monster.

She made sure his body bore the weight of her frustrations. Bruises blooming like rotting flowers, bones learning to break before they could fully grow. There were nights he couldn't walk, mornings he woke up wondering if his legs would ever carry him again.

And yet, here he sits — bright-eyed, loud-mouthed, and relentlessly alive.

But now I know the truth.

Every smile is a desperate defiance. Every laugh is a scream buried under his tongue. Every careless act of chaos is a child daring the world to break him again.

And in this flood of someone else's pain, I realized: some people aren't born survivors — they're made into them.

I wanted to help him.

It wasn't a fleeting thought, nor some heroic impulse — it was instinct, primal and unforgiving. My bones screamed at me to reach out, to shatter the rules, to tear through the veil that separated my reality from his.

But I couldn't.

Because the rules are absolute.

Do not touch. Remain unseen. Just watch.

So I watched. I watched as he collapsed onto the cold, filthy ground, limbs trembling from the weight of bruises layered over bones too fragile for this kind of life. His breathing was shallow, the kind of breath that doesn't expect to last.

And when I thought that was the end — that this was where his story would end in a puddle of blood and neglect — she came.

An old woman with shaking hands and kindness carved into every line on her face. She scooped him up like he was something fragile and precious, like broken things were meant to be cared for, not discarded.

She gave him warmth, food, and clothes that didn't hang off him like skin he was waiting to shed. She gave him a home, not just a house. And for the first time, he tasted love. Real love — the kind without conditions, without fists hiding behind smiles.

"What's a wife?" young Ezra asked one day, small fingers tugging at her sleeve as they sat by a hearth that crackled softly — the only sound that didn't hurt his ears.

The old woman smiled, gentle and sad. "A wife is someone you'll love — someone you'll never turn your back on. She's like a seed you plant, one that grows into something beautiful if you care for it properly. Promise me, Ezra. When you find someone, treat her right. Be the kind of man your father never was."

And for a while, it seemed like fate would be kinder to him.

But trauma doesn't disappear — it festers. It finds ways to seep into every crack, even when you think you've sealed them shut.

So Ezra grew up with kindness in his heart, but madness wrapped around his mind like a second skin.

He became a man who laughed too loudly and too often, because silence was where the ghosts lived. He turned himself into a living spectacle — an insane clown wearing tragedy like face paint. But beneath the chaos, beneath the theatrics, he was still that little boy asking what love was, praying someone would show him how not to break it.

Ezra is a good man.

Just one who was built from broken things. ------------------------------------------------------------------------------ 3,743 words

Next Chapter

Concept design practice for a half elf skater girl named Aneres

Somewhere out there within the dark woods of somewhere or another, in days some time past, there was a town. And that town worshipped one god, and that god was a hole.

Yes, a massive hole, at the center of their town. Deep and dark, perhaps leading all the way down to oblivion. Some people said the god lived at the bottom of the hole, others said that the god was the hole itself, or even the shadows that lay within. They had no temples, no alters, only the hole. And the hole of the hole demanded things of them. It was hungry, strangely hungry. It did not have sacfices, it demanded tribute. Taxes in a way. People would scrounge up what little money they had for the hole, and the hole promised back that it would give them good things in return.

There were those who warned them of the hole. The cryptids of the dark forest, and the occultists and demon hunters, and even the deep ones that lay in the dark ocean and the scaled men of the forgotten ruins. But the townsfolk didn't listen, the hole made them feel good. It felt good to give it money. And even though they never exactly saw how the hole must have been helping them. How could it not be helping them if they had given it so much. And soon the hole banished all supernatural things but itself, and the people said the hole was making them safe.

And soon the hole was bigger. What was once the size of a well had grown to being big enough to consume a house. And soon the town changed, the hole began to be its center, the entire town shifted so that all public life was around the hole. And soon those who didn't like the hole, or who questioned it, where seen as evil or strange people, greedy for not wanting to give the hole their money, they were seen as selfish and entitled, entitled to all the hole's benefits without paying their share. It was a tragedy when someone grew up to move out of the town and not follow the hole.

And soon the hole had more and more demands. And everyone listened as it grew larger and larger. Soon it didn't want money, it wanted things too, televisions, automobiles, books, family relics, grandma's ashes, works of art, perhaps even beloved pets. And it became taboo not just to question it, but to feel sad when you lost something to the hole. You couldn't say you missed it, or replace it too soon, the hole wanted you to not have it, you were so obviously wrong to miss it. You didn't just have to give to the hole, you had to understand that it was improving your life.

There was a movement of young people, who wanted to get rid of the hole. But it was too late by then, they had no other gods, no other spirits or creatures, and the hole was as large as a city block. And either way, the town police belonged to the hole now, and they would kill for it, and they would die for it. Some young rebels moved away. But most found themselves not being able to give up their family, their freinds, and their safety to fight the hole. So for a time they pretended to like it, and when you do something, and say something for long enough it can become your truth, and soon enough those who pretended to live the hole truly did love it.

And soon there was no music or movies that the hole didn't approve of. Everyone followed the hole's rules. And everyone loved the hole so dearly and so brightly. They couldn't imagine a town without a hole. When they thought of other towns they imagined that they must have had holes too, and every idea of a place without it was sad and depressing. And as the hole was then a quarter of the size of the town, it was hungry, and demanded not just things but flesh. And people happily gave, it would be weird to not want to give. They gave eyes, ears, teeth, testicles, tounges, fingers and toes and hands and feet and arms and legs. And they didn't miss their body parts at all. And when one day the hole demanded people jump in, and give their lives to it, they didn't mind or question at all, it didn't feel like death, and nobody missed that they weren't there.

And now, in the dark woods, there is a hole where a town used to be. It has eaten the entire the thing, every last inch and citizen of it. It is not satisfied. But it has grown all that it could. And one must wonder if the hole is lonely now, or if it knows that it has done all it ever hoped to.

Hope has dirt under her fingernails

Hope has dirt under her fingernails. Her broken foot trembles beneath her as she stands up, reading herself for another punch.

Faith clutches the rim of the sink, breath fogging up the mirror. Then she takes her meds and closes the door behind her.

Perseverance hands bribes to cops and takes the first cleaning job she gets, eyes averted as she gets slapped for tardiness.

Selflessness shivers on her bedroom floor, the memory of loosing a patient on the operation table replaying behind her eyelids again.

Love sits in the visitors hall of the hospital, waiting to replace the wilted flowers beside the coma patient.

Passion only leaves the house to go to therapy, the world too painful to look at for long.

Strength looks at the others and decides to make a home in their hearts.

Germany Gothic

- there are many fields of flowers. Pick yourself, the sign says. Leave money in box. Leave the money in the box. Bring a knife, not scissors for the flowers. Do not use the one supplied, you don't want your fingerprints on it.

- The playground is empty after eight. Empty. Don't be convinced otherwise. She's not there, the playground is empty.

- If you have a problem, do not approach the teacher watching over the children. Do not approach the mother of three. Smile and greet them, but approach the child waiting behind them. They are the ones truly guarding the children. They will help you. Their guardians guard something different.

- Some time ago, men in brown shirts stole people from their houses. These houses are marked with gold, but not by us. We only know not to step on the gold. The stolen people will not haunt you, the neighbours that watched will.

- This buildings is old, he proudly says. They survived the wars. You smile. You do not asked why they survived. The houses know your question, they grin. Ask them later, he doesn't know.

- A soccer field's lights are always on. People are always playing. Don't approach them; you don't know who they are playing against. Pray they win every night.

- The beggar is not hungry. Not for food. Be kind, and they will ask their price from someone else.

- If you are lost, don't ask the police officer. Ask the street musician. The oldest person in the city doesn't remember a day without that saxophone sounding through the streets. Music is a hobby for many species, and they know better than you where you came from.

- trust the fields. They have seen young girls safely pass. If it calls to you, answer it.

- avoid the people smiling at you, the ones with bright eyes and pretty scarves. No one has seen them here before. Walk beside the ones in grey and black who stare forward, never meeting your eyes. Trust me, they are watching you. If they do meet your eyes, they are telling you you are in danger.

- The bus driver is your friend. The security camera in the back of the bus is not.

-You do not talk to the person in the seat next to yours on the bus. Do not ask them where they're going. Do not ask where they need to get out. Humankind may have buried body language a long time ago, but it will serve you well now.

The idea of dragons in modern times is so fun because imagine a hot summer day on your vacay and go to use the hotel pool and staff is like “valued guests we regret to inform you that the pool area is out of service at the moment, we apologize for the inconvenience”

And people like “wtf why” looking out their hotel room window and there’s this. This dragon just curled up in the pool chilling, literally, cooling itself down

Some of the staff are trying to gently shoo him away and the dragon does a soft little “rrrrrr” like a grumpy cat and a warning puff of smoke and they’re like “fuck it i don’t get paid nearly enough for this” and no ones using the pool today sorry!

Reblog to get the creature to come to you. Like to give them a little gift of some sort.

Day 12 - Mimic In mythology, there has been many records of shapeshifters. The earliest recorded we can find being, "The Epic of Gilgamesh" ancienct sumerian poems dating back to the third dynasty where 'Gilgamesh' encounters a forest demon named 'Humbaba' who was able to change their form and fight for hours on end. This card, however depicts the more known Mimics seen in fantasy settings... Be careful where you buy a drink I suppose!

"These trains run 24 hours every day, much like our maintenance the ocean is also active at night with beautiful aquatic life."

An alternate version of the last art, I sold these at local stalls and realised I hadn't shared them!

Some concept art for a project Im slowly working on in the background. Take a load off, take a sit back and watch the beauty of the ecosystem before you arrive at your destination.

I might actually use this one, someday.

A character with "true sight," or some kind of uncontrolled visionary episodes, isn't suffering from "misidentified psychosis," but is intuiting an extrapolated future based on the information they have.

They can predict the future, but it looks like insanity or a neurological condition. As they get older, more experienced, and better informed, their visions will get more accurate. Assuming they can survive that long.

Because even being right, or living in a culture that believes in oracles or prophecy, won't guarantee you get believed or respected. After all, humans are humans... or maybe I should say, people are people. If nobody wants to believe that something is a bad idea, they won't. If everyone wants to believe the army can brush the enemy aside without much trouble, they will despise you for harshing their vibe.

And don't think it will get better if you're right, or keep being right. They won't apologize to you, or change their attitude toward your prophecy (well, a small minority might). Most of them resent you for making them look bad, and will find a way to blame you for the very thing you warned them about.

Suburban Wyvern Wrangling

An intro I wrote over a year ago for a story I’ll likely never get around to continuing, at least not for a long while. I’m still pretty proud of this though so, thought I might as well post it. (And yes, I know the title sucks.)

Chasing after a dragon in the edge of town was the last thing Latisha wanted to be doing at 9pm.

She could be resting at home, watching some adorable parrot videos on her phone, but no, she just had to get a call from her boss telling her how there had been sightings of a cat-sized, lizard bat soaring over Minchester Park. She could be driving to her job’s local office to drop off the creature, but no, it just had to be a skittish wild dragon, rather than a more approachable domesticated one. She could be tackling the reptile to the ground right now, but no, it just had to be a British wyvern, one of the swiftest species out there. How in the world did a British wyvern even get to central Indiana? At least it was a dwarf species. But then again, if it were any larger, then a fully-equipped cryptid-catching team would have been called in to capture the beast instead of a single woman in an old hoodie.

Well, fuck then.

But Tish didn’t have time to dwell on that any further. She had to focus on catching up to the beast while maneuvering between lamp posts and flowering trees. She swerved around a picnic table, not taking her eyes off the dragon for even a second. This creature was fast, remaining a few strides ahead of her, and it didn’t show any signs that it would be landing soon. Tish silently pleaded that it would at least descend a bit just to give her neck a break from craning upwards.

The powers that be must have heard her pleas and decided to troll her, because the dragon ended up soaring past the entry arch of the park and straight into someone’s neighboring yard. It wasn’t just any yard though. It was one of those thousand square foot yards with a mansion-esque house in the middle of it.

“Shit! Shit! Shit! Shit!” Tish groaned as she skidded to a halt. There was no way she could trespass on such lavish private property and get away with it. Even though it may have been nighttime in a part of town where most residents would be in bed by now, she still imagined the homeowners wouldn’t take kindly to finding a black woman in dusty attire sneaking through their property in search of an animal that, as far as they knew, was as fictional as magic wands.

Maybe the residents were hidumans and not visumans, and she could explain the situation to them. Oh, who was she kidding, the nearest hidumans who could afford to live in an apartment-complex-sized house most likely lived in Chicago, not in the suburbs of central Indiana. Tish knew that if the dragon remained over there much longer, there was going to be some sort of a ruckus tonight, no matter what action she chose to take.

Tish darted back and forth along the edge of the park, mirroring the dragon as it zigzagged over the lawn. Pushing back a few stray curls from her face, she took a quick glance at the digital watch on her wrist. It was 9:06. If she didn’t capture this dragon soon, she may end up having to just leave it behind. British wyverns were passive enough that she didn’t mind leaving it be, where it would at worst only spook a few people. What Tish didn’t want was a stern reprimand from her boss and $300 less in her paycheck for all her trouble. Considering how low the dragon was flying now, she may end up having to do so.

Much to her luck, surprise, and relief, the dragon ended up swooping out of the property, gliding towards the adjacent sidewalk. Tish immediately sprinted onto the walkway. The wyvern began slowing down as it continued to descend, allowing Tish to close the distance between her and the beast. A few moments later, it finally landed in a field of tall grasses bordering the sidewalk.

As soon as the creature had set foot on land, Tish crouched low to the ground. Her steps were now soft and slow as she snuck up on the dragon. The wyvern folded up its wings and sat down to rest, unaware that its pursuer was still nearby. Latisha crept ever closer to it, pausing for a moment after each step. She could not afford for it to go flying off again, not when it was only a few feet in front of her now.

When she had reached the edge of the sidewalk, Tish leaped onto the creature, pinning it down by the back with her hands. The dragon frantically flapped its wings and flailed its tail, letting out a shrill, falcon-like cry. Tish kept her head raised. Though dragons may not have been able to actually breathe fire, their strong tail whips sure felt as fiery as any blaze.

She turned her left arm onto the entirety of the dragon’s back, freeing up her right hand. Fumbling through the top pocket of her cargo shorts, she retrieved a small plastic packet. Tish secured one side of the packet firmly between her teeth, keeping her grip on it with her hand. With both her head and her hand, she yanked both sides of the plastic, tearing it in two. She quickly pulled out the sticky, white pad inside, letting the plastic casing fall to the ground.

As quickly and gently as she could with it struggling, Tish turned the dragon on its side, exposing its underbelly. She placed the pad on this softer region of its body and pressed down to ensure it remained secure. After a few seconds, the dragon’s movements steadily slowed and its cry became softer. Its entire body gradually became more limp, until it fell asleep. The only sounds and movements it made were those of its breathing.

The woman took a sigh of relief. Retying the headwrap holding up her hair, she took the moment to enjoy having finally caught the elusive creature.

She then turned around the baby sling she had wrapped around her body so that the carrying part of it rested just below her breasts. Supporting the dragon by its head and back, she lifted it up and snuggly cradled it into the sling. Ideally, Tish would have brought the containment box with her, but after the first few times she’d done so, she quickly learned that trying to wrangle in cryptids with a giant box in her hands only made the chase and capture more difficult.

Tish checked over the dragon to make sure that it was tightly tucked in and that its nose wasn’t obscured before getting back on her feet. She checked her watch once again: 9:15.

Looks like I’m going to have to run back to the car as well. Wait?

Where did I park again?

Like to give your creature a pat on the head. Reblog to increase their power. Tag your friends to see what they'd choose to summon. Look under the cut to see what it's like to meet your creature.

The vampire: She first comes to you as a shadow entering your room but takes fleshy form as she comes to the seat of your bed, wearing men's clothes from centuries ago. Though she is not of this world anymore you can tell that she once was human, even if such humanity is long forgotten. Her mouth shifts, from something massive and monstrous, with many fangs and moving parts, to something more humanoid, though still with sharp steel fangs in place of teeth. She sings to you and old forgotten song, of gods only spoken about by humans in taboo whispers, and fleshes you look of her ever-young bright red eyes. You begin to harmonize, your voices meeting as equals, as she begins to rest on your lap, and let herself be pet like a cat. You feel the shape of her body, it's so cold. She begs for your blood in song, and you give it to her as you pet her head, her mouth opens up to its monstrous size again, but she's so loyal and submissive as she drinks from your hand, like a bird eating right out of your palm.

The ghost: The room fills with red, as red and a blood moon, and red as a fresh beating heart. Spirits rise and you see something ancient lash towards you, hir hands like a mantis's claws, hir face like a skull yet featureless save for two dark eyes, hir red body covered in bug like limbs and tentacles and shimming egg cases. Sie turns hir head to look at you and sie rushes at you like a deadly predator but passes through you, eldritch ghostly wires wrapping around hir like chains to pull hir back to you as sie bows, defeated, begging with only a look not to be banished. You're not sure if sie is terrifying, pathetic, or honorable, but as you put your hand out sie seems somewhat honored to be allowed to stand up. You wonder what sie's thinking but you don't think to ask, it's only barely dawned on you that such an inhuman creature has a mind like yours, that sie is sentient, that hir race was much like yours when they were still alive. You just look at each other for a good amount of time, not sure who is more powerful.

The angel: They first come to you in an empty subway station, the ruins on the ground barely keeping you safe from them. Yet they look forlorn, like they would not have the energy to hurt you. Their form is pale and ghostly, white and colorless, the only mark of brightness being the blood that stains their hands, and wings. Chains weight down their slender body, as a veil hides their face. For a small moment they spread their six great wings, showing you their true size and power even in their cursed state. Eye sockets open for you for a brief moment, all over their body, all of them empty. Terrifying as they are none would deny that they are in great pain. You reach your hand out and gently whisper "it's ok" as they slow down and look at you as if they have not seen such sympathy from a creature in a long time. They extend a hand for you to hold, and you grab it, pet it for a slight moment, and you can feel a long dead fire seep through your veins. "It's ok." "It's ok."

The faceless woman: Deep beyond the city limits, where no light shines save for the stars, you see her, spiderwebs and shadows her friends, and faeries and dead gods her masters. She looks like a human at first, tall and long haired, in a ragged suit that covers her flesh. But then you see her head, and where her face could have been there is only a black pick, a hole that no normal human could survive to have. It looks at first like the void is of pure darkness, but inside it you have catch a glimpse of countless teeth like a lamprey's. She seems to laugh though she has no mouth, amused that a human would think to approach her, but you approach her even more, wondering what she even is. She suddenly gets excited as she sees something in your eyes, sees that you won't back down. You offer her some raw meat, a sign of good will, as you put it in her hands, she consumes it by causing it to melt into dust in her hands. She looks at you, as an ally, an accomplice, if she could, she would have smiled.

Paladin: She stands before you, bowing strangely, so submissively, though she's so obviously strong enough to rip you apart. It's strange to think this creature is actually in your room, that she's actually yours, that she was once a human like you. You can see where the plate and chain is fused to her neck, her hands eternally attached to her sword and flintlock, her eyes looking up at you wish a strange sadness. There's blood on her face and hair that will never wash out. As you come closer she seems afraid of you, like you could ruin her in ways that she could never hope to ruin you, despite her power and prowess. You ask if you can pet her head and she nods, you aren't sure yet if she could speak to you if she wanted. When you so gently pet and stroke her face and hair, she seems so happy, so happy to have someone treat her in such a way. You tell her that she's doing well, that she did a good job, it seems like she needed to hear that.

Autumn faerie: He looks down at you from the tome that he walked out of the world around them blackened until he's all that you're able to see. A smiling mask rests on his face, and far more cover his body, the only clothing on his strange body, almost human, almost extremely not human, bright wings sprouting from the flesh of his back. He looks at you, studying you, like he already knows so much about you but now he finally gets to see you. Is he impressed? He at the very least seems as if he's satisfied. He hands you a mask, you don't know how, but it looks like you, not literally, it looks more like an animal then a human, but it looks like your true face, like just as you summoned and bound him with his true name, he gets this from you in his return. You put on the mask, the deal is signed at it rings with pleasure, you'll never be the same again.

Harpy: You first see zir on a fire escape, the lights of the buildings around zir shining like stars against the starless night sky. You can only see zir eyes at first, shining gold against the darkness of zir body. But you call zir into your apartment with a forgotten tongue and watch a ze lands near you, so very alien but so very close. Zir body is marked by feathered wings, and zir form are like a bird's from the waist down, blue and white and gold as if they were painted, you can tell zir body was crafted directly by the gods themselves. You call upon zir with a song long forgotten and wondered what the look in zir eyes means. Though ze is beautiful ze has taken lives, and though ze is humanlike in some regards to zir shape, zir movements are so alien. You let zir carry you, and it feels strangely good to be held, and let zir fly with you, above the city streets, looking down at things most will never see, at birds and clouds flying past you, and at the world below, so many people, and somehow you feel safe with the wind rushing past your hair.

Incubus: You see him, sitting in an empty office building. His humanoid form is slender and short and more pretty than he is handsome, the only reason you think of him as male being his flat chest. You can he's now human from the raven's wings and scorpion's tail on his back, the branching horns and snakes for hair on his head, his sharp teeth and the stars shaped pupils. The clothing he wears is loose and comfortable, as if it was chosen in a state of depression. You expected more confidence when you summoned him. He backs away from you afraid, afraid of what you'll do to him. It looks like monster hunters got to him before you had a chance to, he's lucky to even be alive. You set out some rat's souls for him to eat so he'll trust you more, and you assure him that it's ok, that he's safe. He starts crying a bit as he looks at you, and after he finishes eating you offer to hug him. He lets you and you feel his body be surrounded by your, afraid but enjoying the affection so much as you assure him again that you won't hurt him.

Golem: They sit by you in abandoned mall, displaying so much power as they move steel pipes to the side to get closer to you. Their strength mired by the way even the smallest rip seems to be something them need to avoid. You look at them, their body so perfectly created, like human sized origami, the letter of life on their head being the only thing that marks their pure white paper body. You ask them to follow you, but they won't follow, a single puddle blocks their path, no obstacle for you, but even a being of their power has weaknesses. You slowly clear it, putting objects you can find over the puddle until finally they can follow you out into the light, still afraid of the sky you hand them an umbrella, just in case...

Undead: You first see him in a dark alleyway that the sun cannot meet him in. You wonder how many dimensions he's been to, how many dimensions he's been from, before he got here. He looks at you with three eyes of different colors. Skin stitched together across him, of different colors and textures and levels of rot, clothing resting on him from several different lives. He chatters, first in one voice asking where he is, where he could be. Then another voice questions you, wondering who you are, why you'd want to see him. Another voice looks at his own face in a piece of shattered glass and screams in terror. For a moment you think he'd attack, you're not sure if the spell would protect you. But he doesn't, he just looks at you for a while, confused perhaps. You ask him if he wants to follow you, and he seems to. Within his storm of countless voices, he decides to ask you, almost with all at once, "who am I." After thinking for a while you decide to answer, "You're you."

Demon: You stand in a closed down amusement part, the sea beside you shining like in the moonlight as he rises out of the water. He's massive; larger than you expected. His body a pale white as he rises out of the newly boiling water, his three heads eat long and sharp toothed like an alligator's, his eyes as red freshly cut meat, seven tattered wings on his back expanding to nearly cover the sky. He laughs, you're not sure how sadistic or how genuine it is considering the unreadable expressions of his reptilian heads. He charges at you with his teeth gnashing and blood pouring out of each of his mouths. But the spell blocks him like a shield made out of the air. As he fails to attack you more, he becomes frustrated, then tired, and rests on a rollercoaster. He seems to respect you knowing you were able to bind him like that, and regardless of if he likes it or not, he's yours now.

Shapeshifter: She slowly walks towards you out from the tunnel, she experiments with forms to see how you react; a small white kitten, a robotic humanoid woman, a long-haired demoness, a woman made out of blue slime. You can tell she's seen a lot of creatures before, that you're not her first master, she's known vampires, and werewolves, and demons in her time. It doesn't seem like many of them have been kind to her. You call to her and bring her closer with your magic. Slowly you watch her, you just wait as she changes her form, getting more experimental with the bodies she's willing to take. You just look at her, letting her be herself, letting her show you her art. Eventually she settles on something that feels like herself, something that she can be comfortable following you home with.

First time painting something on clothes/shoes. Like how it come out.

On their way home with a nice afternoon snack after a busy day of studying annoying IwaOi 🍕

More UrbanFantasy University AU art, you know the drill >.> This time with wind spirit Hanamaki and half-centaur/half-dullahan Matsun.

[IwaOi]