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![Nothing About Us Without Us. Image Description: [pale Purple And Yellow Background With Dark Text]](https://64.media.tumblr.com/04b90f7b75fb83a513e7ec743920a1be/tumblr_o4i6rwl6jV1r73x6go1_500.jpg)
Nothing about us without us. Image description: [pale purple and yellow background with dark text] This April, don’t support an organization that harms autistic people. [crossed out logo for Autism Speaks] Support one built by autistic people, for autistic people. [logos for the Autistic Self Advocacy Network and the Autism Women’s Network]
i absolutely adore your young sanji au!! If you don't mind, could you write more about him? Like, how did the other crews that know him react to his actual age? Or even some random interactions between the straw hats after finding out!
I'M TRYING TO BE ALIVE AGAIN I PROMISE I AM SO SORRY
Young!Sanji!!! Ahh, lovely boy, precious and soft and absolutely hating everyone find out how old he actually is. He feels no one takes him seriously after they find out. They always falter and stumble and it just...doesn't feel good to him?
I feel like Law finding out would full on make him trip and face plant into the ground because Robin probably mentions it off handedly but knowingly. She knows Sanji doesn't like Law calling him Stealth Black and this seems to be the quickest way for her to stop it. Sanji is walking ahead of them to a tea house somewhere while they're in Wano. Like she specifically phrases it in a way to show how cruel Judge is and when Law full stumbles it makes Sanji look and ask what's wrong. Law is stumbling up onto his feet and is confused and asks Sanji if he's really /seventeen/ and Sanji says he is with a shrug. Law knows he's not the youngest on the crew but understands because of his love of the Sora comics that they were closer to the truth than he had realized, even after the raid suit. Germa was far worse than he knew to even its own children. When they're sat and drinking tea, Law can't help but ask why he is physically not seventeen. Sanji just goes 'ahaha, that's Germa for you' and Law is reeling that the cook is also a child on the crew. Law doesn't really change how he acts with the cook though, he doesn't see his age, only his accomplishments which are numerable even if he was twenty one, he just admires the guy more now.
Sanji is not pleased at how people keep trying to baby him after finding out how old he is and how his family is, the rescue team is especially bad. Chopper keeps asking for more and more check ups on him and Sanji is trying to just deal with it, Zoro seems to be holding back during their spars when he doesn't have to be, when they're out at a bar he keeps stealing Sanji's drinks even though he's not even buzzed yet and Zoro hates wine. Zoro, for the life of him he doesn't want to view the cook differently, but finding out about the experiments and how young Sanji was when he went through everything that led him to Zeff makes him softer. He fucking hates it but he feels like he needs to give the cook an actual chance at being a child that was denied to him. Even if he didn't get a chance he and the other kids at the dojo did play as well as train, especially when they were younger, before he left and he plays with Luffy and Chopper all the time. So when he assists Robin and Nami with the cook and making the guy take breaks. He's started doing the dishes fully on his own and shoving the cook out of the kitchen after meals.
I feel like when Zeff found out his kid wasn't ten, his kid is six and looks ten. Zeff frowns deeply at the boy who acts like a ten year old in a lot of ways, most ways, a fucked up and traumatized one albeit, but he's still ten. Except he's not and Sanji's age really shows when people flirt or try to take him to their ships for activities more fitting for an adult or teenager. Except he's not one of those, he's twelve when someone first propositions him and Zeff loses it at the customer and talks to Sanji about what they're doing, what people want from him and that he gets to decide if he wants to or not. Because Sanji is physically four years older than he actually is and Zeff wants to kill the fucking bastard that did this to the kid. Zeff knows his kid is younger than he looks but he treats the boy like how he holds himself, he's smart, impulsive, thinks he owes his life to Zeff when he doesn't. Goddammit Zeff wants him to act like a damn kid but the kid doesn't want to! Kid feels like he can't because the kid needs to be useful so on the rare nights the Baratie is closed Zeff and the others will take the kid out to the upper deck or the top of the restaurant and teach him the constellations and if the kid falls asleep it's all the better.
The kid will never act his real age, but he has people to make sure he's taken care of. That's more than enough for Sanji.
I'm gonna be taking a break from tiktok, the toxic hazbin fans on that site are running rampant lately. Thankfully, tumblr still has fandom etiquette and my moots are the best but the degeneration of fandom culture is so disheartening to see, people can't accept other headcanons or ships, they feel entitled to fanfiction and fanart, the widespread use of AI to replace artists and writers, the way everyone is so oversensitive about every little thing, the DLDI rule is forgotten at this point, people are being rude for NO REASON, the lack of critical thinking skills and media comprehension, the MISOGYNY my god, antis overtaking comment sections and being more obsessed with the show than the actual fans, purity culture proliferating like a disease, fans' expectation for every single character to cater to their experiences and if they don't then they're bad rep or poorly written or viv is glorifying abuse, god forbid someone tries to ship a rarepair or crackship which is one of the pillars fandoms are built on, people spreading leaks and spoilers with zero consideration for others or respect for the creators, THE INSISTANCE TO CENSOR AO3 LITERALLY WHAT THE FUCK as if it isn't THE online space created BECAUSE every other site was rigid and uncompromising. Ao3 has the best tagging system of any app and people still feel entitled to control what other people get to read or write instead of bothering to curate their own spaces the tags are there the warnings are there the description is there AND STILL people feel entitled to mold it so that it suits ONLY their tastes, normies bullied fans off of every single online space hence the creation of ao3 and now they worm their way there to try and bully everyone out again, get LOST
(Sorry for the vent, just needed to get it off my chest)
my hope in hell (dazai x you)
warnings; drug usage
tags; fluff, crush, reader has an ability
Dazai had it all planned out-- the only issue was a certain bird with wings that spanned far and wide, i.e., your teleportation ability. He knew you'd try to use it when the bombing would take place, to save your client, but he couldn't have you doing that. It was just a tiny notch in the belt he brushed aside, underestimating the reason he was going through the trouble to keep you out, even though your presence wouldn't exactly prevent it.
It was to keep you safe.
But he wouldn't admit it to himself. You weren't a part of the Agency, you weren't a civilian in need of protection, you weren't a close friend, you were just someone he'd come to know. The plan was, Atsushi would use the stealth of his ability to chloroform you and deliver you to where Dazai was, overlooking the plan and controlling the strings, post which he'd keep an eye- and a touch- on you to prevent you from interfering. He'd have preferred to do it himself, but he knew you'd just teleport away if you saw him approach.
"Teleportation... what a bothersome ability." He murmured, as he almost snatched your unconscious form from his coworker's shoulder, slightly irritated by the way you were being carried around like a sack of potatoes*, holding you in his arms instead. He closed the door with his foot as he sat down on the sofa, leaning against the arm to keep you on his lap. It's because I need to be touching them to use my ability. Yes, that's it.
But he found himself being severely distracted by that peaceful face, not being able to tear his eyes away. You were still in his arms, your shoulders being held up by his left and your knees by his right, which he removed to brush the hair off your face. You were so mesmerizing to him, the person who had resisted his plan, fought with him at every step, his anti-thesis, looking so delicate under him. He could feel his heart beat faster, but frowned as he realised he was not controlling it. A strange feeling crossed his stomach as his fingers ran slowly across your forehead. Time seemed to stop, and so did his racing thoughts. He didn't even deduce that the tickling sensation might wake you up as your eyes fluttered open.
"Osamu?" You spoke weakly without thinking.
My name. You said my first name.
The pacing of his heart seemed to get faster making him wonder what you did to him, as he gathered his thoughts again to respond. "You're awake." It wasn't like him to respond so stupidly. Of course you were awake. Was this love? He thought about the moments between you two, and in retrospect, the feeling they left him with. It wasn't the thrill of meeting an enemy, it was the giddyness of a crush. You were a mystery to him, the way you gave him a warm kindness despite him meaning nothing to you, politely rejecting his attempts of flirting, and most of all-- being genuinely concerned about him. What drove him to develop that affection for you, he realised, was your unconditional kindness to him hidden with a snarky attitude. It was at that moment, he realised he wanted you, and it was a little different from the way he 'wanted' anyone else he flirted with, he just... wanted your affections to save him, to pull him out of the wish to die, he wanted to feel whatever he felt when he was with you for longer. Your eyes were still droopy from the effects of the chloroform and you found it a little hard to move, finding the look on Dazai's face a little more confusing.
"Don't worry, you'll feel a bit out of it for a while till the drugs wear off."
That seemed to concern you. "You drugged me?" You spoke through struggled breaths. Not once did his eyes leave yours, making you even more uneasy.
"We can't have you teleporting to your client."
You sighed in relief. "Oh, so that's what this is about." You attempted to get up, being assisted by Dazai, who still kept you close, feeling a little disappointed as you shifted your legs off his.
He frowned, more disheartened you'd think that of him. He'd been an arguably respectful guy to most since his mafia days, ignoring all the official complaints against his flirting. "What kind of person do you take me for?"
"The worst kind." You shot him a look, feeling more and more awake by the second. "And you could keep me at physical contact at an arms length too."
"Oh, right. Sorry." He realised, allowing to you keep a little more distance, holding only your hand tightly, feeling himself lose his breath slightly like some sort of a schoolgirl when you lightly held it back.
"So, my client is in danger, huh?"
"Perhaps." He replied, keeping his usual cool smirk on his face, slightly faltering when you smiled back at him.
"Here I was thinking the Agency wouldn't just let people die."
"He's not going to die." He assured you, "but we need him slightly injured to set some things in motion."
"Slightly?" You caught on to his little white lie. Dazai seemed slightly impressed by you, his smirk turning into a genuine laugh.
"Well, I can't really tell my enemy all my secrets."
You didn't respond to that, simply looking away with a sigh. "I guess this time, I failed."
Part of him wanted to comfort you-- scratch that, an overwhelming majority of him felt compelled to comfort you, and so he did, scooting a little closer to you and still maintaining a respectful distance, just to put a hand on your shoulder. To his surprise, you returned the gesture by hugging him, shoving your face in his chest and holding his shoulders. He moved to wrap his arms around your waist, slightly embarrassed you could definitely hear his heart thumping. "I'm... sorry." He patted your head, wanting to kiss it as well, but he knew it would make the moment awkward if you didn't feel the same way. He was satisfied just comforting you, suppressing his feelings if he had to, for being around you took away his ability to strategize. He'd make plans to get you later, he just wanted to enjoy that moment.
"Can you get me a glass of water, please?" You asked softly, letting go of his shoulders, and looking up at him with tired eyes. Eyes just like his.
"Of course." He said instinctively, getting up from the couch, suddenly realising what the hell he just did. You let out an incredulous laugh seeing his panicked face turn right back around, trying to grab a hold before you could get away. But you were much faster, teleporting to where your client would be before his touch could get you.
Dazai, for the first time in years, felt utterly and entirely thrilled, chuckling to himself as he realised the plan was ruined. He'd have to find another way to carry out the operation. He sat down on the couch, holding his head in his hands, not entirely out of frustration of being fooled by a beautiful tempter, but from how easily he let himself be tricked by you.
"Atsushi." He spoke into his pager. "Call off the bomb."
"What?! What happened?"
"Change of plans."
*- sorry i laughed so hard
Silly little poster practice :)!
Og art under
*manifest into this pocket* hey!you two are spamton g spamton and jevil?well i am here to deliver you a cool video game!!!!!*give them a pc and a copy of undertale* have fun :)))) * dissapear*
[[plaintext]] UNDER THE CUT.
J: how fun! how fun!
S: THIS GAME IS VERY [[marketable plushie]]
First chilly day | part 7
🌻 whoops, did not mean for the next update to take so long but here we are! raph and donnie are fearing for their lives!! I also decided to play around a bit with the colors and stuff this time.
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A Sky iceberg I made! Explanation posts made and queued up, excited to infodump to orbit and back
The template used can be found here :)
FATALITY
just realised ive never posted my favourite lance video....
nobody asked but here are my personal top five pat gill videos | a 2.1k word long post where i rank and review pat gill’s videos for just way too long.
Right around the tail end of April, 2020, I fell into the rabbit hole of my current obsession; Polygon Dot Com Video Content. As a consequence of this was being introduced to the phenomenon of Pat Gill. A dire consequence of that consequence was me slowly, deeply, irrevocably, finding myself attracted to this marionette of a man. So, I enjoy his content and I think he’s hot and that combined with the fact that some of my friends bully me over that latter fact has inspired me to do this: rank my personal favorite Pat Gill videos in a post that’s entirely too long.
Before I get straight into the rankings, I need to explain my process.
First, I needed to narrow my scope. Polygon has a lot of videos. Polygon has a lot of videos with Pat Gill in them. If I didn’t narrow my scope, I would either go bonkers yonkers or have a list that would be kilometric in length and thus miss the entire point of ranking altogether. So, for my sanity, I am excluding any videos that are a part of a Polygon video series. This means no Overboard, no Gill and Gilbert, no Video Game Theatre, etc. If I included these, I would cry. I do not want to cry over Polygon Dot Com Video Producer Pat Gill.
Second, I need a criteria. If I just ranked videos with no system, I would find myself endlessly rearranging my list based on whatever thought comes out on top in my mind at the given moment. I am a disorganized person, so I need rules. I have decided that I will rank Pat Gill videos using the EEEH criteria.
Entertainment. Do I smile, watching the video? Do I chortle? Am I filled with the embarrassing urge to show this video to my sister and derive glee from her laughing at the exact same moment I laughed? Entertainment is key.
Education. Did I come out of this video knowing something I originally did not know? More importantly, was I engaged in the learning process? I come from a family of teachers, so I have high standards when it comes to education. If I am to learn, I must learn well.
Exaltation. This is a bit of an oddball criteria, but it is important to me. The word “exalted” is defined as “elevated in rank, character, or status.” This criteria refers to how good it is at exalting, elevating, pulling me out of a depressive episode. That is to say I’ve been in a depressive episode for the past month and whether or not the video made me stop crying and brush my teeth is essential. Polygon video content has been integral to my serotonin production lately, and thus the video’s ability of acting as an audiovisual antidepressant for me factors into the rankings.
[BONUS POINTS] Hotness. How Hot Is Pat Gill In It? I felt bad, morally, ranking videos based on how good looking I thought Pat Gill was in it—because beauty is in the eye of the beholder, and all that, and people don’t exist to be beautiful, they just are, and I agree—so I’m relegating this criteria as a bonus point. Standard is 0, because he’s always hot in my mind, but he gets plus points if he is exemplary in the hotness department.
The maximum score for each of these criteria is 5 points, making the perfect score a 15, but because of the bonus points, a 20 is, hypothetically, possible.
With that out of the way, let me dive right into it.
5. The fastest interview ever with Ben Schwartz from Sonic the Hedgehog
Entertainment: 5 Education: 2 Exaltation: 2 Hotness: +2 Total Score: 11
Pat Gill is a good interviewer, he’s engaging and fun and keeps the interview interesting, but this interview is particularly special because it seems that, and let me quote Youtube user AudreyN who left a comment on this video stating “ben schwartz consumed all seven chaos emeralds prior to this interview.” Pat Gill and Ben Schwartz’s dynamic is amazing, and by “dynamic” I do mean “Ben Schwartz absolutely just fucking dunking on Pat Gill for 14 entire minutes.” and it is glorious.
For Entertainment this scores a solid 5. Quite honestly the funniest interview I’ve ever watched in my entire life. Just the sheer beauty in the exchange [Pat] “You would use Sonic’s power to gaslight me?” [Ben] “Just you.” In terms of Education, I guess I did learn a bunch of things about the Sonic movie that I didn’t know before, but the avenue by which it was portrayed in was not exactly the most engaging, more like I was absorbing it via watching two experts discuss on a webinar. I would have given just 1 point to Education but I made it 2 because of the wonderful knowledge that Pat Gill can draw a pretty good Sonic in a few seconds. When it comes to Exaltation, I must admit that while this video got quite a few laughs out of me, it didn’t make me want to get out of bed and take a shower.
BONUS: Pat is +2 hot in it. His short hair makes him look very handsome. He’s a spiffy boy, in this video. Very, very good.
Keep reading
Have I read all of these… no
Will I start… soon
But everyone read Steph brown she’s my baby
STEPHANIE BROWN READING ORDER
For those who, like me, when they like a character they need to read every single comic the character appears in, I have compiled a list of all of Stephanie Brown’s appearances from her debut up to the 2011 Flashpoint reboot (not including New 52 continuity).
I've had this little idea in my head for a while now, so I decided to sit down and plot it out.
Disclaimer: This isn't meant to be some sort of One-Worksheet-Fits-All situation. This is meant to be a visual representation of some type of story planning you could be doing in order to develop a plot!
Lay down groundwork! (Backstory integral to the beginning of your story.) Build hinges. (Events that hinge on other events and fall down like dominoes) Suspend structures. (Withhold just enough information to make the reader curious, and keep them guessing.)
And hey, is this helps... maybe sit down and write a story! :)
ok wolf 359 bingo card has been approved by the council
almost empty cheap ballpoint pens > mechanical pencils
yes yes yesss
If you can't handle these men as they are, find a different man to obsess over 🫀
PSA:
STOP TRYING TO SLIM DOWN THOMAS!
Yes he has strong arms but he's FAT! He is a big man with a tummy, no he does not have hard pectorals or abs. Leave that man alone!! Let fat characters exist!!!
Also no, he's not baby girl. He is a grown ass man with severe mental issues and trauma. He is complicated. I'm sure over time that Thomas would be more affectionate towards his partner but that would easily take 6 months to YEARS to develop. I know big, bad mask men can be hot but it's also important to acknowledge the character and what they represent! 😭
Justice for Thomas and Bubba!
I’m hoping for an outcome like this :)
they tell you about school and they tell you about work and they tell you about taxes and responsibilities and ideals you have to reach. they don’t tell you about baking chocolate cookies from scratch at the ungodly hours of 11 at night and sitting on your kitchen floor while watching a home decor competition show while you get to munch on a cookie that tastes like the hot chocolate you used to make when you needed a reason to live as a teenager. they don’t tell you about getting to eat another cookie while you think about capturing this moment in a mason jar and shipping it through time to your younger self who gets scared so easily by school and work and taxes and responsibilities and ideals. your younger self who wonders if there’s still comfort, still good things, and if you get to claim them for yourself at some point or if comfort is always a question of dependence. they don’t tell you about that, when for years we do nothing but dream about moments like these
I love poeple
"Twin!Delusion AU" by me and @ridokichan (from our previous post)
(their dynamic in nutshell, basically.)
This is partially based on bereavement hallucinations disorder (it is not nessesary for a person to be "passed" to fall under such diagnosis. but considering how on other side of the portal Stan didn't even knew if his brother is alive in there - name still works.)
Realistically speaking - those kind of hallucinations are a response to an overwhelming emotions, a coping mechanism & form of isolation formed desperation.
Stan is so desperate to fix the portal, to get his brother back/fix this mistake that mind will willingly make it seem like everything is alright.
You supress your emotions because you got more important things to focus on? Oh trust me they will find the way out.
Now a question: then why are they in a form of children?
Childhood represents innocence, unconditional love, and a time when they were truly happy together. Subconscious will always choose this form because it literally offers protection, allowing to mentally escape into the past rather than face the unbearable present. After all, Stans character is about partially clinging to the past while Ford was one that wanted to move forward. (i am not talking about Ford holding grudges from the past like a dead dog he is, no)
Seeking comfort in purest and safest version of your brother, one that never looked at you wrong, one that never pulled the curtains on you when you asked for help....... Sounds right to me.
Some Firestarter doodles I did to practice learning how to draw him since I suck at drawing Firestarter :,)
going crazy over these two lately
Autistic Inertia is an autism experience that makes it hard to start, stop, and switch tasks.
It somehow doesn't get talked about enough - so I made this comic!
YouTube • Instagram • Twitter
Also, if you want to read the research study I based this comic on, it’s right here!
GUYS. THIS. IT MAY LOOK LONG, BUT PLEASE. READ. THIS.
hi, so im kind of wondering what is your thoughts with hetalia especially the fact that it hasnt age well and specifically what do you think of the way hetalia Ukraine's character is handled
oh that's a great question, thank you! oh i sure have a lot of things to say but it'll be difficult to make it concise and readable
early hetalia certainly has aged like milk, the idea of making axis powers the main characters Did Not Spark Joy. it seems that himaruya made an effort to distance hetalia from that since then, there was this whole rebranding from "axis powers hetalia" to "hetalia world stars" and the comics no longer touch on ww2 but rather modern day, sometimes history, some fun facts, and sometimes have no basis whatsoever. it's hard to judge the intentions behind that. sure it has ironed some of the problems but general inaccuracy and disrespectful portrayal of countries remains an issue. and personally i just find himaruya's writing bad and unfunny.
and now for ukraine. oh dear.
to start off easy, a short note on her appearance - as a ukrainian, it's a bit weird to see her blonde and blue eyed? the beauty standard here for centuries has been "black hair brown eyes" and it's seen in folk songs, poems and novels. and yet it's not just hetalia that does that. it's not a mistake really, i'm just weirded out, especially after how western far-right and far-left has been explaining support for ukraine as "because ukrainians are blonde and blue-eyed".
but onto her most prominent visual trait, let's talk about boobs. in hetalia collezione from 2021 (i think?), on ukraine's character profile himaruya has written that he was inspired by naked female protesters upon creating her.
the "naked protesters" are femen, a radical feminist activist group famous for topless protests. it's a group of like, 15 people. they were last prominent in 2013. i think most ukrainians barely even remember them. it's fucking wild to me that he based an entire country personification off of that. it is, however, quite telling of him that himaruya saw feminist protesters and only saw potential for cheap jokes about boobs.
i chose a good screenshot, it shows some other problems as well - "crybaby", "poor" and "she loves russia chan". i'll save the latter for last. let's focus on her being a crybaby and poor. "but actually very strong!", himaruya says, except i can't recall any examples in canon where ukraine has been shown as strong. instead her whole personality and appearance reeks of 2000s perception of eastern europe, influenced by both western and russian chauvinism to show them as inferior. ukrainian women have been stereotyped like hetalia ukraine - poor, huge tits, weak in a "traditionally feminine" way, whores. it was disgusting back then, it's even more disgusting that in 20 years himaruya didn't bother to revisit that at all.
politically speaking, these jokes, about ukraine being poor and weak and dependent on russia, while have some basis in the reality of 1990-2000s ukraine, are very insensitive to the causes of these issues and just feel like punching down.
and now, "she's loves russia chan". lol. lmao even. in 2021 no less. it has been another consistent trait of hers, as shown on the screenshot above that she just wants to get along with her "siblings" russia and belarus. to talk to russia "like i used to". there's this sense that they somehow grew distant, and all of them regret it, but it's never shown what happened.
what it really reminds me of is the russian narrative "big bad evil politicians (and/or big bad evil west) want to divide our brotherly nations, the people just want to live in peace but have no say in it" and shit like that. it's not the case. what happened is the russian state trying to tie ukraine in its sphere of influence, using economic blackmail to influence its political decisions, and then punishing ukraine with occupation of crimea and parts of donetsk and luhansk regions for choosing eu over russia. even before that, but especially after 2014, the amount of chauvinism russian media and russian people has shown has been enormous. i grew up in an environment dominated by russian media showing how ukrainians were nothing more but dumber, poorer rural russians. since 2014 they also started calling us nazis, child eaters, ukrainian identity - fake and made up by austro-hungarian empire, ukrainian lands - gifts of lenin, and so on. i will stress again - not just russian media. but russian people. even the supposed "liberal opposition".
but yeah sure, we're brotherly nations. nothing but love between ukraine and russia. ironically, the last appearance of ukraine in hetalia comics as of now is a comic from late 2021 about how much ukraine loves russia. since then it seems himaruya has been too much of a coward to draw her again. thank fuck, really.
and fandom is no fucking better by the way. whenever i go into hws ukraine tag it's still half full of fanart of "soviet siblings" (the fucking audacity to use that name too), showcasing that "brotherly love" between ukraine and two aggressor states towards it.
but y'know, a lot of people in this fandom will claim that it's apolitical, that these are just characters. so, a few questions:
if it's apolitical, why does hetalia cover political events, like brexit?
is a country not a political entity? is a nation not a political entity?
is the genre of satire not political?
if these are just characters, why call them country names? why not just make them your human ocs? why tie their lives to historical and political events?
it just doesn't make sense to me. "it's not political" is an incredibly flimsy excuse. everything that has to do with portrayal of countries and cultures is inherently political. and if you want to be a decent person, there's a responsibility to portray these nations and cultures respectfully: do your research, talk to people from these countries, otherwise you're building with no foundation. it's not even hetalia-specific advice, this applies to writing any character from countries different to your own.
this was. very long. can't think of how to shorten it nor i really want to, i tried to answer this as fully as i could.
there's not much point in explaining all that to people who after 2 (10) years still don't get what the problem is. i expect this post only to get attention from people who already agree with it, and mostly ukrainians. but eh, maybe a miracle will happen and someone from outside my bubble would read it.
Manual Wheelchair Tutorial by Fade31415
So... I technically drew this 3 years ago but forgot to post it. I think I was going to clean up the end and make a nice recap, but I ran out of steam and then just left it as a wip for years. I got reminded of it because I was talking to a friend about how to draw wheelchairs today.
This covers most of what I view as the most common errors when it comes to drawing characters who use manual wheelchairs. I hope it helps you a lot.
Image description is in alt text, but there is a back up image description under the cut in case that does not work for some reason
[image description: a 4 picture long wheelchair tutorial. the background is white and the text, when it appears, is black and in calibri. each step will be labeled with "Step #" and a description of the drawing next to it, and "text" and then the text that is written to explain it to follow.
Step one text: So, you want to draw a character who uses a manual wheelchair? Awesome! I can't approve more. Drawing characters who use wheelchairs is a bit different than drawing standing characters, because of obvious posing differences. But to start, you need to know what parts of a wheelchair you will draw. So, without further ado, here are 3 wheelchairs!
Step one image: a simplified drawing of a chubby woman sitting in a quickie GPV manual wheelchair and resting her hand on the handrim of one of the wheels. this is labeled "the artist"
step two: next there is a lineart drawing of three wheelchairs. one is a tilite TR series 3. this is an ultralight wheelchair with a bucket seat (the back is lower than the front), a big cushion and a short backrest that kind of contours to the back of the person who would sit in it. the caster wheels (front wheels) are very small and the footrest is just two little metal bars. next image is a quickie GPV. this is also an ultralight wheelchair with a low back, but its caster wheels are slightly larger, the back has regular upholstery (it does not look like it was made to conform to the back of the person who sits there) and the frame is boxier -- there is no bar underneath the seat where the wheels would attach, rather each wheel is attached to the side of the chair. the next wheelchair is an invacare tracer. it is how most people imagine wheelchairs when they hear 'wheelchair'. it has no cushion and it has a high backrest with handles. it has high armrests that would be comfortable to rest your elbows on if you were just sitting. the wheels are not bicycle wheels like the previous two but are rather plastic. it has big footrests and big caster wheels.
text: the wheelchairs on the left are the ultralight, sporty kind. I have one of them (the quickie). the one on the right is a more standard one you might find in hospitals or as the public wheelchair in grocery stores or the mall.
step three: first is text to accompany the tilite. "This wheelchair has a really thick cushion - it's pressure relieving, which you need if you use your chair ufll tiem and especially if you have a spinal cord injury. This wc has the smallest caster (front) wheels. They are hte most handy for turning in small circles." next there is text to accompany the quickie gpv: "This one has the one I use -- it isn't pressure relieving, but is still useful." next is text to accompany the invacare: "this wheelchair has no cushion - you do not want to sit on it for long. This one has the biggest caster wheels - they are useful for not 'tripping' when your front wheel gets caught on an obstacle.”
step four text: like with all complex drawings, you want to break it into simple shapes first. I normally have a box underneath the seat, a rectangle for the backrest, and a trapezoidal thing for hte area from the box to the footrest. these are the most important shapes, because your character will rest on them and they will move with your character.
step four image: the lineart of each wheelchair has been put on reduced opacity, so we can see the square representing the backrest of each seat (the square is the smallest for the tilite and biggest for the invacare), the box for each seat and area underneath it, and the trapezoid for the footrests. the next step labels the images of these simplified shapes as the lineart is removed. "Note the proportions of each set of shapes is not the same - just like how you wouldn't draw all your characters with the same proportions on their faces!"
step 5: we see the same shapes to form the wheelchair, but now with blue circles drawn where the back wheels would be.
text: next shape is the wheels - two circles
step six: next we see the wheels and shapes have been reduced in opacity and the basic structure of everything about each wheelchair: footrests, caster wheels, upholstery details, axles has been drawn on in orange.
text: the next stage is everything else that's structure - front wheels, handlebars, cushions, footrests.
Step seven: we see the lineart on top of the lowered opacity sketch.
text: you can then do detailing like axles, spokes, upholstery, etc and lines
step eight: next we see three drawings of different characters. there is patience, a skinny white woman sitting in a blue invacare wheelchair. kelley, a slightly chubby black woman wearing a stripey dress sitting in a red quickie gpv wheelchair and doing a wheelie while smiling. then luke, a white man with short blond hair wearing khaki pants. he is sitting in a tilite chair.
text: once you get your wheelchair basics, you need to find out which kind your character uses. here are three characters who each use one of the example WCs. patience uses the invacare. she needs one with a better cushion, but circumstance prevents it. Notice the chair is a bit wider than her hips - it's not custom fitted. Also notice she has to turn her elbows out awkwardly to move. the high armrests prevent a smooth push. her wheelchair has big caster wheels and far-back back wheels. it is made for stability and difficult to turn,but also difficult to knock over. Her chair indicates a lack of resources or temporary injury, and is primarily a transport chair
kelley uses a wheelchair like mine - it is fairly sporty, but has a box-y frame underneath. this makes it heaver than if it didn't.she has a mediocre cushion - it protects her, but only some. her back wheels are further underneath her body than Patience's, which makes it possible to do the wheelie (demonstrated here). her wheelchair is supposed to look line one you'd use full time, but it is a little old.
luke has a spinal cord injury. he has a very thick pressure relieving cushion for medical reasons. his chair is also ultralight, with no boxyness under the frame. his chair is the newest and lightest - it indicates his wealth/resources, but also that he needs to use on full time.
step nine: just a drawing of me sitting in my wheelchair holding my hands up to show fingerless wheelchair gloves. we're looking at me from above.
text: when you're choosing what wheelchair to give your character, think of both their disability and their resources and go from there. questions to ask yourself: is it made specifically for them or is it mass-produced or a hand-me-down (if it's custom, the seat will not be too wide or narrow in comparison to their body and their feet will rest on the footplate naturally). do they want more stability (further back back wheels, big caster wheels) or maneuverability (the inverse). do they need a pressure relieving cushion? how long are they using their wheelchair per day? how long have they needed a wheelchair? Do they have health insurance? do they have access to a lot of spending money? How much can they spend on their wheelchair? are they athletic etc etc
posing steps:
step one: a sketch of two people standing up. one just shows the outline of a person's body, with legs that are ind of triangle shaped, the other shows a sketched pelvis and rib cage to go along with the bones of the legs and arm. text: step one: Most people have this sketch anatomy they put before drawing their characters for real. I kind of scribble around like on the left, but some people use skeletons on the right.
step two: there are now too sketched pictures of people in wheelchairs. one shows lightly traced human form (arms articulated, curve for a stomach, legs that are kind of triangle shaped and pointing down) sitting in a wheelchair that is just the sketch of footrests and wheels. the other sketch shows the sketch of a body with a circle for hips and an oval for a rib cage and the person doing a wheelie (lifting the front end of the wheelchair off the ground and leaning back). their wheelchair is also sketched out and defined by a circle for their wheels and 2 lines, 1 of the seat and 1 for the backrest. text: you need one of those for your wheelchair character. important: they should have both the person's main anatomy features (Usually upper body and at least hips) and the wheelchair's. for me, these are the back wheels, footrest, and seat. why simplify to just those features? Take a look at this incredibly quickly drawn wheelchair.
step three: there is a lineart drawing of a manual wheelchair with slightly cambered (angled towards the seat) wheels, a backrest, and a footrest. the frame is light and there are no handlebars. there are labels pointing to different parts of the wheelchair: Backrest, handrims, wheel, axle, seat, footrest, and caster wheels (the ones in front). text: there are a lot of parts, and not all of them are essential to your pose. trying to draw the whole thing straight out of the gate will frustrate you.'
step four text: take a character in heavy armor: if you draw her pose without taking her armor into account, her armor will clip through her body. if you draw a wheelchair using character without keeping her wheelchair in mind from the beginning, the pose won't make sense.
step four image: next we see two lineart drawings of different characters. one is a bulky woman wearing plate armor. her hand is on her hip and she is trying to scratch her back with the other hand. there is the label "shoudlerpad clips through face" and "thumb clips through chestplate." the next drawing shows a woman in a wheelchair with one foot rested on her knee and her arms rested back, such that they would be rested on the back of a regular chair, but the back of her wheelchair is not wide enough for them to actually be resting on anything. the text here reads "elbows not resting on anything" and "foot not on footplate"
step five: there are two images, one is lineart on top of a 3d modelled apartment with sketchup, the other is a colored in version of that lineart with the background also colored in and no longer a 3d modelled screencap two characters, one old woman wearing a green jacket and one younger woman wearing a white shirt and blue undershirt, are sitting on a couch. the old woman is leaning forward and the young woman is resting her arm on the couch. behind the young woman is a bookshelf.
step five text: you may say you'll just draw the chair first and then the person, but while that works for regular furniture, it doesn't work as well for most manual wcs. take this comic panel with characters on a couch for example - I 3d modeled the room and then drew the characters on the furniture. it works because you don't move furniture in most poses - you rest on it. but your wheelchair needs to move with you, especially if it's an ultralight one.
step six image: there is a flat color drawing of barbara gordon in her wheelchair. she is wearing a black sportsbra and black shorts. in the first image we see she is doing tricks in her chair, zooming through the air (as if she has just launched herself off the ground in a skater park or somethign) while her left hand is resting on a structure and her right hand is heading towards the right handrim. the next image shows her right hand planted on the ground and her chair and body above her, such that she is briefly doing a one-handed handstand, but the motion line indicates that she is moving and this will not last. her left arm is near the handrim of her left wheel.
text: take exercise Oracle - she is doing tricks. Her WC is an extension of her body. That is crucial to getting natural looking manual wheelchair users after posing.
step seven: we see a lineart drawing of paula from young justice. she is sitting in a standard manual wheelchair with high armrests (goes up to the bottom of her ribs probably) and a high backrest (goes up to just below her shoulderblades). she is setting her hand on the armrest, leaning forward, and holding her other hand out.
text: of course, there are exceptions - if you have a clunky WC, it is harder to move with your body. Take Paula from young Justice - here, i drew her resting her hand on her armrest, because she has a clunker wheelchair. her pose is already mostly static - she's sitting down - and she poses around that.
MARIO BROTHERS: Humble Beginnings
Part 1
So, uh… I made this comic wayyyy back, when the Mario movie was first announced… I was waiting to post it until more parts were complete, annnnd then completely forgot about it. 😅
Well, no time like the present, right?
Anyway, this is kind of how I envisioned a “Mario Origin Story” would begin. If this gets some attention, maybe it’ll continue… 🤷
hot artists don't gatekeep
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
Hello, so I was writing a prologue for my book and I forgot how to add action in a scene , instead of like ex. 'A drinking coffee and suddenly B comes crashing to the coffee shop thingy' but better ways to add action.
Thank you<3
Hi, there! While there's no one size fits all way to add action, we have some blog posts that I think could really help!
